Howdy, Stranger!

It looks like you're new here. If you want to get involved, click one of these buttons!

James Puckett


James Puckett
Last Active
Member, Type Person
Invited by
Admin James Puckett
  • Re: Efficiency in kerning pairs

    Yesterday I added a kern pair to make ŦŦ into a ligature. It only appears in one word, ruoŧŧa. But it looks cool, so hopefully someone will come across it one day.

    PS: I did more digging and ŦŦ probably exists in more than one word. Ruoŧŧa is just the only one that currently comes up on Onelook.
  • Re: Fontstore

    This means exclusive distribution for perpetuity, and no royalties.
    I doubt that matters much for most fonts. Few typefaces consistently sell in large number or sell large multi-user licenses. Especially not display fonts. Aside from John Downer’s Brothers how many display fonts of the last few decades have been used constantly?
  • Re: Something for the type nerd in the family

  • Re: Font Release Help/Tips

    You should start by testing everything with an expansive set of proofs. If you don’t have proofs you can download mine:

    Make sure you review the diacriticals thoroughly. If you find no errors you weren’t paying attention and need to look again. If you need to compare against another font use GlyphProofer from Ben Kiel and House Industries:
    Don’t compare against a massive font like Noto or Brill. Typotheque, Typofonderie, H&FJ, Darden Studio, Commercial Type, and Underware are just a few of the great foundries to compare to. (There's nothing wrong with the Brill fonts, but using them with Glyphproofer with generate hundreds of unnecessary pages.)

    Build your own proofs to test OpenType features.

    Open your compiled fonts and review every single glyph in every single font for things like incorrect sidebearings or interpolation errors. If you find no errors you weren’t paying attention and need to look again. 

    Test with the other popular Adobe apps: Photoshop and Illustrator. Look for problems with font names and how they appear in menus. Then play around a little to make sure that stuff like OpenType features work.

    Install the fonts on Windows. Copy/paste the test strings from for Indesign files into Textedit and save as rich text. Make sure they at least work in Wordpad. If you have Office for Windows test in Word and Powerpoint.

    Now go back to your Mac and check the fonts with Font Book. If you get no errors then install them. Test the fonts in Textedit, and if you have Office for Mac, test there too.

    You should ask the Robofont forum if there are any common problems or mistakes people make. I don’t use Robofont so I don’t know about that (but I’ve never heard Robofont users complain. I rarely have issues with Latin fonts generated with the stable release of Glyphs. I only compile final fonts with the betas if Georg tells me to.

  • Re: Letter Critique

    I like it. R is still overly heavy. Don’t be afraid to reduce the left stroke weight to make it work. I agree with Rafael about the T looking weak. I’ve got a wonderfully unfinished typeface collecting digital dust for the same reason. Caryle and Oring handled this by adding weight to serifs that attach to the light stems: