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Re: A humanist grotesque (sic!)
For /be-cy I suggest giving the top more of an upwards movement from the curve. Something like this: The middle curve could also have a rounded transition into the stem like /er-cy.1 -
Re: Print shop to the Stars. (Adam Savage again)
Related to this subject, Leah Spencer wrote for Alphabettes about her specialized work for film and TV, which often includes designing period-specific letterforms.2 -
Re: Hinting and font rendering
Sometimes it helps to rotate (and maybe also slant) the whole /s one degree at a time between two upright letters until the letter looks more balanced, or it becomes more clear which parts needs to s…1 -
Re: exploring variable fonts - seeking tipps for nodes placing/outline design
It's better to draw glyphs such as the euro with overlapping shapes, rather than a single contour. As long as you keep the contour orders in check, it makes kinkless interpolation much easier.5 -
Re: Eau de Garamond — a sans distilled from the essence of Garamond
The bold /oslash has very small counters, and the top and bottom of the o-shape looks a bit too altered to compensate for the bar. It looks okay in the lighter weight. My suggestions: > thin the b…2
