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        <title>Font Technology — TypeDrawers</title>
        <link>https://typedrawers.com/</link>
        <pubDate>Sun, 17 May 2026 20:53:13 +0000</pubDate>
        <language>en</language>
            <description>Font Technology — TypeDrawers</description>
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        <title>State of the art in AI image generation as we go into 2026.</title>
        <link>https://typedrawers.com/discussion/5512/state-of-the-art-in-ai-image-generation-as-we-go-into-2026</link>
        <pubDate>Thu, 18 Dec 2025 04:47:31 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Ray Larabie</dc:creator>
        <guid isPermaLink="false">5512@/discussions</guid>
        <description><![CDATA[Yesterday, OpenAI released a new image generator, likely to compete with NanoBanana. Here's where we're at:<br /><br />The prompt: Make a typeface specimen graphic showing the alphabet. The font is a techno typeface with capitals and lowercase.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/5x/kubxnyblw1pl.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/5x/kubxnyblw1pl.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/5x/kubxnyblw1pl.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/5x/kubxnyblw1pl.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/5x/kubxnyblw1pl.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/5x/kubxnyblw1pl.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/5x/kubxnyblw1pl.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/5x/kubxnyblw1pl.png" sizes="100vw" /><br /><br />I think the font bears some resemblance to Conthrax. The next prompt: Make a typeface specimen graphic showing the alphabet. It's the same as the previous typeface but an extra-light version.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg" sizes="100vw" /><br /><br />Make a typeface specimen graphic showing the alphabet. It's the same as the typeface in the last two images but an ultra-bold version.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/j0/w164r5h4e4n5.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/j0/w164r5h4e4n5.jpg" sizes="100vw" /><br /><br />Make a typeface specimen graphic showing the Cyrillic alphabet. It's the same as the typeface in the last three images but the "regular" weight version.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg" sizes="100vw" /><br /><br />Make a typeface specimen graphic showing a full set of currency symbols. It includes never symbols such as the riyal currency symbol. It's the same as the typeface in the last four images but the "regular" weight version.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg" sizes="100vw" /><br /><br />Well, it didn't handle that last one so well, did it?  It can render some well-known fonts like Clarendon, Montserrat, and Franklin Gothic fairly accurately.<br /><br />Make a typeface specimen graphic showing the alphabet in uppercase and lowercase. The background is white, and the characters are black. The font is Franklin Gothic Bold.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/ds/a9aciq2eki9r.jpg" title="Image: https://us.v-cdn.net/5019405/uploads/editor/ds/a9aciq2eki9r.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/ds/a9aciq2eki9r.jpg" sizes="100vw" /><br /><br /><br /> I'm not thrilled about this, but I like to check in on new image generators to assess the threat. Anyway, I thought this might be interesting for anyone who hasn't been keeping up. If you want to experiment, it's just a regular ChatGPT prompt, and I think it'll work in the free version.<br />]]>
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        <title>A new Wakamai Fondue</title>
        <link>https://typedrawers.com/discussion/5579/a-new-wakamai-fondue</link>
        <pubDate>Sun, 12 Apr 2026 08:21:36 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Roel Nieskens</dc:creator>
        <guid isPermaLink="false">5579@/discussions</guid>
        <description><![CDATA[Hi everybody, a new version of Wakamai Fondue was just released at the Fontstand conference in Berlin:<br /><br /><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fwakamaifondue.com">https://wakamaifondue.com</a><br /><br />It's now using LibFont instead of Fontkit which allows me to dig a little bit deeper into the lookups and other font tech. There are a few more interfaces to test your font, with one generic word processor-style tester and a few dedicated to specific font tech. Some UI updates should also make it more convenient to test your font in the browser.<br /><br />A bit more background info can be found in <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fpixelambacht.nl%2F2026%2Fa-new-wakamai-fondue%2F" title="Link: https://pixelambacht.nl/2026/a-new-wakamai-fondue/">https://pixelambacht.nl/2026/a-new-wakamai-fondue/</a> and a more detail guide will follow soon.<br /><br />Wakamai Fondue also features a test font (a role played by DJR's Gimlet while this version was in beta), namely Polymode Sans by XYZ Type Foundry. This way you can take Wakamai Fondue for a spin by just clicking a button.<br /><br />You can also run it locally by grabbing the code from <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2FWakamai-Fondue%2Fwakamai-fondue-site%2F">https://github.com/Wakamai-Fondue/wakamai-fondue-site/</a> which can be useful if you want to tweak the UI or the underlying engine to your liking. As before, there are no cookies or tracking and "uploaded" fonts never leave your computer.<br /><br />The site doesn't yet work on mobile, and there's going to be a few rough edges, but I hope it'll be useful when testing your fonts.<br /><br />Thanks to <a href="https://typedrawers.com/profile/0/Dave%20Crossland" rel="nofollow">@Dave Crossland</a> for funding the initiative to develop the new version!<br /><br />There are a few other neat features in the making which'll hopefully put even more "ooh!" in the fondue. I'm currently working as independent freelance for all things fonts-and-frontend, so you can always commission me to add features or help you set up a local copy or workflow.<br /><br />Happy fonduing! 🫕]]>
        </description>
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        <title>30th anniversary of OpenType (May 6)</title>
        <link>https://typedrawers.com/discussion/5587/30th-anniversary-of-opentype-may-6</link>
        <pubDate>Wed, 06 May 2026 05:48:11 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Ray Larabie</dc:creator>
        <guid isPermaLink="false">5587@/discussions</guid>
        <description><![CDATA[<div>For the 20th anniversary, I joked that maybe by the 25th anniversary, basic OpenType features would finally work consistently in PowerPoint.<br /><br /></div><div>For the 25th anniversary, I joked that maybe by the 30th anniversary, PowerPoint would finally support basic OpenType features properly.</div><div>Well, here we are at 30.<br /><br /></div><div>As far as I can tell, PowerPoint still treats advanced typography like a suspicious new experimental technology from the future. Kerning classes remain unreliable; stylistic sets, alternates and other standard OpenType features are still mostly absent from the UI or inconsistently supported.<br /><br /></div><div>At this rate, I’m optimistic that by the 35th anniversary, presentation software may finally discover typography from the age of from the age of Tamagotchis.</div>]]>
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        <title>Glare of white 100% backgrounds and how it affects fonts</title>
