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In any case, I think the current combinations don't work any worse than they do in professional Garamonds.
Do you have any experience with such things yourself, Martin?
Also, does the stroke on right side of the /A/ get thinner toward the baseline, or are my eyes playing tricks on me?
So your /f/t/r retract their protrusions when followed by, what, /v/w/y?
What other combinations to you feel require special attention in a serif? (Or is that a trade secret of yours...?)