I've read the book it is based on, and have written a blog post. Just waiting to see the movie as well. Probably tomorrow.
The “analysis” of the memos in the book is simplistic with straw man arguments. There are many, many references to the rabid, right-wing extremist bloggers who weighed in against the memos—and that is the kind of language Mapes uses about them, over and over. Ad hominem attacks everywhere (but how dare anyone question whether her politics might have influenced her coverage).
Aside from the logical fallacies surrounding her tunnel vision on the memos, Mapes does make a convincing case that the main thrust of the story was accurate and well supported, and a bit of outside research says the same. So the central concern of the book, that questioning the memos should not have led to ignoring the story, seems valid.
After seeing the movie, I'd say it's not unlike how you describe the book. And those of us who wrote about it on forums at the time are just "bloggers" in the movie. Although I think they quoted someone at length at one point, reading off a website.
Also, for what it's worth, I thought Redford did a pretty good Rather. I kind of forgot he was Redford while I was watching it. No pun intended, but a rather amazing performance.
Specifically, Mapes’ logic boils down to: proportional spacing was available in some typewriters at the time, therefore criticizing the memos as forgeries based on their proportional spacing is partisan nonsense. This Ignores the fact that the particular spacing of the memos was not physically possible with typewriter-level technology of the period, which is why every typewriter anyone has identified from the period as a candidate, to date, has been specifically disproven.
Same thing with superscript: argues that because superscript existed on some typewriters, criticizing the particular superscript of the memos is wrong.
But the savvy critiques are not making the arguments she claims.
Joe, look back a few years at the W Bush controversy over his military service and the "document" which indicated he was not truthful. Thomas Phinney, in his font scene investigator role, was hired to evaluate the validity of the document. Thomas can speak to this far better than my geezer memory.
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PAUL GIAMETTI, I would hope.
The “analysis” of the memos in the book is simplistic with straw man arguments. There are many, many references to the rabid, right-wing extremist bloggers who weighed in against the memos—and that is the kind of language Mapes uses about them, over and over. Ad hominem attacks everywhere (but how dare anyone question whether her politics might have influenced her coverage).
Aside from the logical fallacies surrounding her tunnel vision on the memos, Mapes does make a convincing case that the main thrust of the story was accurate and well supported, and a bit of outside research says the same. So the central concern of the book, that questioning the memos should not have led to ignoring the story, seems valid.
See: https://en.wikipedia.org/wiki/Straw_man
Specifically, Mapes’ logic boils down to: proportional spacing was available in some typewriters at the time, therefore criticizing the memos as forgeries based on their proportional spacing is partisan nonsense. This Ignores the fact that the particular spacing of the memos was not physically possible with typewriter-level technology of the period, which is why every typewriter anyone has identified from the period as a candidate, to date, has been specifically disproven.
Same thing with superscript: argues that because superscript existed on some typewriters, criticizing the particular superscript of the memos is wrong.
But the savvy critiques are not making the arguments she claims.