        <link>https://typedrawers.com/discussion/5494/glare-of-white-100-backgrounds-and-how-it-affects-fonts</link>
        <pubDate>Wed, 12 Nov 2025 15:32:12 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>jaimes</dc:creator>
        <guid isPermaLink="false">5494@/discussions</guid>
        <description><![CDATA[I noticed recently that the people at Tiro Typeworks use a very muted background (#e3e5e1) in their editable font samples.<br /><br />And experimenting in my own website with muted off-white backgrounds, I noticed with surprise that the letters appeared <b>darker</b> with the muted background instead of 100% white.<br />I'm using <span>#efede2 now in my sites and in my programming text editor, and I think they're much more readable.<br /></span><br />I notice especially with serif fonts. For serif fonts, with muted background, the letterforms appear "fuller" if it makes sens. Sometimes the stems get a bit washed out over 100% white background.<br /><br />I realize that this is probably highly machine dependent, and person dependent, but, I don't think it should be surprising, in retrospect:<br />I checked the Spiekermann book (3rd ed) and there's a page about font adjustments to compensate for light text on dark background, and especially when the light text is actually illuminated from behind.<br />And this is exactly the converse of computer screens, no?<br /><br />Do other people notice this? Are there recommendations for screens? (I have found some web designer sites calling for off-white, but nothing formal). And, is there a technical name for this?]]>
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        <title>A browser extension to avoid glare on text</title>
        <link>https://typedrawers.com/discussion/5586/a-browser-extension-to-avoid-glare-on-text</link>
        <pubDate>Thu, 30 Apr 2026 15:12:05 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>jaimes</dc:creator>
        <guid isPermaLink="false">5586@/discussions</guid>
        <description><![CDATA[<div>Hi,</div><div>a while ago I had a discussion here about pure white background on screen producing glare for reading. See <a href="https://typedrawers.com/discussion/5494/glare-of-white-100-backgrounds-and-how-it-affects-fonts" rel="nofollow">https://typedrawers.com/discussion/5494/glare-of-white-100-backgrounds-and-how-it-affects-fonts</a></div><div>I've created a browser extension that works on Firefox, Chrome, and Edge, and substitutes text backgrounds that are too bright with something more muted.</div><div><br /></div><div>Here: <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fglareless.silvela.org%2F">https://glareless.silvela.org/</a></div><div><br /></div><div>I hope it's useful to some, and I'd love to hear any feedback, positive or negative.</div><br /><br />]]>
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        <title>Hinting Variable Fonts</title>
        <link>https://typedrawers.com/discussion/4081/hinting-variable-fonts</link>
        <pubDate>Wed, 16 Jun 2021 14:15:46 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>rui_abreu</dc:creator>
        <guid isPermaLink="false">4081@/discussions</guid>
        <description><![CDATA[<div>Hello Everyone, </div>Is there a way to autohint variable fonts, either CFF or True Type?<br />From what I can understand ttfautohint is not hinting TT variable fonts, but what about CFF variable fonts is it possible to autohint them?<br /><div><br /></div><div>Many Thanks!</div>]]>
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        <title>W3C Incremental Font Transfer (IFT) is now a candidate recommendation</title>
        <link>https://typedrawers.com/discussion/5411/w3c-incremental-font-transfer-ift-is-now-a-candidate-recommendation</link>
        <pubDate>Thu, 31 Jul 2025 18:23:58 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Dave Crossland</dc:creator>
        <guid isPermaLink="false">5411@/discussions</guid>
        <description><![CDATA[Big news for web fonts (especially CJK) <br /><br /><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fwww.w3.org%2Fnews%2F2025%2Fw3c-invites-implementations-of-incremental-font-transfer%2F" title="Link: https://www.w3.org/news/2025/w3c-invites-implementations-of-incremental-font-transfer/">https://www.w3.org/news/2025/w3c-invites-implementations-of-incremental-font-transfer/</a>]]>
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        <title>Variable Fonts: Interview Requests</title>
        <link>https://typedrawers.com/discussion/5572/variable-fonts-interview-requests</link>
        <pubDate>Tue, 31 Mar 2026 14:49:00 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Doug Wilson</dc:creator>
        <guid isPermaLink="false">5572@/discussions</guid>
        <description><![CDATA[<div><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Ftypeadvisor.com%2Fvf-interviews.html"><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/oe/twx7okw5g5ze.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/oe/twx7okw5g5ze.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/oe/twx7okw5g5ze.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/oe/twx7okw5g5ze.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/oe/twx7okw5g5ze.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/oe/twx7okw5g5ze.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/oe/twx7okw5g5ze.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/oe/twx7okw5g5ze.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/oe/twx7okw5g5ze.png" sizes="100vw" /></a></div><div><br /></div><div>Hello type designers! We are now 10 years into the official launch of Variable Font technology.</div><div><br /></div><div>How do you actually use or create variable fonts in your work? Do you make them? Have clients requested VFs from you? Do you think VFs are a total bust? Do you think VFs are the future and everyone should be making them?</div><div><br /></div><div>I’m doing<a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Ftypeadvisor.com%2Fvf-interviews.html"> three weeks of interviews in April</a> to gather real-world feedback on the state of variable fonts and the future of the technology. I’m looking for type designers for 30-minute conversations about your experience with variable font production, adoption, and where you think the technology is headed.</div><br /><div><i>Full disclosure: this is part of a paid research project with Font Bureau (David Berlow, not Monotype), but no one has control over the outcomes.</i> I want the full range of perspectives—if you’re skeptical or critical of where VFs are going, I especially want to hear from you. </div><div><br /></div><div>Results may be published with credit and attribution (unless you prefer to remain anonymous). I can’t pay you for your time, but you’ll have my everlasting thanks. </div><div><br /></div>I have limited slots, so please share this around and book a time here: <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Ftypeadvisor.com%2Fvf-interviews.html">https://typeadvisor.com/vf-interviews.html</a> ]]>
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        <title>PowerPoint: Please vote for better variable font support</title>
        <link>https://typedrawers.com/discussion/5574/powerpoint-please-vote-for-better-variable-font-support</link>
        <pubDate>Thu, 02 Apr 2026 11:04:32 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Olli Meier</dc:creator>
        <guid isPermaLink="false">5574@/discussions</guid>
