Howdy, Stranger!

It looks like you're new here. If you want to get involved, click one of these buttons!

Johannes Neumeier

About

Username
Johannes Neumeier
Joined
Visits
615
Last Active
Roles
Member
Points
72
Posts
98
  • Re: Using literature in a type specimen

    Use only an excerpt and it's Fair Use.
    Fair Use and using something for commercial gain are not quite the same, though, are they. It's not just the length of what you quote, but the motivation, that matters most for fair use - like research, education, commentary, news, etc.

    Or by way of example, it wouldn't be Fair Use for L'Oreal to advertise with quote's from George Martin's Song of Fire and Ice, describing the Lannister's fair hair, even if they only use just one phrase.
  • Re: Dyslexie font - activism

    Thank you @Cory Maylett for your account and the parallel you draw between dyscalculia and dyslexia. Merely pressing the "insightful" button didn't seem to do your comment justice :)
  • Re: Council for German Orthography officially allows use of u+1E9E

    Adam, Hrant: I can't get myself to read an ẞ with a hard corner in the top left as an ẞ. That corner is alien to the design of ß and works against intuitively identifying the ẞ as its capital form. As I keep mentioning, it rings the TZ ligature bell in my mind:

    (Typeface: Camphor)

    I'm sure I'm not the only one.  :grimace:
    I agree entirely. Glimpsing that hard top left corner just doesn't evoke the S sound in my mind. I start reading STRATZE and FUTZBALLPLATZ, and that makes my head hurt. In my view the B-like double bowl design for for the lowercase is out of place to begin with. I am very glad to see that does not seem to get carried over to the capital.
  • Re: Recommended Type Design and Typography Books

    This raises an interesting predicament. Some of these books mentioned here are famed and regarded essential reading from a craft knowledge point of view, but near unobtainable as original copies. While I detest reading from a screen, some of those books I would gladly buy as digital copies just to be able to read their contents. Alas, there often isn't any.
  • Re: Quador – a squarish serif

    What makes you approach this as a display type? Looking at your design a whole array of reference typefaces come to my mind that have one or another feature you are also experimenting with, and none of those types were primarily aiming to be for display use. I'm asking because in regard to your questions the use case and size probably will give the best pointers to decide in terms of shape and stroke contrast. One the one hand features like the angular insides of the n shoulders echo something of a Swift, and seemingly aim to advance text readability. Some of the more strong and wedge like serifs make this design rather suited to smaller than larger sizes, in my view. On the other hand, the extreme ellipse can really only work when the point is to capture the eye's attention. I don't think the problem is how far can you push each aspect, but how to combine them.

    Overall I find myself glancing at the serifs at lot, which seem to have a couple of different appearances and come off as somewhat undecided and inconsistent. To my eye also the overshoots, especially in the caps, seem like they would need to be more pronounced.