For /be-cy I suggest giving the top more of an upwards movement from the curve. Something like this: The middle curve could also have a rounded transition into the stem like /er-cy. (View Post)
Related to this subject, Leah Spencer wrote for Alphabettes about her specialized work for film and TV, which often includes designing period-specific letterforms. (View Post)
Sometimes it helps to rotate (and maybe also slant) the whole /s one degree at a time between two upright letters until the letter looks more balanced, or it becomes more clear which parts needs to s… (View Post)
It's better to draw glyphs such as the euro with overlapping shapes, rather than a single contour. As long as you keep the contour orders in check, it makes kinkless interpolation much easier. (View Post)
The bold /oslash has very small counters, and the top and bottom of the o-shape looks a bit too altered to compensate for the bar. It looks okay in the lighter weight. My suggestions: > thin the b… (View Post)