Best Of

(Quote) 
 I see the obvious options, but no global shortcut. Make a copy of the font, and then either: 1) Use the bucket fill tool and fill those interior elements. 2) Double-click on interio… (View Post)

It is not only unique to the ital axis I think. If you look at https://www.axis-praxis.org and https://v-fonts.com you will find many examples of fonts using registered axes (wdth and wght in particu… (View Post)

Christian, I agree, G3 "removes" any "visual structure" along a longer Bezier spline. In a single-master design, you may just as well remove that kind of node. Harmonize Handles (… (View Post)

@"Linus Romer" thank you very much for publishing openly available math alongside your Curvatura code. At FontLab, we’ve made a successful test implementation of your “Make G3 continuous” m… (View Post)

David Lemon once told me that the Adobe approach to the tight-spaced ellipsis originated because of the desire to allow it to double for setting multi-dot leaders. Of course, nowadays such is almost … (View Post)

> Making a proper fhook is probably only meaningful if you include everything else in the African Reference Alphabet.In general, yes, but. I did a lot of (poorly documented and inconsistent) resea… (View Post)

@"Ray Larabie" https://en.wikipedia.org/wiki/Ewe_languageMaking a proper fhook is probably only meaningful if you include everything else in the African Reference Alphabet. (View Post)

(Quote) 
Adam, I agree with you re detached ogoneks. Out of interest have you noticed detached ogoneks in signage etc? Not to derail the thread but I'd be interested to see examples, regardle… (View Post)

I'd make the end of the ogonek more like the shape of the C or perhaps completely open like the S. I'd slant the end of the crossbar on the Eth to match the E but maybe that's a personal thing that I… (View Post)

(Quote) 
Top right; revived 2020 by... (View Post)