        <description><![CDATA[I have created a public feedback about PowerPoint issues with variable fonts, if someone has a Microsoft account and would be willing to vote for it: <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Ffeedbackportal.microsoft.com%2Ffeedback%2Fidea%2F9b6b92b6-802e-f111-9730-7c1e52f15e53">https://feedbackportal.microsoft.com/feedback/idea/9b6b92b6-802e-f111-9730-7c1e52f15e53</a><br /><br />The thing is, I recently figured out something promising: PowerPoint uses a different rendering engine for variable fonts. You may wonder why this promising? It's because the render which is used for variable fonts, supports opentype features eg. GPOS kerning and calt. I have made a video about it for a hack for static fonts (please keep in mind that this is a hack not recommendation): <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fyoutube.com%2Fshorts%2FTlOKT7uk__k">https://youtube.com/shorts/TlOKT7uk__k</a><br />PPT nay or may not change their strategy to support GPOS kerning for static fonts, but as it works with variable fonts, it's an argument to switch to variable fonts, especially as it also supports other features like calt.<br /><br />My hope is, that if the developers from Microsoft are willing to improve how variable fonts are supported within PowerPoint we finally may have a chance for better typography within PPT.<img src="https://us.v-cdn.net/5019405/uploads/editor/zi/5avv0w6ifc09.png" alt="" title="Image: https://us.v-cdn.net/5019405/uploads/editor/zi/5avv0w6ifc09.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/zi/5avv0w6ifc09.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/zi/5avv0w6ifc09.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/zi/5avv0w6ifc09.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/zi/5avv0w6ifc09.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/zi/5avv0w6ifc09.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/zi/5avv0w6ifc09.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/zi/5avv0w6ifc09.png" sizes="100vw" /><img src="https://us.v-cdn.net/5019405/uploads/editor/gc/idkd1egxj7q0.png" alt="" title="Image: https://us.v-cdn.net/5019405/uploads/editor/gc/idkd1egxj7q0.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/gc/idkd1egxj7q0.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/gc/idkd1egxj7q0.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/gc/idkd1egxj7q0.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/gc/idkd1egxj7q0.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/gc/idkd1egxj7q0.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/gc/idkd1egxj7q0.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/gc/idkd1egxj7q0.png" sizes="100vw" />]]>
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        <title>A GSUB Syntax, and Capability, Question</title>
        <link>https://typedrawers.com/discussion/5575/a-gsub-syntax-and-capability-question</link>
        <pubDate>Thu, 02 Apr 2026 16:30:03 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Daniel Yacob</dc:creator>
        <guid isPermaLink="false">5575@/discussions</guid>
        <description><![CDATA[Greetings All,<br /><br />Before giving up on this, I thought to check here to learn if there is any way to express substitution logic in a way similar to:<br /><p>  sub A [one two three] by [X Y Z] ;</p><p>where the substitution output would be as per:</p><p> A 1 =&gt; X<br /> A 2 =&gt;<span> Y<br /> A 3 =&gt; Z</span></p><p>?</p><p>As expressed above, the syntax isn't valid.  Is there a similar expression that accomplish the intended substitution?</p><p>thanks!</p>]]>
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        <title>PowerPoint: Please vote for OpenType Feature support eg. Kerning</title>
        <link>https://typedrawers.com/discussion/4771/powerpoint-please-vote-for-opentype-feature-support-eg-kerning</link>
        <pubDate>Fri, 21 Apr 2023 14:42:52 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Olli Meier</dc:creator>
        <guid isPermaLink="false">4771@/discussions</guid>
        <description><![CDATA[<div><div>Hi Folks,</div><div> </div><div>I am sick of PowerPoints ignorance related to OpenType feature eg. Kerning. If you do the same, I am more than thankful when you're willing to help and vote for OpenType feature support within PowerPoint:<br /><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Ffeedbackportal.microsoft.com%2Ffeedback%2Fidea%2F2ab71476-dca0-ed11-a81b-002248519701" title="Link: https://feedbackportal.microsoft.com/feedback/idea/2ab71476-dca0-ed11-a81b-002248519701">https://feedbackportal.microsoft.com/feedback/idea/2ab71476-dca0-ed11-a81b-002248519701</a></div><div> </div><div>And please feel free to share this <img src="https://typedrawers.com/resources/emoji/smile.png" title=":)" alt=":)" height="20" /></div></div><div><p> </p><p>Thanks a lot in advance,<br />Olli</p></div>]]>
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        <title>Pretext - “Pure JavaScript/TypeScript library for multiline text measurement &amp; layout”</title>
        <link>https://typedrawers.com/discussion/5570/pretext-pure-javascript-typescript-library-for-multiline-text-measurement-layout</link>
        <pubDate>Mon, 30 Mar 2026 19:49:54 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Adam Ladd</dc:creator>
        <guid isPermaLink="false">5570@/discussions</guid>
        <description><![CDATA[<a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Fchenglou%2Fpretext%23">https://github.com/chenglou/pretext#</a><br /><br />Anyone see this recently announced? Info and links to Demo site above. A quick summary:<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/r0/yzkt29tvawnv.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/r0/yzkt29tvawnv.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/r0/yzkt29tvawnv.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/r0/yzkt29tvawnv.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/r0/yzkt29tvawnv.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/r0/yzkt29tvawnv.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/r0/yzkt29tvawnv.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/r0/yzkt29tvawnv.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/r0/yzkt29tvawnv.png" sizes="100vw" /><br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/t5/aupwkdx127pd.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/t5/aupwkdx127pd.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/t5/aupwkdx127pd.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/t5/aupwkdx127pd.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/t5/aupwkdx127pd.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/t5/aupwkdx127pd.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/t5/aupwkdx127pd.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/t5/aupwkdx127pd.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/t5/aupwkdx127pd.png" sizes="100vw" /><br />]]>
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        <title>Beyond the 4-style mode</title>
        <link>https://typedrawers.com/discussion/5565/beyond-the-4-style-mode</link>
        <pubDate>Fri, 20 Mar 2026 04:13:31 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Ray Larabie</dc:creator>
        <guid isPermaLink="false">5565@/discussions</guid>
