Best practice for kerning?
Comments
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Yes, if you expect them to be used as such. Maybe not for a display face.0
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Mark Simonson said:I also never kern against the space character, as much as it may make sense, since it’s inconsistently supported by apps and operating systems (at least it was at one time—not sure if it’s still true).
The one time I kerned against space I released the typeface and someone immediately complained that it turned “for you” into “foryou.” One step forward, two steps back.1 -
Monotype back in the nineties (before they were acquired by Agfatype) shipped Type 1 fonts with kerning against the space character and it always caused problems for me, very much as you describe. My aversion probably started there, but I’m also pretty sure I’ve seen guidance against it somewhere at some point.0
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IIRC Adobe once did this as well, at least back in the 80s and early 90s.
I think it is a mistake, for all the reasons previously mentioned.
- can have very bad results in certain combos
- many engines will ignore such kerning anyway0 -
On the other hand... I do kern against the space in some situations. My thing is long form text. I read a lot of novels (150-ish ebooks per year) and that's what my fonts are intended for, not by optimizing resolution and angles, or anything, but by adjusting distracting letterforms or whatever else I find distracting. It's a dang fine way to notice and eliminate kerning problems and many other kinds of problems, including spaces (the gaps, not the character) that scream at me to fix. But I only fix the problems I notice. The caveat for me is that I only read English language novels, so I'm probably missing a much of problems in other languages. I do proof text in many languages, but I don't read those novels. Of course reading that much is not exactly a production plan. I'm a hobbiest. :-)0
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Negative kerning between space and A is a good argument for double spaces between sentences.
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I generally kern between a few glyphs and space, T,Y, L,V.1
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