I'm looking for resources that might document or give an overview of the way communities and networks form among typography enthusiasts and professional type designers. I run my own community for it on Discord, and while it's doing pretty well with a decent amount of active chatters, newcomers often feel like they pop out of nowhere. It feels like their interest in type has been a personal thing for a long time and that when they join the Discord server, it's the first time they interact with others like them.
I've seen some overlapping sources of members, with some coming from graphic design corners, which is a very popular and active community nowadays on the internet. But that seems to be the most definable source of new people.
What has your experience been with finding fellow type lovers, and how have you seen it evolve? Where might the new generation of type come from, and how can we foster it so it doesn't become the last?
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I do suspect, though, that forums are attractive to me and designers like me, but social media sites feel more comfortable to others whose absence here is to the detriment of this site's quality and future.
When I can manage to get there, TypeCon has been a terrific in-person opportunity for connecting. With some initiative more local get-togethers are possible in many cities. (I ran a Type Tuesdays here in the Twin Cities for many years, which has recently been revived.) There's something quite fun about actually talking to real people about this thing that you do so solitarily. The "kindred spirits" feeling is satisfying.
It's worth mentioning tool-specific discussion forums. I frequent the glyphsapp.com forum, and when messing with drawbot I found their forum really helpful.
My fondest memories in earlier years were of international travel to annual type conferences to meet all those online type-folks in person—ATypI, TypeCon, Robothon, the OpenType jamboree. It’s been a while since Prague 2004, but I hope I can still make a few more of them someday.
This takes me back to the late 1990s, a time when resources and communities for type design were not as readily accessible as they are today. During my commutes to work, I used to lurk in the Typo L community through my Palm Pilot. I recall it being a newsgroup or a mailing list (the exact format eludes me now) but it was a significant window into the world of type design for me.
Before the advent of font forums and the wide availability of digital resources, gaining insight into typography and font design was a challenge, especially for those not already embedded in the graphic design industry. For instance, the only book about type design software I knew of (Fontographer Type By Design) was already out of print and seemingly impossible to procure.
Immersing myself in the discussions on Typo L was not just educational; it was transformative. It helped me find my footing in the typeface design community, and also brought into sharp focus the skill gap between a novice like me and the seasoned professionals. Those early experiences were instrumental in shaping my approach and commitment to the craft.
In my case, the CompuServe DTP forum and later also the Typo-L mailing list were my gateways. Info was hard to come by, and community doubly so!
My first real specimen book was The Electronic Type Catalog (Byers, ITC). My first type books other than specimen books were Letters of Credit (Tracy), Anatomy of a Typeface (Lawson) and The Elements of Typographic Style (Bringhurst). I also got a copy of Fontographer: Type by Design (Moye) while it was still in print.
One of the things I will note is that most of those forums were poisoned by one or two people, and that having at least two active mods who are willing to take the step of suspending or banning people is unfortunately necessary to the health of such communities.