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      <title>TypeDrawers</title>
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      <pubDate>Thu, 23 May 2013 15:30:14 +0000</pubDate>
         <description>TypeDrawers</description>
   <language>en-CA</language>
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   <item>
      <title>Ordinal »i« and InDesign 7.0.4</title>
      <link>http://typedrawers.com/discussion/357/ordinal-i-and-indesign-7-0-4</link>
      <pubDate>Thu, 23 May 2013 10:42:47 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>yanone</dc:creator>
      <guid isPermaLink="false">357@/discussions</guid>
      <description><![CDATA[Hi everyone,<br />I’m having trouble with the ordn-Feature and the superior »i«.<br />My InDesign 7.0.4 doesn’t replace it, whereas all the other ordinal letters work fine.<br />It also works as expected in Illustrator and earlier versions of InDesign.<br /><br /><img src="https://dl.dropboxusercontent.com/u/5752966/Permanent/Screenshots/Bildschirmfoto%202013-05-23%20um%2012.41.26.png" alt="image" /><br /><br />The responsible OT code is this, and I double checked that the i is included in source and target <a rel="nofollow" href="/profile/ordn">@ordn</a> classes.<br /><code>sub [@ordn_numbers <a rel="nofollow" href="/profile/ordn_target">@ordn_target</a>] <a rel="nofollow" href="/profile/ordn_source">@ordn_source</a>' by <a rel="nofollow" href="/profile/ordn_target">@ordn_target</a>; </code><br /><br />Does anybody else have this problem, maybe in newer version of InDesign? If not, I shall ignore this bug, since it must be specific only to this InDesign version.<br /><br />Thank you.]]></description>
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   <item>
      <title>Need critique on sans serif Cyrillics</title>
      <link>http://typedrawers.com/discussion/356/need-critique-on-sans-serif-cyrillics</link>
      <pubDate>Fri, 17 May 2013 15:25:41 +0000</pubDate>
      <category>Critiques—Type Design</category>
      <dc:creator>Eimantas Paškonis</dc:creator>
      <guid isPermaLink="false">356@/discussions</guid>
      <description><![CDATA[I didn't put accents here, otherwise it covers whole Extended Cyrillic:<br /><img src="http://f.cl.ly/items/1P3m0U1X2L3o331q0T2n/Screenshot%202013-05-17%20at%2018.21.47.PNG" alt="image" /><br /><br />Bulgarian and Serbian/Macedonian variants:<br /><img src="http://f.cl.ly/items/2f0r2n0A2B3O07152Y1A/Screenshot%202013-05-17%20at%2018.26.57.PNG" alt="image" /><br /><br /><a rel="nofollow" href="http://cl.ly/P2s5">PDF</a>]]></description>
   </item>
   <item>
      <title>four, the outlier?</title>
      <link>http://typedrawers.com/discussion/336/four-the-outlier</link>
      <pubDate>Sat, 04 May 2013 04:11:26 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>Craig Eliason</dc:creator>
      <guid isPermaLink="false">336@/discussions</guid>
      <description><![CDATA[In figuring the thickness of the horizontal and vertical strokes of a four, are there any rules of thumb that could be helpful? Do/should/can they relate in any predictable way to the horizontals of 2/5/7, the straight stems of the uppercase or lowercase, each other, or any other stroke in the font? It seems like among the common glyphs these strokes uniquely have no clear analogues.]]></description>
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      <title>Printer recommendations for proofing?</title>
      <link>http://typedrawers.com/discussion/314/printer-recommendations-for-proofing</link>
      <pubDate>Sun, 14 Apr 2013 23:24:31 +0000</pubDate>
      <category>Software</category>
      <dc:creator>Jeff Kellem</dc:creator>
      <guid isPermaLink="false">314@/discussions</guid>
