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        <title>Typeface Design — TypeDrawers</title>
        <link>https://typedrawers.com/</link>
        <pubDate>Tue, 09 Jun 2026 18:05:36 +0000</pubDate>
        <language>en</language>
            <description>Typeface Design — TypeDrawers</description>
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    <item>
        <title>Advice on Advertising?</title>
        <link>https://typedrawers.com/discussion/5380/advice-on-advertising</link>
        <pubDate>Wed, 18 Jun 2025 18:14:01 +0000</pubDate>
        <category>Type Business</category>
        <dc:creator>theorosendorf</dc:creator>
        <guid isPermaLink="false">5380@/discussions</guid>
        <description><![CDATA[<div>I’m starting a daily email newsletter on type. It’s growing steadily and I’m humbled by the interest so far. We plan to launch Winter 2025.</div><div>I have some questions (and slight ambivalence) about running ads. Above all else we want to honor reader sensibilities, but this thing also needs to operate as a business. So we plan to run some non-obtrusive ads under/after the content.</div><div>Here are my questions but would love any input on the topic.</div><ul><li>Have you seen good examples of newsletters (or print zines) that include tasteful, relevant, useful ads that don’t alienate readers?</li></ul><ul><li>As a reader, what kind of ad placement or formats are you okay with?</li></ul><ul><li>Of course I have lots of ideas, but what kind of advertisers would you like to see in a newsletter about typography?</li></ul><ul><li>Also, if you liked the content but not the ads, would you pay $3/mo to not have ads?</li></ul><div>Appreciate any insight. Especially from anyone who’s done something similar in this space.<br />🙏</div>]]>
        </description>
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    <item>
        <title>Fontdue. No Paypal?</title>
        <link>https://typedrawers.com/discussion/5582/fontdue-no-paypal</link>
        <pubDate>Fri, 17 Apr 2026 10:54:25 +0000</pubDate>
        <category>Type Business</category>
        <dc:creator>Supherb</dc:creator>
        <guid isPermaLink="false">5582@/discussions</guid>
        <description><![CDATA[<p>I’m really frustrated right now. I genuinely loved the Fontdue platform, but after investing a lot of time and money into building my website, I later discovered that they don’t support PayPal for client payments in the U.S.</p>&#13;
<p>That’s a huge setback for me and honestly has killed my motivation to keep working on the site. <span>From my experience, most people I know here primarily use PayPal rather than the other payment options available.</span></p>&#13;
<p>Does anyone know of a simple workaround to integrate PayPal with a Fontdue site? If not, are there any alternative platforms similar to Fontdue that do support it?</p><p><br /></p><p>Thanks!</p>]]>
        </description>
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    <item>
        <title>[Do]lorem ipsum</title>
        <link>https://typedrawers.com/discussion/5599/do-lorem-ipsum</link>
        <pubDate>Mon, 01 Jun 2026 06:01:15 +0000</pubDate>
        <category>Type Design Technique &amp; Theory</category>
        <dc:creator>michele casanova</dc:creator>
        <guid isPermaLink="false">5599@/discussions</guid>
        <description><![CDATA[<div>This video was pointed out to me as interesting because it reconstructs the history of "Lorem ipsum".<br /><br /></div><div><span><span data-youtube="youtube-kL1PDqzqhM4?autoplay=1"><span><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DkL1PDqzqhM4"><img src="https://img.youtube.com/vi/kL1PDqzqhM4/0.jpg" width="640" height="385" border="0" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/https://img.youtube.com/vi/kL1PDqzqhM4/0.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/https://img.youtube.com/vi/kL1PDqzqhM4/0.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/https://img.youtube.com/vi/kL1PDqzqhM4/0.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/https://img.youtube.com/vi/kL1PDqzqhM4/0.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/https://img.youtube.com/vi/kL1PDqzqhM4/0.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/https://img.youtube.com/vi/kL1PDqzqhM4/0.jpg 2000w, https://img.youtube.com/vi/kL1PDqzqhM4/0.jpg" sizes="100vw" alt="image" />https://www.youtube.com/watch?v=kL1PDqzqhM4</a></span><span></span></span></span></div><div><br />"Lorem ipsum" was apparently created in 1966 by James Mosley (1935-2025) from four pages (36, 56, 70, and 118) of this 1914 edition of Cicero's "De finibus bonorum et malorum": <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Farchive.org%2Fdetails%2Fbub_gb_ufOZBzV878IC%2Fpage%2F36%2Fmode%2F2up">https://archive.org/details/bub_gb_ufOZBzV878IC/page/36/mode/2up</a></div><div><br /></div><div><span>The text (specially modified to be meaningless and to have a letter frequency similar to English, for example, by reducing the number of Qs) was requested by Letraset to create "dummy text" sheets.</span></div><div><br />The "Lorem Ipsum" text was then used in Aldus PageMaker 3.0 (1988 ca.) with some changes and the introduction of obvious errors ("nibh", "zzril").<br /><br />Was all this information already known?</div><br />]]>
        </description>
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    <item>
        <title>The Forge, a CMS built for type foundries</title>
        <link>https://typedrawers.com/discussion/5604/the-forge-a-cms-built-for-type-foundries</link>
