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Simon Cozens

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Simon Cozens
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  • Book Review: How to create typefaces

    This is the long-awaited English translation of Henestrosa, Mesegeuer and Scaglione's Cómo crear tipografías. Until recently there has been a dearth of books aimed at the beginning typeface designer; monographs such as Gerrit Noordzij's The Stroke and Counterpunch provide solid theoretical background but do not guide the beginner in the practicalities of type design. Stephen Moyes' Fontographer: Type by Design was really the only textbook in this space until the release of Karen Cheng's Designing Type, which has become one of the standard recommendations.

    So how do the books compare? Whereas Designing Type focused on the proportions and characteristics of typical serif and sans serif families, How to create typefaces positions itself as both a practical exposition of the nuts-and-bolts process as well as a guide to the more abstract elements such as design philosophy and marketing. Multiple authors sharing their experience and opinions, often on overlapping topics and from different perspectives, is of real benefit, and adds to the feeling of the book as a compendium of type design wisdom.

    For me, I found very little information that was new to me, but the book serves as a compact distillation of what previously could only be found in a disparate collection of sources or gained through type crit and discussions in forums like this one. Read this book, and you have read what a beginner needs to take away from The Stroke and Counterpunch and Letters of Credit and so on. 

    But not everything. There are some surprising areas which are not covered or glossed over. If the aim is to get a beginner to take a font to market (as one would assume from the inclusion of a chapter on distribution and sections on project management), then the lack of any discussion of hinting is puzzling. Likewise, the need for OpenType programming is mentioned - but no introduction to the topic is provided.

    Should you buy this or Designing Type? Both. They are companions, not competitors. Designing Type will help you to understand how typefaces work and how alphabets are constructed; this book will, as its name implies, teach you how to create typefaces.

    Henestrosa, Mesegeuer and Scaglione, 2017, How to create typefaces, Madrid: Tipo E
    Available from Amazon.
  • Re: Callout for Japanese typefaces at MyFonts

    Right. What this is likely to produce is:
    1) Kana designs without a matching kanji set (unusable)
    2) Designs with a relatively small kanji coverage (unusable)
    or
    3) Designs produced by running a filter over another font.

    Hopefully the MyFonts team will have enough experience to pick up on that kind of thing...
  • Re: Origins of Python in Type Design

    Just Van Rossum is a type designer. He was the one of the first to do really programmy things with fonts.

    His brother Guido invented Python.
  • Re: Where is Arabic Italic originating from?

    I'm not convinced by your katakana/hiragana distinction. Using katakana for foreign words is a relatively modern function.

    Both hiragana and katakana evolved from the Man'yogana script of the Man'yoshu, and both initially functioned as syllabic representations of native Japanese words, but they develop ed from different calligraphic styles of Chinese lettering. If anything the distinction was by gender. Hiragana emerged as a simplified form of the full ductus of the character, and was used mainly by women in literature. Katakana was derived from the manyogana syllables not by simplification but by abbreviation (taking a representative part of the kanji) and used mainly by men.

    Either way the foreignness doesn't really come into it.
  • Dafont has been hacked

    This morning I got a notification from haveibeenpwned.com that my credentials at dafont.com have been exposed due to a data breach. Zdnet has the story. If you have a dafont account, please change your password, and if you use that password on other sites too... don't do that.