      <description><![CDATA[What printer would you recommend for proofing purposes, today?  $500 or under would be nice since I'm an independent designer.<br /><br />Ideally, the minimum requirements would be:<br />  - true 1200 dpi,<br />  - Adobe PostScript 3<br />  - laser printer technology<br /><br />Are there other minimum requirements I should be considering?<br /><br />In the U.S., the low-end cost for 1200 dpi plus Adobe PostScript 3 seems to be above $1,000.  To get something around the $500 mark and below usually means going with the vendor's PostScript 3 emulation.  In the past, I wanted to stay away from most emulations.  If I lived in Australia, I'd probably try out<span></span> the Fuji Xerox DocuPrint P355d (which hits the under $500 mark with Adobe PostScript 3 and 1200 dpi).<br /><a href="http://www.fujixerox.com.au/products/printers/monochrome-printers/docuprint-p355d/dpp355" target="_blank" rel="nofollow">http://www.fujixerox.com.au/products/printers/monochrome-printers/docuprint-p355d/dpp355</a><br /><br />Are there printers with PostScript 3 emulation and 1200 dpi that work well enough?  2400 dpi, though nice to have, seems to make the price increase a lot. <br /><br />Thanks!<br />[Posting in Software since there wasn't a Hardware category.]]]></description>
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      <title>Most popular web fonts of 2012</title>
      <link>http://typedrawers.com/discussion/352/most-popular-web-fonts-of-2012</link>
      <pubDate>Mon, 13 May 2013 23:34:28 +0000</pubDate>
      <category>Business</category>
      <dc:creator>Daniel Sabino</dc:creator>
      <guid isPermaLink="false">352@/discussions</guid>
      <description><![CDATA[<a href="http://blog.webink.com/most-popular-web-fonts-for-2012/" target="_blank" rel="nofollow">http://blog.webink.com/most-popular-web-fonts-for-2012/</a><br /><br />Web = Sans, print = Sans + Serif? Can serif typefaces compete with sans on the web? Why this amazing difference in popularity?]]></description>
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      <title>What was “Japan paper”?</title>
      <link>http://typedrawers.com/discussion/355/what-was-japan-paper</link>
      <pubDate>Thu, 16 May 2013 19:45:12 +0000</pubDate>
      <category>History of Typography</category>
      <dc:creator>James Puckett</dc:creator>
      <guid isPermaLink="false">355@/discussions</guid>
      <description><![CDATA[What was the Japan paper often used in fine printing during the first half of the twentieth century? I’m asking about the stuff used for the high-end editions of the fleuron, printer’s keepsakes, etc.. Was it the translucent bamboo paper the term is applied to today? Was it an omnibus term for fine papers imported from Japan? Was it paper from the Japan Paper Company in New York? Or could it be any of the above?]]></description>
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      <title>Dual Monitors</title>
      <link>http://typedrawers.com/discussion/311/dual-monitors</link>
      <pubDate>Fri, 12 Apr 2013 02:05:58 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>Max Phillips</dc:creator>
      <guid isPermaLink="false">311@/discussions</guid>
      <description><![CDATA[Who's got 'em?  How are you using 'em?]]></description>
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      <title>Capital Eszett in OpenType code</title>
      <link>http://typedrawers.com/discussion/343/capital-eszett-in-opentype-code</link>
      <pubDate>Tue, 07 May 2013 13:43:15 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>James Grieshaber</dc:creator>
      <guid isPermaLink="false">343@/discussions</guid>
      <description><![CDATA[I’ve been drawing these Capital Eszetts for fonts lately. And I am aware there is a bit of controversy weather or not to use the Capital Eszett or simply replace it with SS. That being said, how do you deal with substituting the cap for the lowercase in the OpenType code? Which way makes the most sense and why?]]></description>
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      <title>confie (working title)</title>
      <link>http://typedrawers.com/discussion/353/confie-working-title</link>
      <pubDate>Tue, 14 May 2013 21:02:40 +0000</pubDate>
      <category>Critiques—Type Design</category>