        <pubDate>Mon, 08 Jun 2026 13:58:04 +0000</pubDate>
        <category>Type Business</category>
        <dc:creator>octavio</dc:creator>
        <guid isPermaLink="false">5604@/discussions</guid>
        <description><![CDATA[<div>I’m Octavio Pardo and I run <a rel="nofollow">Ashler, </a>a design and development studio focused on brand and digital craft. For years we’ve worked alongside type designers and foundries, helping shape their brands, build their websites, and translate the complexity of type into clear, high-performing digital experiences. That close collaboration has given us a front-row seat to a recurring problem: selling fonts online is still far harder than it should be.<br /><br /></div><div><b>The problem: selling type through generic e‑commerce</b></div><div>When a foundry tries to sell through generic e‑commerce, it usually turns into a patchwork of half-solutions: licensing forced into product variants, pricing logic squeezed into the wrong constraints, plugins piled on, custom code everywhere, and a buying flow that doesn’t match how people browse type families in the real world. The result is that you’re constantly adapting your work to a system that doesn’t understand it, and your website becomes a parallel technical project, which is exactly what it shouldn’t be.<br /><br /></div><div><b>A foundry doesn’t sell “files”</b></div><div>Because a foundry doesn’t sell “files.” It sells releases, specimen pages, updates, bug fixes, support, invoicing, VAT, renewals, and all the licensing edge cases that appear as soon as you have real customers. And when you try to handle all of that on platforms built for t‑shirts or online courses, you end up simplifying your offer just to make it fit the checkout, instead of building an experience that respects your business model.<br /><br /></div><div><b>What changes with The Forge</b></div><div>The Forge is built to change that dynamic. It’s a platform designed specifically for foundries: so licensing can match the way you work (your rules, your prices, your terms), and so the buying experience stays smooth and reliable when someone is ready to purchase. Because at that moment, performance isn’t a detail: it is part of the product. If the cart feels slow, sessions reset, tabs go out of sync, or checkout feels fragile, what you lose isn’t “a conversion.” You lose trust.<br /><br /></div><div><b>The Forge Mini (in progress)</b></div><div>Right now we’re building The Forge Mini, an entry version that starts with a solid base and lets you add customizations and features over time through an affordable monthly fee. The goal is to create a clear growth path: so a foundry can scale progressively without a big upfront investment, and once the project reaches a defined break point, there should be no reason to keep paying a monthly fee. If you want updates, you can join the newsletter to stay in the loop.<br /><br /></div><div><b>Learn more</b></div><div><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Ftheforge.ashler.design%2F">https://theforge.ashler.design/</a></div><div><br /></div>]]>
        </description>
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    <item>
        <title>Critique Request for Hibur Mono (a new Ethiopic Typeface)</title>
        <link>https://typedrawers.com/discussion/5601/critique-request-for-hibur-mono-a-new-ethiopic-typeface</link>
        <pubDate>Mon, 01 Jun 2026 16:13:31 +0000</pubDate>
        <category>Type Design Critiques</category>
        <dc:creator>Daniel Yacob</dc:creator>
        <guid isPermaLink="false">5601@/discussions</guid>
        <description><![CDATA[<p>Hello Everyone,</p><p>Along with the designer, Behailu Barento (<a href="https://typedrawers.com/profile/0/typehabesha" rel="nofollow">@typehabesha</a> ), we are very happy to introduce the Hibur Mono typeface, available for review from:  <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Ftypehabesha%2FHiburMono%2F">https://github.com/typehabesha/HiburMono/</a></p><p>A synopsis: Hibur Mono is a single-weight, monospaced, Ethiopic typeface designed for columnar display environments such as computer terminals and software code development interfaces.</p><p>The Hibur Mono Ethiopic glyphs have been designed from the ground up and optimized for the fixed-width contraints of a monospaced typeface. Hibur Mono is compatible with the Noto Sans Mono geometric dimensions. The non-Ethiopic glyphs in Hibur Mono have also been leveraged from Noto Sans Mono.</p>Samples below, and a proof file attached.<br /><br />thank you kindly,<br /><br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/sf/soi08xwuuw10.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/sf/soi08xwuuw10.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/sf/soi08xwuuw10.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/sf/soi08xwuuw10.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/sf/soi08xwuuw10.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/sf/soi08xwuuw10.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/sf/soi08xwuuw10.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/sf/soi08xwuuw10.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/sf/soi08xwuuw10.png" sizes="100vw" /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/8y/qcm6oghxoh02.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/8y/qcm6oghxoh02.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/8y/qcm6oghxoh02.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/8y/qcm6oghxoh02.