        <description><![CDATA[<div>I’m in the middle of modernizing a few families and would love to hear how others are handling this.</div><div><br /></div><div>For years I’ve stuck to the classic 4-style model (Regular / Italic / Bold / Bold Italic) at the legacy family level, but I’m now moving toward larger families (adding weights like SemiBold, etc.) using typographic family naming (nameID 16/17). From what I can tell, this is the modern approach and works well in Adobe apps and current environments…but it does technically violate the old “max 4 fonts per family name (nameID 1)” rule, which some checks (e.g. FontBakery) still flag. So, I’m curious:</div><div><br /></div><div>Are you comfortable exceeding the 4-style limit in production families?<br /><br />Do you rely fully on nameID 16/17 now, or still structure around legacy constraints?<br /><br />What are you using to validate family naming and style linking these days? (TransType and FontBakery reports it as an error.)<br /><br />Have you run into any issues with Monotype, Adobe, or other distributors when doing this?<br /><br /></div><div>I still have customers using older applications, so I’m trying to balance modern structure with graceful fallback. Would really appreciate hearing how others are handling this in practice.</div>]]>
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        <title>Monotonic Greek in double encoded unicase fonts</title>
        <link>https://typedrawers.com/discussion/5561/monotonic-greek-in-double-encoded-unicase-fonts</link>
        <pubDate>Fri, 13 Mar 2026 11:04:35 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Michael Rafailyk</dc:creator>
        <guid isPermaLink="false">5561@/discussions</guid>
        <description><![CDATA[<h2 data-id="question-1-quadruple-encoding">Question 1 — quadruple encoding</h2>&#13;
<p>Since the letter shape of Alpha and Alphatonos looks identical in Monotonic Greek (and it is true for double encoded unicase fonts), I would like to encode all ~tonos versions to their base letters. Is it a good idea? If so, is my encoding map correct?</p>&#13;
<pre spellcheck="false" tabindex="0">Alpha			0391 03B1 0386 03AC	← Alphatonos&#13;
Beta			0392 03B2&#13;
Gamma			0393 03B3&#13;
Delta			0394 03B4&#13;
Epsilon			0395 03B5 0388 03AD	← Epsilontonos&#13;
Zeta			0396 03B6&#13;
Eta			0397 03B7 0389 03AE	← Etatonos&#13;
Theta			0398 03B8&#13;
Iota			0399 03B9 038A 03AF	← Iotatonos&#13;
Iotadieresis		03AA 03CA 0390		← iotadieresistonos&#13;
Kappa			039A 03BA&#13;
Lambda			039B 03BB&#13;
Mu			039C 03BC&#13;
Nu			039D 03BD&#13;
Xi			039E 03BE&#13;
Omicron			039F 03BF 038C 03CC	← Omicrontonos&#13;
Pi			03A0 03C0&#13;
Rho			03A1 03C1&#13;
Sigma			03A3 03C3 03C2		← sigmafinal&#13;
SigmaLunateSymbol	03F9 03F2&#13;
Tau			03A4 03C4&#13;
Upsilon			03A5 03C5 038E 03CD	← Upsilontonos&#13;
Upsilondieresis		03AB 03CB 03B0		← upsilondieresistonos&#13;
Phi			03A6 03C6&#13;
Chi			03A7 03C7&#13;
Psi			03A8 03C8&#13;
Omega			03A9 03C9 038F 03CE	← Omegatonos</pre><br /><h2 data-id="question-2-suppress-tonos-in-ccmp">Question 2 — suppress tonos in ccmp</h2>&#13;
<p>Also, in the case when tonos is a separate symbol in the text, I would like to compose it in ccmp, but directly to Alpha glyph instead of Alphatonos (which is not presented in the font and is encoded in Alpha glyph now). Will this substitution break the source text if the user copy it or change the font?</p>&#13;
<pre spellcheck="false" tabindex="0">script grek;&#13;
language dflt;&#13;
lookup ccmp_grek_1 {&#13;
	sub Alpha acutecomb by Alpha;&#13;
	sub Epsilon acutecomb by Epsilon;&#13;
	sub Eta acutecomb by Eta;&#13;
	sub Iota acutecomb by Iota;&#13;
	sub Omicron acutecomb by Omicron;&#13;
	sub Upsilon acutecomb by Upsilon;&#13;
	sub Omega acutecomb by Omega;&#13;
} ccmp_grek_1;</pre>]]>
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        <title>How can I merge two (CID-Keyed) fonts using AFDKO mergefonts (or anything else)</title>
        <link>https://typedrawers.com/discussion/5548/how-can-i-merge-two-cid-keyed-fonts-using-afdko-mergefonts-or-anything-else</link>
        <pubDate>Wed, 18 Feb 2026 12:51:06 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>shespoketwome</dc:creator>
        <guid isPermaLink="false">5548@/discussions</guid>
        <description><![CDATA[Hello everyone!<br /><div>I'm looking for almost the same answers as asked in <a rel="nofollow" href="https://typedrawers.com/discussion/288/mergefonts-and-otfs#latest" title="Link: https://typedrawers.com/discussion/288/mergefonts-and-otfs#latest">this topic</a>, just a little late after it was posted, but I'm having the almost exact same issue.</div><div><br /></div><div>I'm&#13;
 trying to merge two CID-keyed fonts using AFDKO mergefonts command. One of them is a converted name-keyed to CID-keyed, following <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fken-lunde.medium.com%2Fto-cid-or-not-to-cid-e8e623dcde92">Dr. Ken Lunde steps,</a> producting a working .otf file that I can open an type with in every software.</div><div><br /></div><div>After the <i>mergefonts</i> operation, I do get OTF file, with a&#13;
 filesize equal to the sum of the other two, I can't open it in either Glyphs, FontTableViewer nor Fontdrop; saying it <i>Doesn't have a Name Table</i>. The two fonts are separately openable in different softwares, with both a readable Name / CFF table.</div><div><br /></div><div>If&#13;
 there is some AFDKO hero in here, I would love to have some advice &#13;
input, even if that means using anything else than AFDKO <img src="https://typedrawers.com/resources/emoji/smile.png" title=":)" alt=":)" height="20" /> !</div><div>(I've &#13;
read <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fadobe-type-tools.github.io%2Fafdko%2FCIDKeyedUFOGuide.html" title="Link: https://adobe-type-tools.github.io/afdko/CIDKeyedUFOGuide.html">Adobe</a> <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fadobe-type-tools.github.io%2Fafdko%2FAFDKO-Overview.html%23mergefonts">docs</a> &amp; <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fadobe-type-tools.github.io%2Ffont-tech-notes%2Fpdfs%2F5900.RFMFAH_Tutorial.pdf">tips</a> as much as I can and have been following the steps and advices as &#13;
precisely as I could, I feel like I'm almost there, but I'm missing something I can't put the finger on).</div><div><br /></div><div>Thanks a lot in advance!</div><div><br /></div><div><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/7i/y5y03m1023ja.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/7i/y5y03m1023ja.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/7i/y5y03m1023ja.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/7i/y5y03m1023ja.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/7i/y5y03m1023ja.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/7i/y5y03m1023ja.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/7i/y5y03m1023ja.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/7i/y5y03m1023ja.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/7i/y5y03m1023ja.png" sizes="100vw" /> </div><br /><br />]]>
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        <title>Rlig feature not applied</title>
        <link>https://typedrawers.com/discussion/5541/rlig-feature-not-applied</link>
        <pubDate>Mon, 09 Feb 2026 15:45:16 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Yves Michel</dc:creator>
        <guid isPermaLink="false">5541@/discussions</guid>