      <dc:creator>Gabriel Figueiredo</dc:creator>
      <guid isPermaLink="false">353@/discussions</guid>
      <description><![CDATA[Hi there!<br />I've been fooling around with type design for the last 2 years, reading a lot of books and stuff on the internet. Most of my designs so far had been a bit "playful", while this is my latest attempt on a more "serious" type design (but it is still display :P).<br />It is a heavy slab serif with curvy lowercase letters and blocky uppercase letters.<br /><img src="http://dc255.4shared.com/img/OPUydzpB/s7/type_specimen-02.png" alt="image" /><br />Looking forward for your comments!<br />PDF: <a href="https://dl.dropboxusercontent.com/u/23700521/type_specimen.pdf" target="_blank" rel="nofollow">https://dl.dropboxusercontent.com/u/23700521/type_specimen.pdf</a>]]></description>
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      <title>Petition: Adobe: Eliminate the mandatory "creative cloud" subscription model</title>
      <link>http://typedrawers.com/discussion/346/petition-adobe-eliminate-the-mandatory-creative-cloud-subscription-model</link>
      <pubDate>Wed, 08 May 2013 17:34:12 +0000</pubDate>
      <category>Software</category>
      <dc:creator>Ramiro Espinoza</dc:creator>
      <guid isPermaLink="false">346@/discussions</guid>
      <description><![CDATA[If someone feels like signing this petition here is the link:<br /><br /><a href="http://www.change.org/petitions/adobe-systems-incorporated-eliminate-the-mandatory-creative-cloud-subscription-model" target="_blank" rel="nofollow">http://www.change.org/petitions/adobe-systems-incorporated-eliminate-the-mandatory-creative-cloud-subscription-model</a>]]></description>
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   <item>
      <title>Robofab in Glyphs App . . .</title>
      <link>http://typedrawers.com/discussion/354/robofab-in-glyphs-app</link>
      <pubDate>Wed, 15 May 2013 15:55:35 +0000</pubDate>
      <category>Software</category>
      <dc:creator>Stuart Sandler</dc:creator>
      <guid isPermaLink="false">354@/discussions</guid>
      <description><![CDATA[Hey All!<br /><br />Finally jumped on the Glyphs bandwagon and am hitting the ground running . . . I am currently otherwise using Mac 10.6.8 and have been using Robofab via FontLab (Python 2.6 is installed).<br /><br />Now that I have installed Glyphs, I'm not entirely sure how to access some of my Robofab old scripts from within the App, I haven't seen any clear documentation how to go about this either. Georg points to two required .py files but it isn't clear how these integrate with the specific scripts I'd use (eg. Threshold Pen)<br /><br />Any hints to point me in the right direction?<br /><br />Thanks in advance!<br />Stuart]]></description>
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      <title>Florin sign (ƒ)</title>
      <link>http://typedrawers.com/discussion/349/florin-sign-f</link>
      <pubDate>Fri, 10 May 2013 17:20:34 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>Ermin Mededovic</dc:creator>
      <guid isPermaLink="false">349@/discussions</guid>
      <description><![CDATA[A gulden or guilder<br /><br />Is it still necessary?]]></description>
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      <title>Monotype seeks a Font Engineer (Germany)</title>
      <link>http://typedrawers.com/discussion/342/monotype-seeks-a-font-engineer-germany</link>
      <pubDate>Tue, 07 May 2013 12:59:31 +0000</pubDate>
      <category>Job Postings</category>
      <dc:creator>James Grieshaber</dc:creator>
      <guid isPermaLink="false">342@/discussions</guid>
      <description><![CDATA[I am not affiliated with Monotype. I just thought some people here would like to know about this opportunity.<br /><br />Monotype needs a German/English speaking Font Engineer in Bad Hamburg or Berlin.<br /><a href="http://monotypeeurope.applicantpro.com/jobs/25519-10855.html" target="_blank" rel="nofollow">http://monotypeeurope.applicantpro.com/jobs/25519-10855.html</a><br />]]></description>