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/8y/qcm6oghxoh02.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/8y/qcm6oghxoh02.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/8y/qcm6oghxoh02.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/8y/qcm6oghxoh02.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/8y/qcm6oghxoh02.png" sizes="100vw" /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/ae/rizl004j2jb2.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/ae/rizl004j2jb2.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ae/rizl004j2jb2.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ae/rizl004j2jb2.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ae/rizl004j2jb2.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ae/rizl004j2jb2.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ae/rizl004j2jb2.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ae/rizl004j2jb2.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/ae/rizl004j2jb2.png" sizes="100vw" /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/9g/qyi1xbjxig4l.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/9g/qyi1xbjxig4l.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/9g/qyi1xbjxig4l.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/9g/qyi1xbjxig4l.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/9g/qyi1xbjxig4l.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/9g/qyi1xbjxig4l.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/9g/qyi1xbjxig4l.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/9g/qyi1xbjxig4l.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/9g/qyi1xbjxig4l.png" sizes="100vw" /><br />]]>
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        <title>Honorific ligatures for Islamic texts: gaps and open questions</title>
        <link>https://typedrawers.com/discussion/5603/honorific-ligatures-for-islamic-texts-gaps-and-open-questions</link>
        <pubDate>Sat, 06 Jun 2026 09:27:56 +0000</pubDate>
        <category>Type Design Technique &amp; Theory</category>
        <dc:creator>husada</dc:creator>
        <guid isPermaLink="false">5603@/discussions</guid>
        <description><![CDATA[<div>We are building a digital library platform for classical Islamic texts, and in the process of evaluating fonts for the platform, we ran into a challenge.</div><div>One of our goals is to offer readers, particularly those already familiar with classical Arabic book printing, an experience that feels both authentic and comfortable to read, while remaining clean and modern. For that, we needed a font that is a clear, readable Naskh; well-supported; and importantly, one that includes well-crafted honorific ligatures.</div><div><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/nt/p1lds0kuuoc0.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/nt/p1lds0kuuoc0.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/nt/p1lds0kuuoc0.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/nt/p1lds0kuuoc0.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/nt/p1lds0kuuoc0.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/nt/p1lds0kuuoc0.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/nt/p1lds0kuuoc0.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/nt/p1lds0kuuoc0.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/nt/p1lds0kuuoc0.png" sizes="100vw" /><br /></div><div><br /></div><div>We chose to limit ourselves to OFL because we need a font we can freely use, host, and potentially extend. Among the OFL options we evaluated, Scheherazade New stood out as the strongest candidate overall. However, its honorific ligatures did not match the aesthetic we were looking for.</div><div><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/ub/eggjxpul536g.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/ub/eggjxpul536g.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ub/eggjxpul536g.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ub/eggjxpul536g.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ub/eggjxpul536g.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ub/eggjxpul536g.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ub/eggjxpul536g.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ub/eggjxpul536g.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/ub/eggjxpul536g.png" sizes="100vw" /><br /><br /></div><div>The best honorific glyphs we found were in KFGQPC Arabic Symbols. The visual quality and calligraphic weight there are excellent, and clearly informed by established printing tradition. But KFGQPC has several problems for our use case: its glyphs are placed in a separate symbols font using Private Use Area codepoints rather than the assigned Unicode honorific slots, which means they are not text-searchable and interoperable; its coverage is also incomplete, with many honorific expressions common in the broader Islamic scholarly tradition simply absent; and finally, its EULA does not permit modification or redistribution.</div><div>So we ended up handcrafting them ourselves: 61 honorific ligatures as clean SVG artwork (union paths), drawing from the visual standards of classical Arabic printing, with reference to the visual forms and compositions of KFGQPC but not directly derived from them:</div><div><br /></div><div>GitHub: <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Fbaalwi-id%2Farabic-honorific-ligatures">https://github.com/baalwi-id/arabic-honorific-ligatures</a></div><div><br /></div><div>Coverage spans 11 groups (alh, sal, slt, slm, slw, rad, rhm, rmt, qds, hfz, mix). Most have assigned Unicode codepoints; a smaller number are PUA candidates.