        <description><![CDATA[<div>In Simon Cozens' Introduction to OpenType features:<br />"... there is another feature (<code spellcheck="false" tabindex="0">rlig</code><span>) for required ligatures, those which should always be applied even if the user doesn’t want explicit ligatures."<br /></span></div><span>In a recent post ("OpenType features documentation"), John Huston and Nick Shinn answered my question by recommending the use of rlig to force the use of the feature. <br />As it's absolutely required by my font, I followed their advice and it worked well with most of my applications.<br /><br />Having published a new font (.ttf) on daFont and 1001fonts, I remarked that the rlig was not applied in their example text. The manager of 1001Fonts examined their text preview rendering system and asked me to provide an .otf version of the font as a temporary workaround, which proved successful in that matter.<br /><br />Does anyone have an explanation of this problem? Or specific recommendations?<br /><br />Thanks in advance!<br /><br /></span>]]>
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        <title>&quot;No style grouping conflict&quot; issue on Monotype Font Platform</title>
        <link>https://typedrawers.com/discussion/5368/no-style-grouping-conflict-issue-on-monotype-font-platform</link>
        <pubDate>Sat, 07 Jun 2025 21:51:30 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Michael Rafailyk</dc:creator>
        <guid isPermaLink="false">5368@/discussions</guid>
        <description><![CDATA[I got this error message on Monotype Font Platform this month. Never get this before.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/b6/1jsjuwpyzbml.jpg" title="Image: https://us.v-cdn.net/5019405/uploads/editor/b6/1jsjuwpyzbml.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/b6/1jsjuwpyzbml.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/b6/1jsjuwpyzbml.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/b6/1jsjuwpyzbml.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/b6/1jsjuwpyzbml.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/b6/1jsjuwpyzbml.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/b6/1jsjuwpyzbml.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/b6/1jsjuwpyzbml.jpg" sizes="100vw" /><br />I spoke to their support team, they inspected the files and assured me that the problem is somewhere with my font files and recommended me to check Naming tutorial (what I did of course). Here's what they answered:<br /><div>During our review, we identified certain issues in the font files you provided—specifically within the naming tables, which currently do not fully comply with OpenType specifications. Additionally, inconsistent usage of the fsSelection field has been observed, which can affect styling behavior and overall font reliability.</div>I tested the font files in Photoshop, Illustrator, TextEdit, TransType, and everywhere style linking works as expected. Unfortunately I don't have access to Word right now. Even Fontbakery didn't say anything about style linking issues. Perhaps, OTMaster could tell more about what happens in a tables inside, but I don't have opportunity to get it now.<br /><br />Here's how the styles are linked in the project file:<br /><div>Thin<br />Thin Italic &gt; <i>Italic</i> of Thin<br />Extra Light<br />Extra Light Italic &gt; <i>Italic</i> of Extra Light<br />Light<br />Light Italic &gt; <i>Italic</i> of Light<br />Regular<br />Italic &gt; <i>Italic</i> of Regular<br />Medium<br />Medium Italic &gt; <i>Italic</i> of Medium<br />Bold &gt; <i>Bold</i> of Regular<br />Bold Italic &gt; <i>Bold</i> and <i>Italic</i> of Regular<br />Extra Bold<br />Extra Bold Italic &gt; <i>Italic</i> of Extra Bold<br />Black<br />Black Italic &gt; <i>Italic</i> of Black</div><br />Here's the screenshot of what the style linking looks like in TransType:<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/wy/vweytls1g7v2.jpg" title="Image: https://us.v-cdn.net/5019405/uploads/editor/wy/vweytls1g7v2.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/wy/vweytls1g7v2.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/wy/vweytls1g7v2.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/wy/vweytls1g7v2.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/wy/vweytls1g7v2.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/wy/vweytls1g7v2.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/wy/vweytls1g7v2.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/wy/vweytls1g7v2.jpg" sizes="100vw" /><br /><br />Then, to check if it is something with the current font files or not, I created a completely new empty project in Glyphs, linked the styles from scratch according the <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fglyphsapp.com%2Flearn%2Fnaming%23g-style-linking" title="Link: https://glyphsapp.com/learn/naming#g-style-linking">Naming tutorial</a>, exported standard 18 styles (Thin-Black, upright + italics), and still got the same error on Monotype Font Platform. So from this point I'm not sure where the issue is at all.<br /><br />I attached the exported font files (without outlines) and I'll be glad if someone can confirm or deny if the styles are linked correctly or not in this test files. Thanks in advance.]]>
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    <item>
        <title>Variation Sequence Characters in a font?</title>
        <link>https://typedrawers.com/discussion/5535/variation-sequence-characters-in-a-font</link>
        <pubDate>Wed, 28 Jan 2026 16:37:01 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Andreas Stötzner</dc:creator>
        <guid isPermaLink="false">5535@/discussions</guid>
        <description><![CDATA[This detail is new to me and I didn’t find very much about it: The task is to create some <em>Standard Variation Sequence</em> &#13;
characters in a font, e.g. for mathematical relation characters or &#13;
alphanumeric characters. How exactly do I have to name the variant &#13;
glyph? Any special requirements for the Opentype code?]]>
        </description>
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        <title>Thoughts on precision and layout in XML-based PDF publishing</title>
        <link>https://typedrawers.com/discussion/5537/thoughts-on-precision-and-layout-in-xml-based-pdf-publishing</link>
        <pubDate>Mon, 02 Feb 2026 19:02:30 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>kunstx</dc:creator>
        <guid isPermaLink="false">5537@/discussions</guid>
        <description><![CDATA[<b></b>I’ve spent the last few years researching XML-based publishing and PDF workflows, and I wanted to share a few observations for anyone working in digital documentation or structured publishing.<p>This started while I was writing academic papers. I could usually get acceptable PDFs, but having precise control exactly where it mattered most was always frustrating.</p><p>Most tools can produce PDFs, but once you compare layout precision, typography, usability, and long-term stability, the differences show quickly. Many workflows don’t provide satisfying results when you start measuring details closely.</p><p>I went through most of the usual XML-to-PDF stacks: DocBook with XSL-FO and HTML routes, DITA and DITA-OT pipelines, Apache FOP, Prince XML, Paged.js, Typefi-style systems, and a range of enterprise tools. I also spent time with TeX-based workflows. They are incredibly powerful and impressive, but in practice the complexity and friction often push people to admire them more than actually use them day to day.</p><p>Where things tend to break down is layout fidelity. Font rendering depends on ambiguous units or web-engine limits, styling has a steep learning curve, and many systems feel disconnected from traditional DTP practices.</p><p>After running into the same issues for years, I ended up building my own solution focused on predictable PDFs, stable pagination, and consistent typography. People coming from both the XML world and traditional tools like InDesign seem to feel comfortable with it, which was exactly the gap I was trying to explore.</p><br /><span>Curious how others here handle layout precision and PDF stability. Do you go this deep when evaluating solutions, or is the goal usually to provide information and accept the trade-offs at the end?</span><br />]]>
