Revivals?
Fernando Díaz
Posts: 133
Hi,
I was wondering how much time I have to wait to create a digital revival of a printed typeface?
I have an original Stempel sample of a typeface from the 40's that I want to re-make.
Linotype already has a digital version (the only one). Is there a time frame for this kind of thing?
How does this work?
Thank you.
I was wondering how much time I have to wait to create a digital revival of a printed typeface?
I have an original Stempel sample of a typeface from the 40's that I want to re-make.
Linotype already has a digital version (the only one). Is there a time frame for this kind of thing?
How does this work?
Thank you.
0
Comments
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European protection is much stronger than in the US but my opinion is, and I am not a lawyer, if it is from the forties and you don't call it by the same name you will probably be OK.
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Thanks George, what's with the names trademarks?
http://www.monotype.com/legal/trademarks
The font that I want to re-make is on this list, so its registered, but only in USA?
I never understood font naming trademarks... I thought they where by country0 -
You could of course ask Monotype. They might be biased, but if you go in blindly you might find their bias legally weaponised. Anyway, seventy years is really close to a lot of copyright claim expiry times, so who knows, it might be ‘safe’ when you’re done with it.0
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If you release a font with the same name as a font someone else has already trademarked – even if the design looks totally different – you can expect to receive a cease and desist letter from a lawyer representing the trademark-holder.3
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I think there is enough “transformative” (in the copyright sense) work required by digitizing a font from a letterpress printing, to constitute an original design—provided that (a) the model is not overly idiosyncratic, (b) the re-working has a strong overall interpretation, and (c) you change the name. Ultimately you have to be the first judge of whether you’re just lazily swiping someone else’s design or have provided a genuinely transformative new work, and your peers are the second judge—upon that depends your reputation and brand.
I don’t think there is any legal issue (other than re-using the original name), because the notion of intellectual property in typefaces applies only to digital files; things may be more strict in some European countries, I’ve heard, but I doubt that this kind of “revival” would warrant prosecution (disclaimer: I am *only* a type designer, not a lawyer!)3
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