Hmm...I'm neither a native user nor the best judge when it comes to transporting a Bauhaus-style geometric typeface into other alphabets, but do you have a good reason for us to accept your treatment… (View Post)
This one is a fundamental for designing Venetian-Garalde hybrids (for LGC) based on seeing numerous Latin, Greek and Cyrillic typefaces: Latin: Uppercase fundamentals: (all have a contrast axis of 30… (View Post)
@Gianluca Russo Below is a paper from Keith Chi-Hang Tam on sans-serifs. https://www.academia.edu/805630/Calligraphic_tendencies_in_the_development_of_sanserif_types_in_the_twentieth_century And her… (View Post)
In numerous manuscript traditions using the broadnib pen, I see Greek lowercase with a default of 120-degree stress angle, Greek uppercase+Latin+Cyrillic (both uppercase and lowercase) with a default… (View Post)
In this work, at least for me, the proportions of a, n, and r are too narrow. The e is too wide, it must be slightly narrower than the o. So far, your s looks quite narrow, but so far, nothing intrus… (View Post)