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  • Re: User-based licensing

    Yes, I'm getting a lot of sales for app/web licenses for older free fonts. I think those old fonts, unlike my recent free fonts are installed on more computers and are included with more software packages. The chances of someone using the font in a project, getting accustomed to it, requiring a different license and actually purchasing it are slim. If a font is already on millions of hard drives as opposed to thousands, revenue can exceed that of a conventional commercial pricing scheme.

    The problem I recently had was just getting the free fonts out there. It could be a matter of my new fonts not being good enough, but some of the old ones that earn the most in upsold licenses, are inarguably terrible. My guess is that these days, people don't hunt for free fonts the way they used to. If you're reading this and you're under 20, try to imagine a time when people bought computers and they didn't have enough fonts. I'm not talking about design professionals, I mean your average person. If you wanted something other than the small selection of OS fonts, you had to go get some. Now, when you install Windows 8, you get a cornucopia of wonderful fonts.

    Free font web sites had 4-5 new fonts per week and most of them umm... here:
    http://www.fontspace.com/timeline/1996
    http://www.fontspace.com/timeline/2014

    The font gold rush will never occur again. There will never be a situation where there's a lack of good free fonts; at least not with this alphabet.

  • Re: What will the future of typography look like?

    By the year 2030, it will be possible to compose an entire novel using only the names of typefaces.
  • Re: Politically correct weight names

  • Re: What will the future of typography look like?

    Latin typography is going to see many more derivative novelty fonts created with python scripts. Rounded fonts are being succeeded by typefaces with angles replacing curves. As the growing number of new type designers run out of ideas and look for ways to reprocess the old ones we can look forward to countless derivative fonts with octagons instead of curves, distressed outlines, ink traps, etc.. Free/cheap tools for creating these fonts will be made available to end users who will engage in rampant wild manipulation of the entire GWF library.

    Layered color fonts will be a big part of the computer generated novelty trend. Expect to see lots of derivative fonts with automagically generated bevels, pattern fills, and drop shadows. 

    If Adobe develops a decent OpenType UI and implements it consistently across Creative Suite and graphic designers learn to use it we’ll see a surge in use of OpenType programming that goes beyond LIGA and CALT. In particular people will do more with stylistic sets if DTP software supports naming the sets. Some people will combine this with layered color fonts to do some amazing work.

    Central and Southeast Asian typography is going to explode. Libre fonts combined with cheap computers and cheap/free software are rapidly making design accessible in places it never has been. This will stimulate a market for affordable-at-developing-world-prices non-Latin display types. MyFonts.in is going to be big by 2020.

    By 2020 there will also be a booming market designing non-Latin Frutiger and Prokyon clones for companies that want to distinguish their brands with bespoke type that looks like everybody else’s bespoke type.

    Western type designers will continue to shift their focus to non-Latin type design where there is more room for original work rather than trying to compete in the market for scripted novelty fonts sold at 99% discounts. Every time Glyphs adds another language to its automatic OpenType feature code compilation it will open a door for designers who lack the resources to do such heavy lifting on their own, encouraging this trend.

    The pamphlet magazine/newspaper market will finally collapse in the next decade due to continued ad revenue decline and a crash in impulse buying caused by Americans shifting to online grocery shopping. Nobody will be making money off editorial web sites because all standards for web ads will have been abandoned and they’ll have negative value. This will cause the market for custom editorial fonts to collapse. That will dramatically change typography in the US and Europe as the old trendsetters fall from grace and are usurped by something. I have no idea what that something will be. Probably something to do with custom fonts to be embedded in spam for Oprah’s gluten-free kombucha extract penis pills.
  • Re: What will the future of typography look like?

    Imagine a glyph of a boot stamping on an emoji of a human face—forever.
  • Re: What is your standard Latin character set?

    Also keep in mind that Vietnamese is not restricted to Vietnam (This goes for all languages, to various degrees.)
    According to this source based on the US Census, there were almost 1.5 million Vietnamese speakers in the United States in 2011, a number that increased by 510 percent since 1980.

  • Re: Your opinion on super heavy discounts on MyFonts.

    If Weight Loss Nude Pics Whiter Teeth Pro is monospaced neo-grotesque it will catch on with the undesign crowd and you’ll be guaranteed positive writeups from design critics who will assume the entire thing is a Dutch conceptual art project.
  • Re: A Great Summer Offer for a Brilliant Tool

    The same DTL customers were happy to notice that we adapted the manual though.

    image
  • Re: Should we enable polls on TypeDrawers?

    After a week of voting, the yes/no results were dead even, with 16 votes each. I think it’s safe to say the opposition felt more strongly than the other side, so we won’t be enabling polls for now.
  • Re: Should we enable polls on TypeDrawers?

    That's why not.