        </description>
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        <title>Can we use Bitmap color fonts in browsers?</title>
        <link>https://typedrawers.com/discussion/5534/can-we-use-bitmap-color-fonts-in-browsers</link>
        <pubDate>Tue, 27 Jan 2026 16:43:22 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Tanveer Qureshi</dc:creator>
        <guid isPermaLink="false">5534@/discussions</guid>
        <description><![CDATA[Is it possible to use Bitmap color fonts in browsers? Vector fonts display in color as COLR export, so I thought, is there a way to see colors from a bitmap?<br /><br />Thanks in advance!]]>
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        <title>DTL OTMaster 10.3 Released</title>
        <link>https://typedrawers.com/discussion/5529/dtl-otmaster-10-3-released</link>
        <pubDate>Tue, 20 Jan 2026 08:30:31 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>LeMo aka PatternMan aka Frank E Blokland</dc:creator>
        <guid isPermaLink="false">5529@/discussions</guid>
        <description><![CDATA[<div>After many years of development and iteration since version 8.9, <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fwww.fontmaster.nl%2Fotmaster.html">DTL OTMaster</a> 10.3 is finally <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fwww.dutchtypelibrary.nl%2FShops%2FFM_Shop%2F">available</a>. The release introduces new tools, including a Font Statistics Tool and TTF to CFF conversion (and vice versa). In addition, STAT and avar tables can now be edited, kerning variation records are fully editable, and the Side-by-Side Viewer has been enhanced. UFO export has been improved, with preserved composite glyphs and inclusion of lib.plist. Several minor bug fixes address glyph positioning (with vhea, vmtx, and bbox on), auto-hinting, and text color in selected labels.</div><br /><div><img alt="DTL OTMaster 103" src="https://us.v-cdn.net/5019405/uploads/editor/5w/cumyrwvz1f4a.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/5w/cumyrwvz1f4a.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/5w/cumyrwvz1f4a.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/5w/cumyrwvz1f4a.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/5w/cumyrwvz1f4a.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/5w/cumyrwvz1f4a.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/5w/cumyrwvz1f4a.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/5w/cumyrwvz1f4a.jpg" sizes="100vw" /></div><br /><div>OTM 10.3 runs natively on Apple Silicon and Intel Macs (both versions are now code-signed), Windows 64-bit, and Linux. Licensees who purchased a full version in 2025 or 2026 are entitled to a free upgrade; all other licensees may obtain the upgrade at a strongly reduced price.</div>]]>
        </description>
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        <title>Big Sur and font suitcase files</title>
        <link>https://typedrawers.com/discussion/3913/big-sur-and-font-suitcase-files</link>
        <pubDate>Thu, 21 Jan 2021 19:14:08 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Mark Simonson</dc:creator>
        <guid isPermaLink="false">3913@/discussions</guid>
        <description><![CDATA[Mac font suitcase files are still recognized and supported on macOS Big Sur (11.x), but not over local networks anymore. The apparent reason for this is Apple reducing support for AFP (Apple Filing Protocol) network protocol. SMB has been the default at least since Catalina, but you could enable AFP prior to Big Sur, at least for HFS volumes. That option has been dropped.<br /><br />Volumes formatted in APFS (which supersedes the ancient HFS) have never been able to be shared over AFP, so this appears to be part of Apple's ongoing effort to phase out HFS.<br /><br />If you have a pre-Big Sur Mac on a network, it can still serve HFS volumes over the network and they are still recognized and mountable by Macs running Big Sur.<br /><br />All this is preface to say that you need to be careful if you still have old font suitcase files that you want to maintain or continue to use. <br /><br />Font suitcases date back to the pre-OS X classic Mac OS of the eighties and nineties. The classic Mac OS file system supported files with two "forks": a data fork and a resource fork. The data fork was were user data was normally stored, for example in document files. The resource fork held metadata (such as file type and creator codes) and also system resources, such as fonts. Font suitcases were basically files that contained nothing but font data in the resource fork (and nothing at all in the data fork).<br /><br />"Foreign" operating systems, such as Windows, UNIX, and Linux, have no support for this two-fork file structure and can only "see" the data fork. So if you copy such a file to such an OS, only the data fork survives and the resource fork is lost. Since font suitcases contain all the data in the resource fork, you end up with an empty file (zero k).<br /><br />Mac OS X/macOS has always included some support for this non-standard file structure. You can still install and use ancient font suitcases on modern Macs for either Type 1 or TrueType fonts. (Not old bitmap font formats, however.) But SMB, which comes from the Windows world, does not appear to recognize resource forks even on macOS, so it's the same result as trying to move a font file to Windows or over the internet (which uses UNIX file protocols).<br /><br />Consequently, if you want to preserve old Mac font suitcases when transferring over a local network under Big Sur, you will need to store them in a .zip archive, as if you were emailing them or moving them through a non-Mac operating system. Physical transfer, via a Mac-formatted removable media, still works fine.<br /><br />FWIW, this is also the case with iCloud, although I don't know what file protocol is used for that. iCloud, for whatever reason, does not support files with resource forks.<br /><br />I'm a little disappointed by this, but at least Apple hasn't totally dropped support for font suitcases.]]>
        </description>
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        <title>Seeking Recommendations for a Bitmap-to-Outline Workflow</title>
        <link>https://typedrawers.com/discussion/5522/seeking-recommendations-for-a-bitmap-to-outline-workflow</link>
        <pubDate>Fri, 09 Jan 2026 15:11:38 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Daniel Yacob</dc:creator>
        <guid isPermaLink="false">5522@/discussions</guid>
        <description><![CDATA[Greetings All,<br /><br />Some time ago, circa '96-'97, I created a TrueType font from a high-resolution HP printer file (SFP format).  The workflow I followed then was:<br /><br /><ol><li>hp2pk</li><li>pk2bdf</li><li>Import the BDF file into Fontographer 3</li><li>Run an autotrace feature.</li></ol><br />The resulting outlines seemed pretty good for the time.  I'd like to revisit the bdf file and see if tools today could produce better outlines.  <br /><br />What tools do people use today for the autotracing step?  Would you use the same tracer if starting from a photo or scan of text?<br /><br />Thanks in advance for any advice or suggestions.<br /><br />-Daniel]]>
        </description>
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        <title>Where does MacOS store Apple’s downloadable fonts?</title>