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   <item>
      <title>Backstein, an abstract angular display font</title>
      <link>http://typedrawers.com/discussion/327/backstein-an-abstract-angular-display-font</link>
      <pubDate>Mon, 29 Apr 2013 15:43:38 +0000</pubDate>
      <category>Critiques—Type Design</category>
      <dc:creator>Christian Thalmann</dc:creator>
      <guid isPermaLink="false">327@/discussions</guid>
      <description><![CDATA[Here's a little something I literally built over the the weekend. It's inspired by the broken antiqua signage in the old Berlin subway stations. Backstein is German for "[baked] brick".<br /><br />The idea of a squarish gemetric font is hardly original, but I hope I brought in some fresh air with those rather unconventional letter forms (especially the {r} and {s}).<br /><br />Here's a PDF specimen: <a href="http://www.cinga.ch/type/backstein_specimen.pdf" target="_blank" rel="nofollow">http://www.cinga.ch/type/backstein_specimen.pdf</a> <br /><br /><img src="http://typophile.com/files/astro_4909.png" alt="image" /><br /><br />I'd be happy to hear your thoughts on it. <br /><br />Cheers]]></description>
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      <title>2007 Poll on Type Design Tools</title>
      <link>http://typedrawers.com/discussion/350/2007-poll-on-type-design-tools</link>
      <pubDate>Sat, 11 May 2013 15:22:14 +0000</pubDate>
      <category>Software</category>
      <dc:creator>Stephen Coles</dc:creator>
      <guid isPermaLink="false">350@/discussions</guid>
      <description><![CDATA[Back in 2007 I posted an informal poll on <a rel="nofollow" href="http://typophile.com/node/38314">Typophile</a> asking forum readers what OS and apps they used for designing type. <a rel="nofollow" href="http://typophile.com/node/38314?page=2">Here were the results</a> (screenshot of ugly unfinished charts also attached). <br /><br />Many suggestions for improving the poll followed. If a <i>simple</i> survey like this were to be conducted again (to include new tools like Robofont and Glyphs) how would you change the methodology?]]></description>
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      <title>Nomenclature in the 6th century</title>
      <link>http://typedrawers.com/discussion/351/nomenclature-in-the-6th-century</link>
      <pubDate>Sun, 12 May 2013 15:21:29 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>David Berlow</dc:creator>
      <guid isPermaLink="false">351@/discussions</guid>
      <description><![CDATA[I'm wondering how many items, just a rough guess, would be on a list of all the terms used in and around typography, with at least one meaning, in 6 centuries. That would include all the non-English terms, translated into English and added, if unique to the list. . . 7,000? 10,000? 30,000!???]]></description>
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      <title>Recommended method to subset TTFs and Webfonts</title>
      <link>http://typedrawers.com/discussion/334/recommended-method-to-subset-ttfs-and-webfonts</link>
      <pubDate>Thu, 02 May 2013 07:17:24 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>Ramiro Espinoza</dc:creator>
      <guid isPermaLink="false">334@/discussions</guid>
      <description><![CDATA[After checking subsetter.com (which sadly works only for FF files) and reading <a href="http://typophile.com/node/75698" target="_blank" rel="nofollow">http://typophile.com/node/75698</a> (last post from 2010)  I guess what is your recommended method / software to do subsetting. <br />Thanks in advance.]]></description>
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      <title>Unicode assignation scrambled  after OT-TTF generation</title>
      <link>http://typedrawers.com/discussion/348/unicode-assignation-scrambled-after-ot-ttf-generation</link>
      <pubDate>Fri, 10 May 2013 15:57:11 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>Ramiro Espinoza</dc:creator>
