Grotesk / Grotesque

Daniel Riley
Posts: 3
in Type History
Hi Everybody,
I am curious to know what were/are the main stylistic differences between a German Grotesk and a British Grotesque?
best
Daniel
I am curious to know what were/are the main stylistic differences between a German Grotesk and a British Grotesque?
best
Daniel
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Comments
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There are a few exceptions, but usually German Grotesk faces feature a single-story /g, British Grotesque faces feature a double-story /g.2
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The “continental/infant” version of Gill Sans is discussed here.0
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In the 19th and early 20th centuries, several of the sans serif typefaces sold in Germany were imported by German foundries from British ones, and/or exact copies were made illicitly via electroplating. Surely some German founders cut sans serifs that were very close copies of what was being sold in the UK, too. And there were British punchcutters who worked in Germany and German punchcutters who worked in Britain as well. So I find a line between German Grotesks and British Grotesques very difficult to delineate.
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I wonder if part of the reason for the british association with the two-story /g is stephenson & blake's "grotesque" series, which both features it heavily, and may come to mind first when thinking of british grotesques, even if it that form of /g wasn't terribly more-common overall. there are indeed plenty of examples of it in dan's german archive4
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I've long had the impression (although I don't know for sure if it's true) that late-nineteenth and early-twentieth century German type designers favored the one-story /g (and sometimes /a) due to their comfort and familiarity with fraktur.4
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Mark Simonson said:I've long had the impression (although I don't know for sure if it's true) that late-nineteenth and early-twentieth century German type designers favored the one-story /g (and sometimes /a) due to their comfort and familiarity with fraktur.3
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