Nor Nakhijevan — from a 1931 tram substation sign to Cyrillic and Armenian

pavljenko
pavljenko Posts: 43
edited 6:04AM in Type Design Critiques

Літеропад has begun in Ukraine. I decided to take part, so I’d like to introduce my typeface, Nor Nakhijevan.

First letters in three scripts Latin Aa Cyrillic  Armenian

The typeface began with the lettering on a tram substation in Rostov-on-Don. The inscription is dated 1931. I shared the sign on my Telegram channel this summer, and the typeface is now approaching its final refinements.

The source has a distinctive mixture of geometric construction and unexpected letterforms. My task has been to develop that small set of letters into a usable typeface, keeping the character that made me stop and photograph it.

Tram substation in Rostov-on-Don with its 1931 lettering

The starting point: Rostov tram substation No. 2.

Closer view of the original Cyrillic inscription and the date 1931

A closer look at the original lettering.

Here are a few details from the current Cyrillic drawings. The relationship between the unusual capitals and the lowercase is one of the things I’m refining.

Current Cyrillic letterforms in the typeface editor

Cyrillic forms in progress.

Construction of the capital A beside the lowercase a

The capital A and lowercase a.

The Armenian part brings up a different question: how should the design relate to the people whose language it will serve? I decided to ask speakers of the Nor Nakhichevan dialect how they write Armenian letters, and use their handwriting as a starting point for developing the forms.

I’m interested in what those everyday written forms can contribute to the design. The Armenian drawings below are still work in progress.

Work in progress on Armenian lowercase letters including

Armenian lowercase studies, including ջ.

Work in progress on the Armenian capital

Armenian Փ, shown in outline.

I’d welcome feedback on the letterforms and on the relationship between the two scripts. For Armenian readers in particular: which forms feel natural, and where does the geometry get in the way of recognition? I’d also be interested to hear from anyone who has used a local community’s handwriting as a source for a typeface.

Eight Armenian letter pairs with the same pairs in a standard Armenian typeface below

Translated & edited via AI