        <link>https://typedrawers.com/discussion/5514/where-does-macos-store-apple-s-downloadable-fonts</link>
        <pubDate>Fri, 19 Dec 2025 01:44:31 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>James Puckett</dc:creator>
        <guid isPermaLink="false">5514@/discussions</guid>
        <description><![CDATA[Apple distributes fonts with MacOS and iOS that aren’t preinstalled but appear in Font Book but can be activated and downloaded. Where are these fonts stored after being downloaded? I ask because one of my designs is on the list and I want to open the file and see if they changed anything.]]>
        </description>
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        <title>Variable font weight in design app works not for italics/obliques</title>
        <link>https://typedrawers.com/discussion/5508/variable-font-weight-in-design-app-works-not-for-italics-obliques</link>
        <pubDate>Wed, 10 Dec 2025 14:49:38 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>donat raetzo</dc:creator>
        <guid isPermaLink="false">5508@/discussions</guid>
        <description><![CDATA[I can not pick a custom weight for my VF in its oblique/italic state. This works only in the fonts upright state. Oblique/italic is only available in full steps (my instances). Does this have to be like this or can i solve the issue? Does it relay on any order/list that I control in my font editor? Your comments are much appreciated.<br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/zf/e8xpwtqivdya.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/zf/e8xpwtqivdya.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/zf/e8xpwtqivdya.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/zf/e8xpwtqivdya.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/zf/e8xpwtqivdya.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/zf/e8xpwtqivdya.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/zf/e8xpwtqivdya.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/zf/e8xpwtqivdya.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/zf/e8xpwtqivdya.png" sizes="100vw" /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/ca/ae6eqg0asa42.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/ca/ae6eqg0asa42.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ca/ae6eqg0asa42.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ca/ae6eqg0asa42.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ca/ae6eqg0asa42.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ca/ae6eqg0asa42.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ca/ae6eqg0asa42.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ca/ae6eqg0asa42.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/ca/ae6eqg0asa42.png" sizes="100vw" /><br />]]>
        </description>
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        <title>Weight of a printing press stereotype plate?</title>
        <link>https://typedrawers.com/discussion/5505/weight-of-a-printing-press-stereotype-plate</link>
        <pubDate>Sat, 06 Dec 2025 07:37:58 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Christian Thalmann</dc:creator>
        <guid isPermaLink="false">5505@/discussions</guid>
        <description><![CDATA[<div>Hey</div><div>A friend of mine is looking for a citeable source on the weight of a printing press stereotype plate (cliché) for a legal document.</div><div>I'd prefer a source on the weight of plates specifically for use in &#13;
heavy-duty printing press production of braille (or any other tactile &#13;
writing system used by blind people), but weight of general ones is &#13;
fine.</div><div>Does anyone happen to know?</div><div>Cheers, Christian</div>]]>
        </description>
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        <title>additional ligatures do not show up – what might be wrong?</title>
        <link>https://typedrawers.com/discussion/5503/additional-ligatures-do-not-show-up-what-might-be-wrong</link>
        <pubDate>Tue, 02 Dec 2025 16:46:59 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>donat raetzo</dc:creator>
        <guid isPermaLink="false">5503@/discussions</guid>
        <description><![CDATA[<p>i added some ligatures (with accented glyphs) to my font and updated the features code, but those don't show up at all. neither in the lookup panel in my font editor nor in the test files in typo apps.  what might be wrong with this? i am confused because the same process was okay for the previously made ligatures with non-accented glyphs. </p><p><img src="https://us.v-cdn.net/5019405/uploads/editor/ya/cn2fji0tzeoh.png" alt="" title="Image: https://us.v-cdn.net/5019405/uploads/editor/ya/cn2fji0tzeoh.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ya/cn2fji0tzeoh.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ya/cn2fji0tzeoh.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ya/cn2fji0tzeoh.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ya/cn2fji0tzeoh.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ya/cn2fji0tzeoh.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ya/cn2fji0tzeoh.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/ya/cn2fji0tzeoh.png" sizes="100vw" /><br /></p>]]>
        </description>
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        <title>Sharpness setting for displays alters fonts</title>
        <link>https://typedrawers.com/discussion/5501/sharpness-setting-for-displays-alters-fonts</link>
        <pubDate>Sun, 30 Nov 2025 12:38:06 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>jaimes</dc:creator>
        <guid isPermaLink="false">5501@/discussions</guid>
        <description><![CDATA[For years, I've been having issues with reading on screen. I'm a software developer and spend many hours poring over code.<br />Programming with monospaced fonts is one thing.<div>Reading news/magazines using seriffed fonts was different, and very often I perceived those fonts to be "spidery".</div><div><br /></div><div>Years ago I purchased a 2k monitor (1440 lines), and things improved, but I still found many seriffed fonts to appear spidery. Particularly The New Yorker, which uses Adobe Caslon Pro.<br /><br />This year I bought a 4k monitor, and again, improved, but still the spidery rendering.<br /><br />I've been going over different settings, and I realized that in fully customizable mode, the monitor has a Sharpness setting that comes factory set to 50%.<br />On my televisions, the first thing I do is to select Filmmaker mode or equivalent, and set the Sharpness all the way to 0.<br /><br />So I tried setting the Sharpness to 0 on my monitor, and ... holy shit, it made a noticeable difference. The fonts appear "fuller" with the sharpness off.</div><div>And in a way it makes sense. The Sharpness control artificially applies edge enhancement, so it probably messes with the antialiased text, no?</div><div><br /></div><div>Anyway, I'm adding some images so you know I'm not making this up.</div><div>Sorry for the quality of the photos, but I think you can notice differences.</div><div><br /></div><div>Have others found this too? Is it a well known thing?<br /><br /><b>With Sharpness set to 0</b><br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/vo/upvzxnx1zx9z.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/vo/upvzxnx1zx9z.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/vo/upvzxnx1zx9z.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/vo/upvzxnx1zx9z.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/vo/upvzxnx1zx9z.