Too much overshoot?


While in 2017 1 & 7 look shorter than 2 & 0, I'm not so sure about in 010101 and 272727. What do you say? Should I overshoot a little less? (It's a display type, so the size here is within the designated range).

Comments

  • AbrahamLeeAbrahamLee Posts: 93
    I think it looks fine. If you look at it long enough, then the eyes begin to distinguish the difference in height, but as a quick read-through (like most headers are), the difference is so small that the eye won't notice it. You could always try moving the top/bottom points inwards to see if that helps. General notion is 3%-8% overshoot and it looks like you're pretty close here.
  • John HudsonJohn Hudson Posts: 1,171
    It's pretty good. Looking at the 010101 sample, I think you might reduce the bottom overshoot of the zero just very slightly, as the 1 looks like it is floating upwards a bit.
  • Ori Ben-DorOri Ben-Dor Posts: 121
    Interesting, I thought the top overshoot was more problematic. I'll play with both. Thank you both!
  • PabloImpallariPabloImpallari Posts: 505
    edited April 21
    Do you have blue-zones defined and/or hintting already?
    Is the sample rendered in mac or pc, photoshop, illustrator or web browsers?
    All those factors affect how the overshoots are displayed, so you may want to test many (or ideally all) of them.
  • Ori Ben-DorOri Ben-Dor Posts: 121
    None of those things, yet. It's just the raw glyphs.
    The sample was rendered directly in the preview panel of FL5 for Windows.
  • PabloImpallariPabloImpallari Posts: 505
    edited April 21
    BTW, in "2017" you zero looks a bit narrow to me, maybe because all the other glyphs have bigger white areas.
  • Ori Ben-DorOri Ben-Dor Posts: 121
    Thanks, I'll play with the width too.
  • Georg SeifertGeorg Seifert Posts: 466
    We had a similar discussion in another thread. And there we found that the size you are looking at changes the perception of the overshot quite a bit. 
  • Chris LozosChris Lozos Posts: 966
    The counter size of the zero is much affected by the sidebearings. A tighter fit would make the zero look less objectionable but then you compound the problem with the seven and the one.
  • AbrahamLeeAbrahamLee Posts: 93
    That's a great exercise, @Alex Kaczun! A really helpful example to consider when considering how important things like this are for optically sized designs. I'm curious what everyone would say is the most optically-correct circle (1-10 from the left) in each row. Is there a way to do a poll in this forum?

    Part of what I have learned from this is that it very much depends on how large they are being viewed at (or perhaps how far away I am from the image). For me, I'd say that 1 & 2 are too small at any size, 3 & 4 are marginal (perhaps would be okay at display sizes), 5 & 6 look great at a normal viewing distance, but 7-10 work progressively well at smaller sizes (or farther viewing distances) due to the higher frequencies of the overshoot not passing through to the eye.

    Anyone else willing to share their thoughts on this experiment?
  • Alex KaczunAlex Kaczun Posts: 135
    Right you are Abraham—viewing size is key. By the way, you can double click on my image and it will expand to a separate window so that you can examine at larger point size. This is an extremely controlled test—ALL the squares are exactly the same height & width throughout, the first circle (starting from the left) is exactly the same height as the square. Each circle increases by 1% proportionately in height, from left to right. Each square and circle has the exact same stem weights—top and bottom. I could of included a condensed version or other design factors, but I wanted to keep the test simple. You can explore this sort of thing further while designing your fonts.

    Of course, there are many other factors to consider as well in overall alignments. But this is a good start. It all really is somewhat subjective. Everyone will see it slightly differently. Every time I look at it with a fresh set of eyes—I go back and forth between 6-8. So, I guess, the sweet spot is somewhere at around 6-8% increase in overshoot for the circles. Remember, it's ok to increase the overshoot further if a glyph is very pointed at the top. Again, it's all visual. There are no hard and fast rules to any of this. Rely on your eyes—gets easier as time goes by.

    Take a look at the Univers (Linotype) font family series as a guild. Adrian Frutiger is a master at alignments. As an example, his alignments for caps H and E are slightly different. Cap E slightly less in height than H. That sort of thing. Even the stems and hairlines vary top to bottom, and so forth. Slight alignment variations throughout—very interesting study, indeed. I hope this helps. Understand all the different methods and reasoning behind all of this, but always rely on your instincts and your own eyes when designing your fonts. If it looks right—go with it!
  • I don't think the height is actually different in any adaptation of Univers. Frutiger writes in ‹The Complete Works› (p. 96) that it was a theory (illustrated in ‹Type Sign Symbol and the issue devoted to Univers in Typographische Monatsblätter), but would have complicated the production, so it wasn't carried into practice.
  • Right, I was just thinking that it's difficult to study something that you're hard pressed to find in praxis. I'm sorry for going off-topic.
  • Alex KaczunAlex Kaczun Posts: 135

    You are not going off-topic. I appreciate your input. I wish more people would just chime in more about this topic. It's all very interesting.

    Simple visual test—which line (top or bottom) looks better to you—and why?
  • It's subtle, and the viewing conditions are suboptimal, but I think the bottom line looks better; the overshoots seem more balanced with the baseline and cap height. The O looks perhaps a bit small in the top line, in comparison.
  • Ori Ben-DorOri Ben-Dor Posts: 121
    Bottom. In the top line the O's could use some/more overshoot.
  • Alex KaczunAlex Kaczun Posts: 135
    You are both absolutely right. The lower line—Cap E & Z height was reduced -2/1000 shorter than the Cap H (hats off to Frutiger). And the Cap O overshoot was increased to that 7% overshoot as per test above. That confirms everything that we've talked about. Thanks.
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