Best Of
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Re: Hello there, anyone up for a review, I could use some advice :)
/a’s hood could carry more weight, esp. given how the shoulders of /n etc. look. My eye kind of catches on that little notch at top left of /t. The space after /r (as in learning) is a problem. None …4 -
Re: Hello there, anyone up for a review, I could use some advice :)
Not bad overall!The /f/ and /t/ strike me as way too narrow. On second thought, this might extend to /i/ and /l/ to a lesser degree. The crossbar of /f/ could use more presence on the left side. The …1 -
Re: Typographica
It warms my heart that you keep checking back, Raphaël. The site was most active during the times of my life when I was freelancing and not fully employed. That hasn’t been the case for a while, and …15 -
Re: Typographica
@"Stephen Coles"2 -
Re: Ripoff Account on CreativeMarket
Define what that ‘algorithm’ would do, and what exactly you mean when you say ‘basic’, then implement that. It may answer your ‘why’ question. ;-)4 -
Re: Just curious... do you enjoy drawing the thin or black masters more?
If it’s a sans, the Black is more fun. For my newest release, Oculi, the lightest weight was more interesting and fun to draw as I had a lot more space to play with weight modulation and curve tensio…1 -
Re: Just curious... do you enjoy drawing the thin or black masters more?
Black is more fun because it’s where I get to cram in some wild thick/thin stuff and weird terminal angles.3 -
Re: Draw in light mode or dark mode?
it is more a glare issue than a color issue. Any tone you feel comfortable with is ok as long as you have overcome the halo effect of pure white.3 -
Re: Draw in light mode or dark mode?
I do plain black on white. With white on black content I get a persistent afterimage, which is distracting and annoying. I'm not sure if that's always been the case, or if it's an effe…5 -
Re: Draw in light mode or dark mode?
When working on a bookface, I like using a creamy, off-white background, both to cut down glare and to approximate book papers.7
