Luc Devroye says two folks in the Bay Area revived the beautiful Oxford type around 2002. They named it Aitken
And yet, it's nowhere for sale. Also, no one else has really revived that wonderful face, Oxford. Somehow, the world decided we need 3,400 indistinguishable takes on Futura or Helvetica, but none on Oxford. Go figure.
Yes, I know that the gifted Mr Carter redid Chauncey Griffith's Monticello
. But that's a pale copy of Oxford. The x-height is much too big, the ascenders too short, and it looks unsteady, like a teenager that got tall too quick. Shouldn't somebody try again?