Historical examples of serpentine-shaped /one
Craig Eliason
Posts: 1,497
in Type History
In embroidered samplers I've been studying, it was very common to make the figure /one with a "stroke" that curves a bit to the left at the bottom and to the right at the top (like a very compressed /S or an upright /integral).
In manuscripts and inscriptions I think I've seen /ones that look like /Js (that is, with a curve at the bottom), but I can't recall if I've seen this serpentine /one elsewhere.
Anyone know of examples ∫ -like /ones in lettering or type?
0
Comments
-
That sounds very unusual. I don’t think I’ve ever encountered such a form, anywhere. Do you have any examples you can share? Now I’m really curious.0
-


1 -
I experimented with some of my typefaces, in InDesign, finagling the integral symbol.
These were the most successful.
From top to bottom: Beaufort, Brown, Sense.
Despite being able to achieve even colour, the disparity in style is too great, the s-shaped “one” doesn’t look like a one.
I did try my more unorthodox designs, such as Fontesque, on the principle that their general weirdness would make the odd “one” more at home, but in those I had either omitted the integral or designed it to be quite conventional, with tiny ball terminals, so that didn’t work.
0 -
Thanks, Craig. Those are very unorthodox-looking, to say the least. I’m not sure how well they’d read outside of a sampler context. Although, I suppose in the context of a date, it would certainly be assumable. But still weird. :-∫0
-
I'm tempted to see it as a kind of disambiguation strategy (as sampler lowercase /l's were often sans serif and capital /I's had bilateral serifs). But in the content of samplers and other likely cross-stitch products, there was probably zero danger of mistaking figures for letters.0
-
1
-
Thanks Florian. That's in the neighborhood of the J-like figures on this Venetian clock, pictured at the Wikipedia page for "1".
2 -
I can’t NOT read that as a J.
It’s J2-o’clock!2 -
“When does Good Times come on?” “JJ oʼclock.” “DYN‐Oʼ‐(clock)‐MITE!!”Thomas Phinney said:I can’t NOT read that as a J.
It’s J2-o’clock!0 -
The J-like 1 is very common in the 17th and 18th Centuries in the Netherlands and England, especially in the more upright styles. It is a frequent form in the copybooks of English writing masters, as well as occurring in memorial inscriptions.
Some flourished examples by John Seddon:

George Shelley c.1710:
And illustrating two common forms of the period:
And a couple of contemporary inscriptions (note the hooked 4, which is also fairly common at this time):

5
Categories
- All Categories
- 46 Introductions
- 3.9K Typeface Design
- 489 Type Design Critiques
- 572 Type Design Software
- 1.1K Type Design Technique & Theory
- 660 Type Business
- 875 Font Technology
- 29 Punchcutting
- 529 Typography
- 121 Type Education
- 328 Type History
- 80 Type Resources
- 111 Lettering and Calligraphy
- 32 Lettering Critiques
- 79 Lettering Technique & Theory
- 560 Announcements
- 95 Events
- 116 Job Postings
- 169 Type Releases
- 179 Miscellaneous News
- 269 About TypeDrawers
- 53 TypeDrawers Announcements
- 114 Suggestions and Bug Reports





