Which g?
Nick Cooke
Posts: 201
Which italic g is most suited to accompany the Roman at the top? I know which I favour but I'd like to see what others think.
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Comments
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Personally, I prefer the second italic <g>.0
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2nd
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The second one, definitely.
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#2 or #3 of the italic, in that order.0
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Second one, unless your "f" does not descend, then the first one (and a binocular "a").0
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I think I prefer the third, but the second is also very good.
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Most suited to accompany that roman g? Well, only italic #1 has the same kind of awkwardness.0
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I like #2, it fits the fun italic feeling best.0
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2nd.
I will also straighten the curve on the top of the /t, I find it distracting. Or at least make it much more subtle.
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#1 is most suited
#2 is most beautiful
#3 my favorite0 -
I'd first try to reconcile the Roman /g a bit more with its peers before worrying about the italic. It's a charming shape, but it feels out of place to me. All other letters seem to have a more generous relation to horizontal space.
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I think the upright "g" only needs a stronger ear.1
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Though 4 doesn't complement the roman I think it's pretty sweet, different.0
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2nd. It follows the same simplifying transformation as the /a.0
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I would say #3 looks best as a single letter, but in the whole word #2 works better. #1 seems too different to /a in my opinion.0
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Thanks everyone. I'm glad most were in favour of #2, that's what I wanted to hear. Regarding the Roman g; I had an earlier iteration which I changed to the one above to make it more distinctive. The top image shows the 'awkward' g and very curved t top, while the bottom shows the earlier g with a less severe t curve. I wanted the t to be different and recognisable, but definitely not distracting/annoying.2
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I find both the /g and /t better integrated in the bottom sample.
The /g and /o look lighter than the /n and /r, for example, though in the case of /g it might be a deliberate measure to avoid clumping.
In both samples, the /ngra/ cluster is much more tightly spaced than /lated/. Actually, I'm wondering whether the top /g would look more harmonious if it were just spaced a little wider.
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The "g" in the second setting is entirely forgettable. It look like TNR's on Monday morning.0
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Christian Thalmann said:I find both the /g and /t better integrated in the bottom sample.
The /g and /o look lighter than the /n and /r, for example, though in the case of /g it might be a deliberate measure to avoid clumping.
In both samples, the /ngra/ cluster is much more tightly spaced than /lated/.0 -
I thought you'd chime in with your contrariness but that is what I thought too. I thought the original (bottom) one was nice but maybe a little dull. Now I think the top one just needs to be a bit wider with a bit more space around it and a bit more weight in places:3
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Yes, that's much better!
There's still the problem of the gravity well sitting somewhere around the /g/r boundary that appears to be pulling the letters close and thinning out the outer regions.
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Here are the rest of the lower case itals:2
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And Display and Text styles:
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It's all rather loose.1
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Hrant H. Papazian said:It's all rather loose.
I think the eye on the /e could be opened up a bit more on the "text" style since it will tend to vanish at smaller sizes with the weight you've added.1 -
Nick, what's your thinking for the elbow of the roman g sticking out so far to the left?1
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The display style seems to exaggerate the imbalances of weight that I mentioned for the text style. For instance, /a feels very dark and /o/c/s very light.
I like the italics! The /j might benefit from a big more backbone.
Yes, the Roman is a big on the wide side, but I see that as a design feature. I'd file it in the Mrs Eaves category.
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[Removed] I had opinions about this and then went and looked at Bembo. You’re fine.0
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In your initial sample, the cursive "g"s are poorly spaced (the "gr" gap is big). I like your awkward g in the roman and I would keep the binocular structure in the italic but make it less odd, more Bembo-like.0
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Nick Cooke said:Here are the rest of the lower case itals:0
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