Claudio Piccinini

Some typefaces you might want to check for ideas on how to rule out excessively eterogeneous elements while keeping the initial inspiration: - Claude Sans by Alan Meeks (1988, a monoline Garamond-lik… (View Post)

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Of course, I meant to write «I don’t *mean*», not «I don’t *mind*»… LOL. (View Post)

It’s nice but I would still keep a vertical axis in the /o (and readjust the /e a bit accordingly, i.e. prolonging the stroke endings at the top to the same height, as you more or less have in /s). I… (View Post)

Since it’s clearly a titling typeface, I would decide the maximum number of weights based on how you’d personally use it. I think it would benefit to test it (or have people test it) in a variety of … (View Post)

@"Mark Simonson": Along the lines of their exploration of the superelliptical form of Butti and Novarese came Fluidum, which was more of a "formal” script. But nonetheless it was pushi… (View Post)