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Re: What AI tools does the font community need?
I quite enjoy spacing and practise it with the best possible concentration, because it is a pivotal part of a design. I too enjoy kerning to some extend because it gives ‘the icing on the cake’ of sp…6 -
Re: Tironian et ⁊ in Garamond
your current glyph may get a longer horizontal part with a serif. For the downswing part I would consider a descender and a tendency towards a nearly perpendicular orientation, which would meet more …3 -
Re: Drawing greek letters
There are many weight distribution issues especially in the bold cut; e.g. with G, K, M, N, R, S, X, Y, Z; capital Sigma, Xi, Psi and others. Gamma is too wide, Phi and Omega are unbalanced. K/Kappa …3 -
Re: Position of combining ogonek in sans serif types
Wait, if you are to support European usage of those ch.s in the first place (Polish, Lithuanian), then you need to attach it to the right side (ą, ę, ų), which most designers do, if I’m not wrong. I…1 -
Re: A new Art Deco, and the hunt for Broadway Greek/Cyrillic
The typically stressed part of N is actually the diagonal (missed by many).Your cyrillic Ц is incomplete.Greek is, in this case, the most tricky, especially letters with syncopic stress pattern (Ξ, Σ…4
