Typedesign and Indonesia
Dusan Jelesijevic
Posts: 66
Sincerely I hope that this question wouldn't offend anyone, especially the Serbia I'm coming from isn't famous for anything similar, but I noticed a big boom of Indonesian releases on MyFonts. There are more then 50 foundries from Indonesia, releasing a tons of script families almost every day.
Since I'm not following so often news from Asian markets, I was wondering what made Indonesia (at least to me) all of sudden country who's having this number of type designers?
Are there maybe any newly formed Universities, conferences, workshops etc that brought this popularity for type design?
Thanks.
Since I'm not following so often news from Asian markets, I was wondering what made Indonesia (at least to me) all of sudden country who's having this number of type designers?
Are there maybe any newly formed Universities, conferences, workshops etc that brought this popularity for type design?
Thanks.
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Comments
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Vasil Stanev said:https://typedrawers.com/discussion/comment/38193If Islam or internal conflicts like the East Timor one does not mess the country up, as is the rule throughout most of history, it will be a considerable powerhouse. (I have had to hand trace anime characters with qurans and traditional Muslim attire... it's somewhere on my hard drive).
Absolutely true! The Indonesian/Malaysian/Turkish scripts have been transformed into Latin after being written for centuries in Arabic (Quranic) script that is still being used and called Arab Jawi or Pegon as shown in the attached pictureand elaborated here http://nonosoft.jifisa.net/Still exchanging Crosswords? https://t.me/FlowerCrosswords/10Why not exchange Flowers? https://t.me/FonJawi/23Happy exploring through Telegram https://telegram.org with Flowers0 -
AzizMostafa said:The Indonesian/Malaysian/Turkish scripts have been transformed into Latin after being written for centuries in Arabic0
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Hrant H. Papazian said:A damn shame in both cases.
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It could make sense in some cases. I'm just not aware of any.0
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Vasil Stanev said:Ain't gonna debate you if most Islamic states throughout history are failed or not, everybody can check the facts for themselves.1. fighting Prophet Mohammed (peace be upon Him, His Household & His sincere followers)?2. misguiding people by misinterpreting some verses of the Glorious Quran?3. changing Arabic/Quranic-based scripts into Latin?, and4. creating & supporting terrorism in Syria, Yemen, Lebanon, Palestine and elsewhere?1. https://typedrawers.com/profile/2675/Gumpita RahayuVasil Stanev said:Perhaps there are Indonesean designers on the board?
2. https://typedrawers.com/profile/1600/Aditya Bayu
And more here:
http://luc.devroye.org/indonesia.html
Hope to hear from one of them soon here as well as there:
https://typedrawers.com/discussion/3089/arabic-design-contest#late
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I have moved our little chat on PM to keep the thread on-topic.0
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Vasil Stanev said:I have moved our little chat on PM to keep the thread on-topic.Thank you for not going off-topic.1
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Vasil Stanev said:Ain't gonna debate you if most Islamic states throughout history are failed or not, everybody can check the facts for themselves.Suffice is to say that Turkey is our southern neighbour and things there are far from rosy,Aside from not wanting to go off-topic... even if I might agree with taking a jaundiced view of much of the Islamic world, I don't see any connection between that and the merits of the Arabic script versus the Latin script.The Latin script, being made up of disconnected letters without positional changes in form, is much simpler to deal with, as well as being highly legible. Are these advantages worth giving up cultural diversity?There are elements of culture that are subject to legitimate criticism, but there is also the "folkloric" aspect of culture; different peoples speak different languages, eat different foods, wear different clothes, and so on, all of which is so nonthreatening that politicians of all stripes can gush over it even if they would recoil in horror, legitimately or not, from any real diversity in things like basic philosophy of life or ethical views.Of course, there is a larger political context, in which one might suspect the motives of the Turkish government if it seeks to make communication with the Arab world easier, and communication with Europe more difficult. That a fait accompli would have to be reversed, bothering the Turks to learn to read and write all over again (if that is indeed the case, it may not be) is another matter.But I still would class the script used for a language as belonging to the folkloric portion of cultural diversity, the innocent uniqueness every national group has, and therefore not something to be tampered with without a very good reason, as doing so is hurtful to the people of that group.0
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John Savard said:The Latin script, being made up of disconnected letters without positional changes in form, is much simpler to deal with, as well as being highly legible. Are these advantages worth giving up cultural diversity?