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/j0/ca381n3xk57q.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/j0/ca381n3xk57q.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/j0/ca381n3xk57q.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/j0/ca381n3xk57q.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/j0/ca381n3xk57q.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/j0/ca381n3xk57q.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/j0/ca381n3xk57q.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/j0/ca381n3xk57q.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/j0/ca381n3xk57q.png" sizes="100vw" /><br /></div><div><br /></div><div>Since we are graphic designers rather than font engineers, we are limited in our ability to take this further on our own, so we raised the issue with the SIL team. The discussion is here: <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Fsilnrsi%2Ffont-scheherazade%2Fissues%2F15">https://github.com/silnrsi/font-scheherazade/issues/15</a></div><div>The conversation has evolved in an interesting direction: it seems what would be most valuable for Scheherazade New is improving the consistency of its existing honorific letterforms with its own Naskh base, rather than replacing them with our Thuluth artwork. Our Thuluth collection remains available as a standalone open-source set for anyone who needs it, and we are also separately exploring the possibility of building a Scheherazade New derivative that incorporates the Thuluth honorifics as a distinct font, though that is still in early consideration.</div><div>This feels like the right forum to get informed feedback on all of this: the artwork, the approach, the SN proposal, or anything else. Very happy to hear from anyone with experience in Arabic font development or Islamic publishing typography.</div>]]>
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        <title>A new Wakamai Fondue</title>
        <link>https://typedrawers.com/discussion/5579/a-new-wakamai-fondue</link>
        <pubDate>Sun, 12 Apr 2026 08:21:36 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Roel Nieskens</dc:creator>
        <guid isPermaLink="false">5579@/discussions</guid>
        <description><![CDATA[Hi everybody, a new version of Wakamai Fondue was just released at the Fontstand conference in Berlin:<br /><br /><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fwakamaifondue.com">https://wakamaifondue.com</a><br /><br />It's now using LibFont instead of Fontkit which allows me to dig a little bit deeper into the lookups and other font tech. There are a few more interfaces to test your font, with one generic word processor-style tester and a few dedicated to specific font tech. Some UI updates should also make it more convenient to test your font in the browser.<br /><br />A bit more background info can be found in <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fpixelambacht.nl%2F2026%2Fa-new-wakamai-fondue%2F" title="Link: https://pixelambacht.nl/2026/a-new-wakamai-fondue/">https://pixelambacht.nl/2026/a-new-wakamai-fondue/</a> and a more detail guide will follow soon.<br /><br />Wakamai Fondue also features a test font (a role played by DJR's Gimlet while this version was in beta), namely Polymode Sans by XYZ Type Foundry. This way you can take Wakamai Fondue for a spin by just clicking a button.<br /><br />You can also run it locally by grabbing the code from <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2FWakamai-Fondue%2Fwakamai-fondue-site%2F">https://github.com/Wakamai-Fondue/wakamai-fondue-site/</a> which can be useful if you want to tweak the UI or the underlying engine to your liking. As before, there are no cookies or tracking and "uploaded" fonts never leave your computer.<br /><br />The site doesn't yet work on mobile, and there's going to be a few rough edges, but I hope it'll be useful when testing your fonts.<br /><br />Thanks to <a href="https://typedrawers.com/profile/0/Dave%20Crossland" rel="nofollow">@Dave Crossland</a> for funding the initiative to develop the new version!<br /><br />There are a few other neat features in the making which'll hopefully put even more "ooh!" in the fondue. I'm currently working as independent freelance for all things fonts-and-frontend, so you can always commission me to add features or help you set up a local copy or workflow.<br /><br />Happy fonduing! 🫕]]>
        </description>
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    <item>
        <title>Difference between Cyrillic Ef Ф and Greek Phi Φ</title>
        <link>https://typedrawers.com/discussion/5597/difference-between-cyrillic-ef-f-and-greek-phi-%CE%A6</link>
        <pubDate>Mon, 25 May 2026 10:41:57 +0000</pubDate>
        <category>Type Design Technique &amp; Theory</category>
        <dc:creator>Wei Huang</dc:creator>
        <guid isPermaLink="false">5597@/discussions</guid>