      <guid isPermaLink="false">348@/discussions</guid>
      <description><![CDATA[I am having a very weird behaviour with a client's font family: if I generate in Fontlab the font as PS1 flavored OT there is no problem, but after converting to TTF contours, when I use the same workflow to generate a TTF flavored OT, the resulting file have almost all unicodes scrambled and wrongly assigned. Any idea? It is the first time something like that happen to me.]]></description>
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      <title>Varnished Truth — A Geometric Wedge Serif on an Incline</title>
      <link>http://typedrawers.com/discussion/339/varnished-truth-a-geometric-wedge-serif-on-an-incline</link>
      <pubDate>Mon, 06 May 2013 04:16:35 +0000</pubDate>
      <category>Critiques—Type Design</category>
      <dc:creator>Kyle Wayne Benson</dc:creator>
      <guid isPermaLink="false">339@/discussions</guid>
      <description><![CDATA[This one was inspired by a rejected logo for a fitness company. Any advice or thoughts are appreciated. I'm not sold on the more conventional looking letters /HEFL/.<br /><br /><img src="http://fonts.kylewaynebenson.com/wp-content/uploads/2013/05/Truth_Artboard5.png" alt="image" /><br /><img src="http://fonts.kylewaynebenson.com/wp-content/uploads/2013/05/Truth_Artboard6.png" alt="image" /><br /><img src="http://fonts.kylewaynebenson.com/wp-content/uploads/2013/05/Truth_Artboard7.png" alt="image" /><br /><br /><a rel="nofollow" href="http://fonts.kylewaynebenson.com/wp-content/uploads/2013/05/Varnished-Truth.pdf">Varnished Truth Bold Character Inventory</a>]]></description>
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      <title>Italic Angle in the Font Info Key Dimmensions: Positive or Negative value?</title>
      <link>http://typedrawers.com/discussion/345/italic-angle-in-the-font-info-key-dimmensions-positive-or-negative-value</link>
      <pubDate>Wed, 08 May 2013 12:41:40 +0000</pubDate>
      <category>Software</category>
      <dc:creator>PabloImpallari</dc:creator>
      <guid isPermaLink="false">345@/discussions</guid>
      <description><![CDATA[I'm making some macros that make use of the italic angle font info data.<br /><br />While testing the macro, I've found that some fonts use a negative value.<br />For example, if the angle is 12°, some fonts use the value: 12 (positive) while some other use the value: -12 (negative)<br /><br />Is there any reason to use a negative value?<br />Is it documented somewhere?<br /><br />Thanks in advance<br /><br /><br />]]></description>
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      <title>Typekit desktop sync</title>
      <link>http://typedrawers.com/discussion/341/typekit-desktop-sync</link>
      <pubDate>Mon, 06 May 2013 21:42:13 +0000</pubDate>
      <category>Business</category>
      <dc:creator>Frode Bo Helland</dc:creator>
      <guid isPermaLink="false">341@/discussions</guid>
      <description><![CDATA[Well, do I need to say anything?]]></description>
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      <title>Adobe contributes rasterizer to FreeType, CFF on the web?</title>
      <link>http://typedrawers.com/discussion/332/adobe-contributes-rasterizer-to-freetype-cff-on-the-web</link>
      <pubDate>Wed, 01 May 2013 19:47:09 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>James Puckett</dc:creator>
      <guid isPermaLink="false">332@/discussions</guid>
      <description><![CDATA[Adobe has open-sourced a CFF rasterizer to improve CFF hinting. <a rel="nofollow" href="http://typedrawers.com/discussion/323/windows-xp-in-heaven#latest">Most corporate and government Windows XP desktop installs are likely upgrade to Windows 7/8 within the year.</a> Will hinted CFF be a viable format for web fonts once the vast majority of IE users are running IE 9/Directwrite and most phones/tablets have better a better CFF rasterizer and a HIDPI screen? Will anyone care at that point, or will TTF have too much momentum to overcome (assuming that either Robohint or a working version of Fontlab 5.1 finally arrives)?]]></description>