Adding tails to disconnected letters to make them cursive or changing tails of Cursive letters, without changing their letter-heads, to make them more attractive?Comparing the two scripts:
Latin letters = 34 stand-alone shapes = 26 (A-Z) + 8 (a+b+d+e+g+h+q+r) not taking the differences in the other 18.Quranic/Arabic-based letters - Dots = only (19) sweet and dancing shapes. https://www.sleeplessinkl.com/2010/08/25/tearing-my-hair-out-over-jawiThat's right: Unlike Latin, Quranic/Arabic-based scripts love to go hand in hand and shoulder to shoulder as elaborated in the attached files.So, were those advantages worth changing cultural diversity?2. Why were the Quranic/Arabic-based scripts replaced with Latin?
3. How do the crooks justify changing cultural diversity?Hope my posts are more illuminating than confusing https://t.me/R2LChangers1 -
AzizMostafa said:So, were those advantages worth changing cultural diversity?
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John Savard said:
I am firmly opposed to the persecution and mistreatment of minorities by national governments, and this includes Muslim minorities.
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AzizMostafa said:John Savard said:
I am firmly opposed to the persecution and mistreatment of minorities by national governments, and this includes Muslim minorities.
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A reminder to keep things on-topic, this is a forum for the discussion of type and lettering, not the criticism of religion.
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Dyana Weissman said:A reminder to keep things on-topic, this is a forum for the discussion of type and lettering, not the criticism of religion.
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Well-done & Congratulations Indonesian Arabic Typeface Designers!
1. Syamsi Namela [Nur Syamsi] > http://luc.devroye.org/fonts-102116.html
2. Panca Ahmadi > http://luc.devroye.org/fonts-102412.html3. Bustanul Arifin > http://luc.devroye.org/fonts-102448.htmlAll the Best for All with Flowers0 -
Indonesian here. Yes, you're right. Typeface design is now a thing in Indonesia.I think here's my perspective:1. Some years ago, probably circa 2010-2018, lettering was booming in Indonesia, thanks to Instagram and other similar platforms. More people tried hand lettering, calligraphy, etc.2. The trend led them to learn about lettering/calligraphy etc even more. I could confirm, the atmosphere there was very supportive! They began to build a community, workshop, etc. And trust me, once again, it was a very supportive atmosphere to learn.You can check account like @Kaligrafina, @Belmenid, @Jktyp on Instagram, they encourage people to draw letters nicely, had regular meeting, and often did a workshop or exhibition about letters. And you know what, every big cities in Indonesia had similar community. This led the knowledges spread easily.3. Some people who are confident enough about their knowledge about "what makes good letters good", started to try one step ahead: creating fonts. That's why a huge amount of typefaces come from Indonesia are script or hand-lettered. Because their basic were calligraphy/hand lettering.I think that describes the trend enough. Maybe there's a few people that really learn about typeface design somewhere, but that's not the trend.4
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Muhammad Ariq Syauqi said:Indonesian here. Yes, you're right. Typeface design is now a thing in Indonesia.I think here's my perspective:1. Some years ago, probably circa 2010-2018, lettering was booming in Indonesia, thanks to Instagram and other similar platforms. More people tried hand lettering, calligraphy, etc.2. The trend led them to learn about lettering/calligraphy etc even more. I could confirm, the atmosphere there was very supportive! They began to build a community, workshop, etc. And trust me, once again, it was a very supportive atmosphere to learn.You can check account like @Kaligrafina, @Belmenid, @Jktyp on Instagram, they encourage people to draw letters nicely, had regular meeting, and often did a workshop or exhibition about letters. And you know what, every big cities in Indonesia had similar community. This led the knowledges spread easily.3. Some people who are confident enough about their knowledge about "what makes good letters good", started to try one step ahead: creating fonts. That's why a huge amount of typefaces come from Indonesia are script or hand-lettered. Because their basic were calligraphy/hand lettering.I think that describes the trend enough. Maybe there's a few people that really learn about typeface design somewhere, but that's not the trend.0
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Hi @abdrhnf.
Please make note of the following rule for all members the TypeDrawers community:
1. Use your real name. All members must use their real-life first and last names as a username. This policy encourages thoughtful, mature discourse where all participants are accountable members of a professional community.
Thanks.0 -
Paul Hanslow said:Hi @abdrhnf.
Please make note of the following rule for all members the TypeDrawers community:
1. Use your real name. All members must use their real-life first and last names as a username. This policy encourages thoughtful, mature discourse where all participants are accountable members of a professional community.
Thanks.0 -
Big Thumbs up for South East Asian Arabic/Jawi Calligraphy!
https://t.me/FlowerCrosswords/57 = https://t.me/FonJawi/537
Practice makes perfect? Why not Fly High Unique & Dynamic Fonts? https://www.youtube.com/watch?v=itZ66gUVVCI
All the Best to All with Flowers
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Just sharing "Talking Arabic/Jawi Typography" https://t.me/t.me/FonJawi/540By Shahzihan from Malaysia
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