        <description><![CDATA[<div>What's the recommendations on the design difference between the uppercase Cyrillic Ef Ф u+0424 and Greek Phi Φ u+03A6? I've noticed there’s 3 main differences:</div><div><br /></div><div><b>1. Cyrillic Ef is sometimes more square than Greek Phi:</b></div><div><i>Helvetica World Regular</i></div><div><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/p4/6g28eazv7uzb.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/p4/6g28eazv7uzb.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/p4/6g28eazv7uzb.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/p4/6g28eazv7uzb.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/p4/6g28eazv7uzb.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/p4/6g28eazv7uzb.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/p4/6g28eazv7uzb.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/p4/6g28eazv7uzb.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/p4/6g28eazv7uzb.png" sizes="100vw" /></div><div><br /></div><div><b>2. Size of the bowls are different:</b></div><div><i>Theinhardt Pan Regular, Cyrillic Ef’s bowls are wider</i></div><div><i><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/ee/awmbkbaxpwq3.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/ee/awmbkbaxpwq3.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ee/awmbkbaxpwq3.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ee/awmbkbaxpwq3.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ee/awmbkbaxpwq3.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ee/awmbkbaxpwq3.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ee/awmbkbaxpwq3.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ee/awmbkbaxpwq3.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/ee/awmbkbaxpwq3.png" sizes="100vw" /></i></div><div><i>Sharp Earth, Cyrillic Ef's bowls are narrower but taller</i></div><div><i><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/5f/lyzzpld5uwst.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/5f/lyzzpld5uwst.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/5f/lyzzpld5uwst.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/5f/lyzzpld5uwst.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/5f/lyzzpld5uwst.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/5f/lyzzpld5uwst.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/5f/lyzzpld5uwst.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/5f/lyzzpld5uwst.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/5f/lyzzpld5uwst.png" sizes="100vw" /></i></div><div><i>SF Pro Text, Greek Phi’s bowls are bigger</i></div><div><i><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/3o/ials2rbmshyt.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/3o/ials2rbmshyt.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/3o/ials2rbmshyt.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/3o/ials2rbmshyt.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/3o/ials2rbmshyt.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/3o/ials2rbmshyt.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/3o/ials2rbmshyt.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/3o/ials2rbmshyt.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/3o/ials2rbmshyt.png" sizes="100vw" /></i></div><div><i>Graphik Regular, Greek Phi's bowls are bigger</i></div><div><i><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/ip/ad3nwscg4u57.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/ip/ad3nwscg4u57.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ip/ad3nwscg4u57.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ip/ad3nwscg4u57.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ip/ad3nwscg4u57.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ip/ad3nwscg4u57.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ip/ad3nwscg4u57.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ip/ad3nwscg4u57.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/ip/ad3nwscg4u57.png" sizes="100vw" /><br /></i></div><div><br /></div><div><b>3. One may extend beyond the cap-height and baseline while the other does not:</b></div><div><b><br /></b></div><div><i>Zed Display Regular, Cyrillic Ef’s bowls are larger and the stem extends beyond cap-height.</i></div><div><i><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/a7/t08iw9ztrziu.png" title="Image: https://us.v-cdn.net/5019405/uploads/editor/a7/t08iw9ztrziu.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/a7/t08iw9ztrziu.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/a7/t08iw9ztrziu.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/a7/t08iw9ztrziu.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/a7/t08iw9ztrziu.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/a7/t08iw9ztrziu.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/a7/t08iw9ztrziu.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/a7/t08iw9ztrziu.png" sizes="100vw" /></i></div><div><i><br /></i></div><div><i>Neue Helvetica World Regular, Greek Phi’s bowls are larger and the stem extends beyond cap-height.</i></div><div><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/dw/d1bh9xhtmppr.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/dw/d1bh9xhtmppr.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/dw/d1bh9xhtmppr.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/dw/d1bh9xhtmppr.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/dw/d1bh9xhtmppr.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/dw/d1bh9xhtmppr.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/dw/d1bh9xhtmppr.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/dw/d1bh9xhtmppr.png" sizes="100vw" /></div><div><i>Also see SF Text Pro above, both extend beyond the cap heights but Phi is slightly taller but probably on account of the bigger bowls.</i></div><div><br /></div><div>Would love some insight into these differences.</div>]]>
        </description>
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        <title>tonos above dieresis in greek</title>
        <link>https://typedrawers.com/discussion/5602/tonos-above-dieresis-in-greek</link>
