Best Of
-
Re: Matthew Carter's definition of 'revival'
3 -
one color font for all Browsers in 250kB
I prepared a font ResotE-Pistachio that combines two formats (COLRv1 + OpenTypeSVG) – thanks to WOFF2 format it was possible to pack the whole font into 254kB! I hope it will work in all modern brows…2 -
Re: When did Helvetica and Times New Roman reach such levels of influence?
My impressions are that the ubiquity of Times New Roman came mostly from it being a default in the first generations of Microsoft Word (related to its availability for printing), but that Helvetica h…2 -
Re: Neutral Typeface Ideas?
Try using Ai for this.2 -
Re: Matthew Carter's definition of 'revival'
4 -
Re: Questions about Ikarus
My first foray into digital type was via IkarusM and an Aristo Tablet. The tablet cost a fortune and I held on to it for years after it was useful.1 -
Re: Questions about Ikarus
As you may know, the Dutch Type Library does not work for third parties in any way and the DTL typefaces are developed in-house with our proprietary software. As mentioned, this includes support for …2 -
Re: When did Helvetica and Times New Roman reach such levels of influence?
Having spent a lot of time studying it, I would not say Press Roman from the Selectric Composer is all that similar to Times. It was inspired by Times, but is quite a lot wider, on average. The crude…2 -
Re: When did Helvetica and Times New Roman reach such levels of influence?
The early laser printers contained the fonts inside themselves, rather than getting data on the shape of characters from a graphical operating system on the computer. The HP LaserWriter had Helvetica…2 -
Re: When did Helvetica and Times New Roman reach such levels of influence?
One measure of the ubiquity of Times: it was the default face of American pulp fiction in the mid-20th century. It could take an absurd amount of abuse and still function, rather like hard-boiled pri…3