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      <title>Batch TTX . . .</title>
      <link>http://typedrawers.com/discussion/344/batch-ttx</link>
      <pubDate>Tue, 07 May 2013 17:54:14 +0000</pubDate>
      <category>Software</category>
      <dc:creator>Stuart Sandler</dc:creator>
      <guid isPermaLink="false">344@/discussions</guid>
      <description><![CDATA[Hey All, I'm hoping one of you smart TTX users can give me a hand . . .<br /><br />I need to run TTX on large folder full of fonts, just the basic OTF to TTX conversion . . . (to prepare for copyright filings, nothing sinister)<br /><br />I'm on a Mac 10.6.8 and I am hoping some savvy Terminal user can advise the line of code I can use to make this happen.<br /><br />Thanks kindly in advance and before you ask, I was unable to figure this out after some Google searches.]]></description>
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      <title>Good words for sketching letters</title>
      <link>http://typedrawers.com/discussion/66/good-words-for-sketching-letters</link>
      <pubDate>Sun, 20 May 2012 17:12:30 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>James Puckett</dc:creator>
      <guid isPermaLink="false">66@/discussions</guid>
      <description><![CDATA[Aside from the old standards—handgloves, hamburgefonts, and adhesion—what words are good for sketching letters? I find that Magenta and Magneto work well. ]]></description>
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      <title>After the Adobe/CFF/FreeType deal, would you still ship TTFs?</title>
      <link>http://typedrawers.com/discussion/337/after-the-adobecfffreetype-deal-would-you-still-ship-ttfs</link>
      <pubDate>Sun, 05 May 2013 10:17:17 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>yanone</dc:creator>
      <guid isPermaLink="false">337@/discussions</guid>
      <description><![CDATA[After the discussion of <a rel="nofollow" href="http://typedrawers.com/discussion/332/adobe-contributes-rasterizer-to-freetype-cff-on-the-web">James’</a> question turned much towards hinting details, I’ll re-ask the question in a more practical and also personal way:<br /><br />After Adobe’s ace move to offer its CFF rasterizer to FreeType and with it the expectation that this rasterizer gets implemented in many devices and software in the near future, would you still care to ship TTFs altogether for a general purpose print/web typeface at this point?<br /><br />As far as I understand, IE8 is the last major software to not support CFF-based web fonts. Its market share is currently at 5.5% according to this <a rel="nofollow" href="http://www.w3schools.com/browsers/browsers_explorer.asp">chart</a>.<br /><br />5.5% doesn’t qualify as negligible just yet, but that depends also on attitude. Are there any additional major software out there that I forgot that still require TTF?]]></description>
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      <title>Font menu order in OSX</title>
      <link>http://typedrawers.com/discussion/335/font-menu-order-in-osx</link>
      <pubDate>Fri, 03 May 2013 14:06:41 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>Paul van der Laan</dc:creator>
      <guid isPermaLink="false">335@/discussions</guid>
      <description><![CDATA[Is there any logic to the font menu order in the native OSX font panel? Only families that consist of R/I/B/BI styles appear to be sorted logically, but in all other cases the menu is one big mess... (And yes – I have defined the proper weight values in the font info.)]]></description>
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      <title>Albuquerque v0.012</title>
      <link>http://typedrawers.com/discussion/329/albuquerque-v0-012</link>
      <pubDate>Tue, 30 Apr 2013 03:15:14 +0000</pubDate>
      <category>Critiques—Type Design</category>
      <dc:creator>Tristan Bowersox</dc:creator>