        <pubDate>Thu, 04 Jun 2026 23:36:56 +0000</pubDate>
        <category>Type Design Critiques</category>
        <dc:creator>ravid_dubsteper</dc:creator>
        <guid isPermaLink="false">5602@/discussions</guid>
        <description><![CDATA[<span>what do you think is it okay to place tonos above dieresis in greek?<br /></span>i haven’t seen this in fonts made by native designers; they usually place the tonos between the dots of the dieresis.<br />font on the picture: darkmode by dalton maag<br /><img alt="tonos above dieresis" src="https://typo.social/system/media_attachments/files/116/567/098/473/030/277/small/b90002b634986dd1.png" title="Image: https://typo.social/system/media_attachments/files/116/567/098/473/030/277/small/b90002b634986dd1.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/https://typo.social/system/media_attachments/files/116/567/098/473/030/277/small/b90002b634986dd1.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/https://typo.social/system/media_attachments/files/116/567/098/473/030/277/small/b90002b634986dd1.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/https://typo.social/system/media_attachments/files/116/567/098/473/030/277/small/b90002b634986dd1.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/https://typo.social/system/media_attachments/files/116/567/098/473/030/277/small/b90002b634986dd1.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/https://typo.social/system/media_attachments/files/116/567/098/473/030/277/small/b90002b634986dd1.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/https://typo.social/system/media_attachments/files/116/567/098/473/030/277/small/b90002b634986dd1.png 2000w, https://typo.social/system/media_attachments/files/116/567/098/473/030/277/small/b90002b634986dd1.png" sizes="100vw" />]]>
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        <title>Do me a favor — test my website access</title>
        <link>https://typedrawers.com/discussion/5598/do-me-a-favor-test-my-website-access</link>
        <pubDate>Sat, 30 May 2026 22:28:29 +0000</pubDate>
        <category>Type Business</category>
        <dc:creator>Igor Petrovic</dc:creator>
        <guid isPermaLink="false">5598@/discussions</guid>
        <description><![CDATA[I would like to kindly ask TD members to try opening my studio (foundry) website, and send me feedback, here or in DM. No detail testing needed, just if the website homepage is accessible without any warnings or errors:<br /><br /><span><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fnostalgicdolphin.com%2F">https://nostalgicdolphin.com/</a><br /><br />Alternatively, you can vote here, if it is easier than writing a comment or DM:<br /><span><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fstrawpoll.com%2FB2ZB9OqNBgJ">https://strawpoll.com/B2ZB9OqNBgJ</a><br /></span><br /><br />BACKGROUND:<br /></span><br />I would avoid bothering you with non-type matter, but I am trying to solve the problem for two weeks now. I renewed my hosting at Namecheap, and seemingly, they put me on another shared server with a bad reputation. Then I started getting feedback from customers that they can't access the site. <br /><br />I gave my best to solve the issue, with support, added Cloudflare, checked various tools, Google Safe Browsing and Sucuri (both clean), VirusTotal (showed some false positives, removing them one by one with reports), checked my site completely, and scanned it with Wordfence.<br /><br />Now I need to mass test it, because I already thought twice I solved it, just to appear again. This is the only communication channel I am active on. I would understand if this is a noise thread (admins feel free to remove it in that case).<br /><br />Thanks!<br />—I]]>
        </description>
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    <item>
        <title>State of the art in AI image generation as we go into 2026.</title>
        <link>https://typedrawers.com/discussion/5512/state-of-the-art-in-ai-image-generation-as-we-go-into-2026</link>
        <pubDate>Thu, 18 Dec 2025 04:47:31 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Ray Larabie</dc:creator>
        <guid isPermaLink="false">5512@/discussions</guid>
        <description><![CDATA[Yesterday, OpenAI released a new image generator, likely to compete with NanoBanana. Here's where we're at:<br /><br />The prompt: Make a typeface specimen graphic showing the alphabet. The font is a techno typeface with capitals and lowercase.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/5x/kubxnyblw1pl.png" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/5x/kubxnyblw1pl.png 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/5x/kubxnyblw1pl.png 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/5x/kubxnyblw1pl.png 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/5x/kubxnyblw1pl.png 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/5x/kubxnyblw1pl.png 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/5x/kubxnyblw1pl.png 2000w, https://us.v-cdn.net/5019405/uploads/editor/5x/kubxnyblw1pl.png" sizes="100vw" /><br /><br />I think the font bears some resemblance to Conthrax. The next prompt: Make a typeface specimen graphic showing the alphabet. It's the same as the previous typeface but an extra-light version.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/oi/b1a9a4jx61c9.jpg" sizes="100vw" /><br /><br />Make a typeface specimen graphic showing the alphabet. It's the same as the typeface in the last two images but an ultra-bold version.