Call for design suggestions: Anglicana W

^The way that middle stroke wavers between straight and curve doesn't sit well to my eye. (I notice the analogous stroke in Brill's ampersand never stops curving.) But I can see how it's a kind of negotiation between the two halves of the letter with such different characters.

John Hudson said:

Ignoring the incomplete stroke on the right, I think this example provides a good model of how one can handle the short ascender without curving the whole stroke. This is the approach I would take in a renaissance style type like Andron with a translation stroke modulation.

my currently favoured Andron shape is quite close to that, actually. However, the treatment of terminals in the manuscript samples at hand (mostly of the bastarda-semifraktur-semicursive style) may well mislead us; wether the terminals are serifed or curvy or loopy or lenghty or shorty … is that crucial? I doubt it. I think the basic structure ought to resemble the w-shape of a given typeface, in whatever style it happens. And the 3-like right part is essential, of course. But to apply the rhythmic pattern or the serif ratio of a more modern type style … that seems to be a main issue.