A verie bad fount.

Nick Shinn

Following up on this previous discussion, I’ve now published the typeface in question.

Auld English® has three novel contextual features (default long-s, pseudo-random effect for body-text letterpress mimickry, and “re-writing”), but I thought I’d focus on the re-writing here, as the design space for this was informed by John Hudson and Thomas Phinney, with their hard line on the inviolability of canonical text—which is why I’ve released the “Spell” versions of the typeface as a free experiment. In particular, the transliteration is quite plausible for most text, but makes a hash of proper names!