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/j0/w164r5h4e4n5.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/j0/w164r5h4e4n5.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/j0/w164r5h4e4n5.jpg" sizes="100vw" /><br /><br />Make a typeface specimen graphic showing the Cyrillic alphabet. It's the same as the typeface in the last three images but the "regular" weight version.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/bs/yoz19sfd9vkq.jpg" sizes="100vw" /><br /><br />Make a typeface specimen graphic showing a full set of currency symbols. It includes never symbols such as the riyal currency symbol. It's the same as the typeface in the last four images but the "regular" weight version.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/ht/9d4xuwzm4mc3.jpg" sizes="100vw" /><br /><br />Well, it didn't handle that last one so well, did it?  It can render some well-known fonts like Clarendon, Montserrat, and Franklin Gothic fairly accurately.<br /><br />Make a typeface specimen graphic showing the alphabet in uppercase and lowercase. The background is white, and the characters are black. The font is Franklin Gothic Bold.<br /><br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/ds/a9aciq2eki9r.jpg" title="Image: https://us.v-cdn.net/5019405/uploads/editor/ds/a9aciq2eki9r.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/ds/a9aciq2eki9r.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/ds/a9aciq2eki9r.jpg" sizes="100vw" /><br /><br /><br /> I'm not thrilled about this, but I like to check in on new image generators to assess the threat. Anyway, I thought this might be interesting for anyone who hasn't been keeping up. If you want to experiment, it's just a regular ChatGPT prompt, and I think it'll work in the free version.<br />]]>
        </description>
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    <item>
        <title>Introducing Colr Pak - a free open source editor for COLR v0 and v1 fonts</title>
        <link>https://typedrawers.com/discussion/5560/introducing-colr-pak-a-free-open-source-editor-for-colr-v0-and-v1-fonts</link>
        <pubDate>Wed, 11 Mar 2026 09:10:22 +0000</pubDate>
        <category>Type Design Software</category>
        <dc:creator>mitradranirban</dc:creator>
        <guid isPermaLink="false">5560@/discussions</guid>
        <description><![CDATA[<p>Color Pak is a cross-platform desktop application for designing and editing color fonts. It is a fork of <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Ffontra%2Ffontra-pak">Fontra Pak</a>, extended with dedicated tooling for COLRv0 and COLRv1 color font authoring — including a visual paint graph editor, palette management, and gradient handles directly on the canvas.</p><p>Your fonts stay entirely on your computer and are never uploaded anywhere</p><div><h2 data-id="key-features">Key Features</h2><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Fmitradranirban%2Fcolr-pak%23key-features"></a></div><ul><li>COLRv1 Paint Graph Editor — visually compose  <code spellcheck="false" tabindex="0">PaintSolid</code>, <code spellcheck="false" tabindex="0">PaintLinearGradient</code>, <code spellcheck="false" tabindex="0">PaintRadialGradient</code>, <code spellcheck="false" tabindex="0">PaintSweepGradient</code>, <code spellcheck="false" tabindex="0">PaintGlyph</code>, <code spellcheck="false" tabindex="0">PaintTranslate</code>, <code spellcheck="false" tabindex="0">PaintScale</code>, <code spellcheck="false" tabindex="0">PaintRotate</code>, <code spellcheck="false" tabindex="0">PaintSkew</code>, and <code spellcheck="false" tabindex="0">PaintTransform</code> nodes per glyph.</li><li>COLRv0 Layer Mapping — manage color layer stacks with palette index assignments for simpler color fonts.</li><li>One-click COLRv0 → COLRv1 Upgrade — automatically convert an existing v0 layer mapping into an equivalent COLRv1 <code spellcheck="false" tabindex="0">PaintColrLayers</code> structure.</li><li>Masterless COLRv1 Variation (WIP) — author variable color parameters (gradient stops, transform values, alpha) as independent per-axis keyframes, without requiring separate outline masters.</li><li>Live Canvas Rendering — see COLRv1 paint effects rendered in real time on the glyph canvas as you edit.</li><li>Palette Management — define and switch between multiple color palettes; the active palette is reflected immediately in the canvas preview.</li><li>Full Fontra Editing Core — all standard Fontra editing features (glyph drawing, variable font axes, anchors, components, etc.) are included. </li></ul>Public Release 0.1.0 is now available for Linux,Microsoft Windows and MacOS (both Apple Sillicon and Intel newer that MacOs 10.15) . Installation instructions are available at <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Fmitradranirban%2Fcolr-pak%2Fblob%2Fmain%2FINSTALLATION.md">https://github.com/mitradranirban/colr-pak/blob/main/INSTALLATION.md</a> ]]>
        </description>
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    <item>
        <title>Does someone here trade in Adobe, MyFonts or other similar stocks?</title>
        <link>https://typedrawers.com/discussion/5592/does-someone-here-trade-in-adobe-myfonts-or-other-similar-stocks</link>
        <pubDate>Thu, 14 May 2026 21:37:42 +0000</pubDate>
        <category>Type Business</category>
        <dc:creator>Vasil Stanev</dc:creator>
        <guid isPermaLink="false">5592@/discussions</guid>
        <description><![CDATA[Does someone here trade in Adobe, MyFonts or other similar stocks?]]>
