Hello everyone!
My name is Cécile (czl) Lebleu. I'm studying solo to be a type designer. I'm new here, although I've been a reader for quite a while.
I would like to get your critique and opinions on one of my first two typefaces — the other is a text sans, which is still in construction, and will include Cyrillic and Greek. But that's another story. Coming soon

Marsa is a display serif face, with Caps and Small Caps. Mostly a design exercise, trying out shapes and mixing styles. I was inspired by Roman inscriptionals, and sleek, tall shapes from the past century.
It supports basic Latin, with lots of accented characters, a capital Eszett, Thorn, Eth, etc. Please take a look at the attached PDF.
It will be available for free once it's ready.
Thank you in advance for any feedback. I know, "it's already been done", but I think it has a nice personality

Comments
Few things I notices...
R' is too dark
A' seems too short
O' (and round sides) and S' are spaced to much.
Something bothers me with the vertical contrast. The thin strokes in U' N' X' etc' are thinner than the horizontal strokes, so you basically have 3 stroke weights (Thick vertical, thin vertical/diagonal, and horizontal) somehow distributed unevenly resulting in disharmony and causing some letters to pop up and some fade.
But don't let any of that discourage you. It's a good first effort that taught you a great deal. Don't finish it now. Think of it as a sophomore year project. Go on to other things, learn more, and come back to this In a few years if you still like it.
I know there is an impetus to creating and releasing a font, but I also recommend undertaking initial studies, revivals, and exercises without the idea that you will release them. There is a great deal of helpful freedom in being able to take an idea as far as is helpful to your development as a designer, and then putting it away and moving on to something that will help you move further. If you have in mind that you must complete a thing so it can be released, you will waste a lot of time that could be spent learning the next lessons.
Something I noticed in your design is that there's similarities in places that could benefit from differences. Eg. the terminals of /C and /S are too similar, to the point they distract when you read the text. Take a look at how other serif fonts handle these letterforms differently, and see if you can apply those learnings in your work. "Nocturne" below, is a nice example of how serifs are handled differently on each form:
Good start though.