I'm working on this Didot-sans these days, and not quite satisfied yet. Among the things I'm having trouble with are the /m/x/y, also not sure about the /c/e Would appreciate your opinion.
The /S and /s are imbalanced and nearly made me have my breakfast come out the wrong end. The /a is single-story; not very faithful [ahem] at all. The /b /d /g /h left of /m /n /p /q /u need sharper joins. Check the bottom on /y, as there's a kink, as well an the bottom of /G. (?) Fix the top of /K and top arm of /k, there's two angles there. Kinks are everywhere in the /U. The bowl of /P and /R look too low, too square, and a little too wide to me. The /Q's left side of the tail is too thin, and near the right terminal of that tail, on the right side there's a kink. I would call it a semi-serif for the sake of that /r, it's killing me. I'm too lazy to check more.
Thanks Philip! /S/s Imbalanced in what sense? The kinks and angles will be fixed a bit later, I'll consider again the joins angle and /P/R bowls, it's styling attempt. The /r is also full of doubts, even though I'm kinda fond of it. If it stands out too hard it should be treated in another way.
Honestly, I don't see much family likeness with Didot. Sure, there's the high vertical contrast, but otherwise the construction and style of the letters is quite different. Most notably, the shoulders (e.g. /n) and bowls (e.g. /p) are much flatter in your design than in Didot, letter shapes that look optically semi-circular in Didot (e.g. /D) are squarish instead, the heavy bottoms of /c/e/C/U break the contrast harmony, and the corner connections in /M/N/K/V/W look mechanical. In all cases, I think staying truer to the Didot design would improve your typeface.
Here's an example where someone tried the same thing with Bodoni:
Te cat never expected to get away with it! (Crime Against Typography)
That's true Christian, it really has nothing to do with Didot, nor with Bodoni (Now we're stuck with the topic name :S). I don't like much the pointy corners of these styles, but I have to do something about that /y. I'm going to check out how it'll look like if i'll squarish the style even more.
Thanks Christian. Good advises... this will surely improve the /n/m/h/u. I'll test the G too. There are some more modifications I made while practicing the serif version, I'll show it soon.
Here's the serif version. far from being perfect, and I'm not sure about the spacing, /t/a and the mixture of the two kinds of serifs (serif and slab).
Thanks Craig, ordered. 10 days to it's arrive. (btw... you need to fix the link)
I've lowered the /G chin down, but not satisfied of it yet. Had to agree that the /P/R bowls were much too low so raised them. Retouched the /a spur, and /S/s.
Comments
/S/s Imbalanced in what sense?
The kinks and angles will be fixed a bit later,
I'll consider again the joins angle and /P/R bowls, it's styling attempt.
The /r is also full of doubts, even though I'm kinda fond of it. If it stands out too hard it should be treated in another way.
Thanks to @PabloImpallari for the great testing page i'm using!
Btw, How should the letters grid (attached) should be examined?
Here's an example where someone tried the same thing with Bodoni:
https://www.myfonts.com/fonts/greyscale-type/bodoni-sans/
It strikes me as reasonably well-made, although the /S/s are absurdly tilted.
That's true Christian, it really has nothing to do with Didot, nor with Bodoni (Now we're stuck with the topic name :S). I don't like much the pointy corners of these styles, but I have to do something about that /y. I'm going to check out how it'll look like if i'll squarish the style even more.
Yes Fontark Philip.
Why does the /Z/z's diagonal appear much darker (specially in the thin styles)?
Is it a screen issue?
Disclosure - This font is made as part of Fontark's QA process and will be released as a free font family when done.
Maybe /n/m/h/u would profit from moving the apex of their arch farther away from the straight stem and thus making the rounded stem a bit straighter?
(btw... you need to fix the link)
I've lowered the /G chin down, but not satisfied of it yet.
Had to agree that the /P/R bowls were much too low so raised them.
Retouched the /a spur, and /S/s.
Here's a slab version...
Feeling ready to sans it down again.
The space width was reduced to the /I width, and the line-height increased.
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