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LeMo aka PatternMan aka Frank E Blokland

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LeMo aka PatternMan aka Frank E Blokland
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  • Re: Why FontCreator hardly used by professionals?

    Hi Dave,
    Could you provide some insight into the thinking behind these 2 different price strategies? 
    My business patterns are just as unpredictable as Mandrake the Magician’s magic tricks on a wet and windy Wednesday afternoon.

    Best, Frank aka The Unpredictable PatternMan
  • Re: Why FontCreator hardly used by professionals?

    Hi Thomas,

    Apologies accepted, of course. :) One can discuss whether OTM (version 7 will become available around the end of August) is a type-design app, but it has quite some obviously satisfied users worldwide. At the recent TYPO Labs conference we demonstrated FoundryMaster though, the new successor of FontMaster for macOS, Windows, and Linux, which makes many nifty (batch) IKARUS-based funtions, such as intelligent scaling, available for the UFO format. Let’s see whether this type-design app, which will be offered for a price far below that of all current major font editors, will make us a bit more a major/active developer.

    Best, Frank
  • Re: At what point of the design process do you start digitising your drawings?

    Although times are undoubtedly changing and new technologies make other design and production methods possible, I still believe that there is no better way to learn the tension of curves, the (relation between the) quality of contours and counters, and to understand that a speedy process is not always the best way to preserve the highest quality, than drawing with pencil, pen, and brush. I wonder whether the fact that drawing on paper has become less common might be also simply the result of a lack of training and hence of the specific skills required for analog drawing.



    As I wrote above, roughly 40 years ago as student I just had to make analog drawings because there was no other way to design letters. I have always been very pleased with this training. I think that today at type courses manual digitizing should be demonstrated and that students should play around with it. If they decide not to use it and to sculpture directly in Bézier format, that would be a decision, i.e., a choice, based on experience and knowledge. Also it makes sense to show the IKARUS system if one wants to place the current digital font technology in a historical context. On the aforementioned Facebook page Juergen Willrodt states that FoundryMaster will support manually digitizing in the near future too. Yeah!



    To garnish my plea for good ol’ manual labour, I post a few drawings here based on an italic by Guyot, which I made 22 years ago for DTL VandenKeere. I made these drawings with pencil, pen, and brush (you can see traces of white paint) next to prints of the regular version –which was drawn on paper first too and then manually digitized, of course.



  • Re: Why FontCreator hardly used by professionals?

    Well, we at DTL and URW++ do cross-platform apps. But we are the only obviously not-considered-to-be major/active developer doing so for type design apps, it’s true.
  • Re: ‘Grand Cru Classés’ sprouting from Antwerp soil

    Yesterday the seven EcTd students gave nice and interesting presentations on the process and progress of their personal projects. From Guyot to Tavernier, from Van den Keere to Dwiggins, and from civilité to nifty color fonts capturing the French-Renaissance patterning. Below you will find a small selection of photos taken at the cozy auditorium of the Museum Plantin-Moretus, where the EcTd sessions take place.