Tips for Building a Thin Master from an Existing Black Weight

Hi everyone, I’m new to type design & fontlab and I have a question about building a font family. I’ve already designed the Black weight of my typeface, and I’m wondering — is there a recommended method, formula, or set of calculations for creating the Thin master from it? Any advice would be greatly appreciated.

Answers

  • John Hudson
    John Hudson Posts: 3,505
    edited September 22
    To confirm: you have only a Black weight?

    It is quite challenging to go all the way from Black to Thin without at least one intermediary master, especially if you want all the stages between them to be viable. This is one reason a lot of designers start with the Regular weight, and then derive heavier and lighter designs from that (the other reason is that the Regular weight tends to be the most widely used and embodies the character of the typeface for the user).

    One approach to the situation you describe is to work on a Regular weight intermediary master next, and then use that to extrapolate a rough Thin master. The latter will still require work to refine the design, and get its proportions how you want in relationship to the Regular (Black designs tend to need the most optical adjustment to stroke and bowl weights and counter widths, while the Thin can be much more systematically related to the Regular proportions and stroke weights).
  • James Puckett
    James Puckett Posts: 2,025
    Get a pencil and paper out. Use them to design your black weight. Recreate that design in your editing software. Make stuff interpolate. Add variants of characters that won’t interpolate to work in appropriate instances.