      <guid isPermaLink="false">329@/discussions</guid>
      <description><![CDATA[<img src="http://25.media.tumblr.com/4611df1605c95a55cdc9d4c448fbbb56/tumblr_mlw8g7IWAE1s3n56xo1_1280.jpg" alt="image" /><br /><br />This is a font I developed for a couple years, then put down for a year or two. I've decided it's time to finish it up. If you saw it on Typophile, it's gone through at least a couple revisions since I posted it there. I apologize that I don't have a working font file to make produce longer passages of text, but I'll do my best to put together samples by hand. I'm weighing my options for font software currently.<br /><br />/g, /a, /e,  and /k are collectively the thesis of the typeface, essentially. This is not to say they are above criticism, by any means, but if they seem out of place, it's the other characters' fault.<br /><br /><img src="http://25.media.tumblr.com/67439e571706521f5f756b55880876cf/tumblr_mlw8g7IWAE1s3n56xo2_1280.jpg" alt="image" /><br /><br /><img src="http://i.imgur.com/sOMu27S.jpg" alt="image" /><br /><br />Don't hold back :)]]></description>
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      <title>Windows XP in Heaven</title>
      <link>http://typedrawers.com/discussion/323/windows-xp-in-heaven</link>
      <pubDate>Wed, 24 Apr 2013 17:45:32 +0000</pubDate>
      <category>Technique and Theory</category>
      <dc:creator>David Berlow</dc:creator>
      <guid isPermaLink="false">323@/discussions</guid>
      <description><![CDATA[So, what happens next April 9th, when there is no more support for MS Windows XP? I understand it doesn't just end with 25-38% of windows users trapped. But no new functionality from the later OS is being supported for OS earlier than Vista, after that date, is that it?]]></description>
   </item>
   <item>
      <title>"kind"</title>
      <link>http://typedrawers.com/discussion/333/kind</link>
      <pubDate>Thu, 02 May 2013 00:39:16 +0000</pubDate>
      <category>Critiques—Lettering and Calligraphy</category>
      <dc:creator>Tristan Bowersox</dc:creator>
      <guid isPermaLink="false">333@/discussions</guid>
      <description><![CDATA[I'm a bit surprised at the vacancy of this category... This is an attempt at faux-paint lettering, meaning I sketched the outline, based on imagined strokes. It's meant to be stylized, but hint at something believable. Lemme know whether you think it works.<br /><br /><img src="http://farm9.staticflickr.com/8530/8678542863_13cf904eaa_h.jpg" alt="image" /><br /><br /><img src="https://lh3.googleusercontent.com/-u_PvuL2xtKE/UXlbQfKPFII/AAAAAAAACZk/cenN3PO8PBE/w800-h806/kind_plain.jpg" alt="image" />]]></description>
   </item>
   <item>
      <title>FL 5.14 bug help</title>
      <link>http://typedrawers.com/discussion/328/fl-5-14-bug-help</link>
      <pubDate>Mon, 29 Apr 2013 22:51:19 +0000</pubDate>
      <category>Software</category>
      <dc:creator>Ale Paul</dc:creator>
      <guid isPermaLink="false">328@/discussions</guid>
      <description><![CDATA[I found 2 bugs with the Fontlab update on my side. <br />Could someone tell me if you are experimenting the same?<br /><br />First one is at the Preview windows &gt; Opentype features.<br />img src="<a rel="nofollow" href="alt=">http://cdn.vanillaforums.com/typeboard.vanillaforums.com/FileUpload/28/252a9641411f274a562ad1b9655c3d.png</a>" /&gt;<br /><br />When I press Cmd+s the check marks dissapear.<br /><br />img src="<a rel="nofollow" href="alt=">http://cdn.vanillaforums.com/typeboard.vanillaforums.com/FileUpload/7f/5843b0114b428d05854b6c793fdee9.png</a>" /&gt;<br /><br />The Second one is I do not see the class mark in the metrics windows (kerning). In the pict the "a" should be marked because is a class.<br /><br />img src="<a rel="nofollow" href="alt=">http://cdn.vanillaforums.com/typeboard.vanillaforums.com/FileUpload/75/7dcdb4c511081620287c1b3f79ef71.png</a>" /&gt;<br /><br />Do you know any way to solve this?]]></description>
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