First Font: Clean Vintage Signage-Inspired Display

jeremy.t.hamann
jeremy.t.hamann Posts: 2
edited September 17 in Type Design Critiques
Hello there!

I've been having a blast working on my first font, but I would appreciate opinions from some fresh eyes. Overall I'm really happy with it, but it being my first stab at type design, feel free to open my eyes to my inexperience!
 
A couple of things I'm running into:
  • I've been playing around with two lowercase b/d/p/q versions, part of me wants to go with the lowest quick brown fox version below to connect more to their uppercase counterparts, but in lowercase I feel like those letters just want to be curved with an overshoot... I go back and forth
  • I'm also struggling to know what level of optical corrections to make between the uppercase and lowercase glyphs. Sometimes the lowercases feel too bold. Sometimes they feel just fine.
PDF proof also attached. Still just working on letterforms, I set side bearings but haven't gotten to kerning yet.

Thank you for your time!!


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Comments

  • Craig Eliason
    Craig Eliason Posts: 1,482
    Contrast especially in the uppercase is uneven: Thin strokes of letters like AKMNQUVWXY feel too thin compared to contrast in rounds like OPR.

    Sidebearings of lowercase are way too wide. Think of the interletter space relating better to the spaces within the letters (e.g. counters). Gaps you have now feel like letters for beginning readers, or for setting at tiny sizes which I assume isn't the intent. Getting that spacing down will also put you in a better position to judge the weight you mentioned. 

    It's tempting I know to play with fun /g forms but for this type style I'm afraid a "one-story" /g feels more suited. (What you have here also reads as too wide.)

    This thick-and-thin style has a vintage feeling, for which I think the spurred bdpq (upper quick brown fox) feels more suited. Or at least the /d and /p. /b and /q don't have to follow /d and /p (though if they wind up very horizontal they start to look kind of "techno" ish as here). 
  • jeremy.t.hamann
    jeremy.t.hamann Posts: 2
    @Craig Eliason Thank you for the feedback! I'll keep working it and have a moment of silence for my double story g haha.

    I'm curious, as I hadn't really considered when a double story g is or isn't appropriate beyond what style a designer wanted to go for, is there a rule of thumb of when to use an single vs. double story g?
  • Craig Eliason
    Craig Eliason Posts: 1,482
    edited September 18
    There are tendencies (traditional-looking text romans and American Gothic sans romans tend to be two-story; traditional-looking text italics and geometric sans fonts tend to be one-story) but no hard and fast rules. 

    Generally I think simpler or more modern designs ask for one story, while more complicated or more traditional (upright) designs ask for two. It's because your design seems "simpler" to me that I suggested a one-story here. (That, and the fact that your /g tail here bears little relation to any other forms in the typeface.)

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