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/vo/upvzxnx1zx9z.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/vo/upvzxnx1zx9z.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/vo/upvzxnx1zx9z.jpg" sizes="100vw" /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/7o/7xo2immjxt7v.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/7o/7xo2immjxt7v.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/7o/7xo2immjxt7v.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/7o/7xo2immjxt7v.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/7o/7xo2immjxt7v.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/7o/7xo2immjxt7v.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/7o/7xo2immjxt7v.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/7o/7xo2immjxt7v.jpg" sizes="100vw" /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/f1/7e5zbxuzmg6a.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/f1/7e5zbxuzmg6a.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/f1/7e5zbxuzmg6a.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/f1/7e5zbxuzmg6a.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/f1/7e5zbxuzmg6a.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/f1/7e5zbxuzmg6a.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/f1/7e5zbxuzmg6a.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/f1/7e5zbxuzmg6a.jpg" sizes="100vw" /><br /><br /><b>With Sharpness set to 100%</b><br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/b4/raouxr57l428.jpg" title="Image: https://us.v-cdn.net/5019405/uploads/editor/b4/raouxr57l428.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/b4/raouxr57l428.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/b4/raouxr57l428.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/b4/raouxr57l428.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/b4/raouxr57l428.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/b4/raouxr57l428.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/b4/raouxr57l428.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/b4/raouxr57l428.jpg" sizes="100vw" /><img src="https://us.v-cdn.net/5019405/uploads/editor/63/hr6rvgfeozpq.jpg" alt="" title="Image: https://us.v-cdn.net/5019405/uploads/editor/63/hr6rvgfeozpq.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/63/hr6rvgfeozpq.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/63/hr6rvgfeozpq.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/63/hr6rvgfeozpq.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/63/hr6rvgfeozpq.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/63/hr6rvgfeozpq.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/63/hr6rvgfeozpq.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/63/hr6rvgfeozpq.jpg" sizes="100vw" /><img src="https://us.v-cdn.net/5019405/uploads/editor/fq/06miwa8f4ly1.jpg" alt="" title="Image: https://us.v-cdn.net/5019405/uploads/editor/fq/06miwa8f4ly1.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/fq/06miwa8f4ly1.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/fq/06miwa8f4ly1.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/fq/06miwa8f4ly1.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/fq/06miwa8f4ly1.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/fq/06miwa8f4ly1.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/fq/06miwa8f4ly1.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/fq/06miwa8f4ly1.jpg" sizes="100vw" /><br /></div>]]>
        </description>
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    <item>
        <title>Moving type – your favourite examples</title>
        <link>https://typedrawers.com/discussion/5487/moving-type-your-favourite-examples</link>
        <pubDate>Fri, 24 Oct 2025 16:09:23 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>KP Mawhood</dc:creator>
        <guid isPermaLink="false">5487@/discussions</guid>
        <description><![CDATA[<span>Hi everyone! It’s been a while since I was active here, but I’d love your input. <br /><br />What are some of your favourite examples of moving type: kinetic typography, animated type, or interactive websites using </span>variable-fonts<span>? I’m teaching a module where students create a type specimen for their own glyph set, and several are keen to explore animati</span><span>on for their final project. Thanks so much for your help. 🙂</span>]]>
        </description>
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    <item>
        <title>three-text: a 3D font rendering and text layout library for the web</title>
        <link>https://typedrawers.com/discussion/5492/three-text-a-3d-font-rendering-and-text-layout-library-for-the-web</link>
        <pubDate>Fri, 07 Nov 2025 02:07:51 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>jeremy tribby</dc:creator>
        <guid isPermaLink="false">5492@/discussions</guid>
        <description><![CDATA[Hi all,<br /><div>I wanted to share a tool I just published that might be of interest to this community. it's a web based 3D font renderer built for <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fthreejs.org%2F">three.js</a> (although it may expand to other/no frameworks) and works with regular OTF, TTF, and WOFF fonts (WOFF2 not supported sadly). basically 3D text on the web with real fonts, opentype features, and linebreaking. you can take a look at the demo <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fcountertype.com%2Ftools%2Fthree-text%2Fdemo">here</a>, and drop your own fonts in (they stay local and are not uploaded) which has a few animation modes to give some idea of what you can do on the web with 3D text, but there are so many things I would never think of.. the demo is just a demo, ultimately, and I wonder how other people might use the underlying software library. you can <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Fcountertype%2Fthree-text">check out the code on GitHub</a> or install it from npm. it should support most scripts thanks to harfbuzzjs</div><div><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/ws/33rt9kbc5fa7.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/ws/33rt9kbc5fa7.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ws/33rt9kbc5fa7.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ws/33rt9kbc5fa7.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ws/33rt9kbc5fa7.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ws/33rt9kbc5fa7.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ws/33rt9kbc5fa7.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ws/33rt9kbc5fa7.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/ws/33rt9kbc5fa7.png" sizes="100vw" /><br /><br /></div><div>I had my own use case in mind for this library, and I tried my best to generalize the API for anticipated ways of using it, but I'm very open to feedback, and have basically said in the repository that I expect the API to be unstable for a period. if you fit the "creative technologist" profile or know anyone who does (especially if they know about three.js), or have worked with any studios who you get the impression would be in interested in this tool but maybe they just haven't had it in their toolkit, please let them know about it! I don't know if it will catch on, but, yeah, I truly wonder how people might wield this thing</div><div>let me know if anyone has feature requests or bug reports! can always make an issue in the GitHub repo too <img src="https://typedrawers.com/resources/emoji/smile.png" title=":smile:" alt=":smile:" height="20" /> </div><br /><br />]]>
        </description>
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