        </description>
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        <title>Anyone paint as an outlet?</title>
        <link>https://typedrawers.com/discussion/5588/anyone-paint-as-an-outlet</link>
        <pubDate>Fri, 08 May 2026 15:33:39 +0000</pubDate>
        <category>Type Design Technique &amp; Theory</category>
        <dc:creator>Adam Ladd</dc:creator>
        <guid isPermaLink="false">5588@/discussions</guid>
        <description><![CDATA[Kind of specific, and opened a discussion similar to this a couple months ago...<br /><br />But I'm curious, given the element of drawing involved in type design, if there are others out there that paint (or other forms of art) as an outlet?<br /><br />I've tried to pick up a brush again from time to time, but tough to get myself to dive deeper into it and enjoy it as a way to get off the screen and have a more tangible expression. I think it's partly committing to the time and then cleanup involved (considering watercolors partially for that reason).<br /><br />Similarly, curious if there are certain styles/movements that most inspire you in that area or even inform how you view type design and the shapes? For me, I've found myself drawn to impressionism and the semi-freedom of it to reinterpret but still be understandable.]]>
        </description>
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    <item>
        <title>Handling Fontspector&#39;s &quot;codepoints not covered by METADATA subsets&quot;</title>
        <link>https://typedrawers.com/discussion/5594/handling-fontspectors-codepoints-not-covered-by-metadata-subsets</link>
        <pubDate>Tue, 19 May 2026 10:53:19 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Daniel Yacob</dc:creator>
        <guid isPermaLink="false">5594@/discussions</guid>
        <description><![CDATA[Greetings All,<br /><br />Writing to ask for assistance in tackling this error that appears in Fontspector reports.  The message seems straightforward, but when I make the indicated correction, it makes no impact.  For example:<br /><br /><code spellcheck="false" tabindex="0">The following codepoints supported by the font are not covered by any subsets defined in the font's metadata file, and will never be served. You can solve this by either manually adding additional subset declarations to METADATA.pb, or by editing the glyphset definitions.</code><br /><br /><code spellcheck="false" tabindex="0">U+02D8 BREVE: try adding one of: yi, canadian-aboriginal</code><br /><br />  Then, adding the following to the  <code spellcheck="false" tabindex="0">METADATA.pb</code>, and retesting:<br /><br /><code spellcheck="false" tabindex="0">subsets: "yi"</code>&#13;
&#13;
<br /><br />the same errors appear, it's like the  <code spellcheck="false" tabindex="0">METADATA.pb</code> is not being read.  I'd appreciate any suggestions here.<br /><br />The alternative correction was to edit the glyphset definition, which I believe is referring to the resources here:  <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Fgooglefonts%2Fglyphsets">https://github.com/googlefonts/glyphsets</a> . I don't know how that would work though, unless I could have local copies that fontspector would read.<br /><br />thanks!<br /><br />-Daniel]]>
        </description>
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    <item>
        <title>Textura Eszett</title>
        <link>https://typedrawers.com/discussion/5591/textura-eszett</link>
        <pubDate>Tue, 12 May 2026 21:52:36 +0000</pubDate>
        <category>Type Design Technique &amp; Theory</category>
        <dc:creator>Nick Shinn</dc:creator>
        <guid isPermaLink="false">5591@/discussions</guid>
        <description><![CDATA[My latest project, <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Ffonts.ilovetypography.com%2Ffonts%2Fshinntype%2Fpuffery">Puffery</a>,  updates the “Olde English” style of blackletter with Roman-based capitals—providing better legibility for those unfamiliar with the classic Fraktur capitals, and also to enable a neat all-caps setting. So I had to include a suitable capital Eszett, giving it some commonality with the lower case ß.<div><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/vs/m8xv71td0753.jpg" title="Image: https://us.v-cdn.net/5019405/uploads/editor/vs/m8xv71td0753.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/vs/m8xv71td0753.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/vs/m8xv71td0753.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/vs/m8xv71td0753.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/vs/m8xv71td0753.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/vs/m8xv71td0753.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/vs/m8xv71td0753.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/vs/m8xv71td0753.jpg" sizes="100vw" /></div><div><span>There are two variants of the typeface—</span><i>Vintage Capitals</i><span> (above) and </span><i>Regular</i><span> (below).</span><br /></div>]]>
        </description>
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        <title>Open type Glyph table version 1</title>
        <link>https://typedrawers.com/discussion/5569/open-type-glyph-table-version-1</link>
        <pubDate>Thu, 26 Mar 2026 03:10:55 +0000</pubDate>
        <category>Type Design Technique &amp; Theory</category>
        <dc:creator>mitradranirban</dc:creator>
        <guid isPermaLink="false">5569@/discussions</guid>
        <description><![CDATA[Is the proposal to include cubic bezier in .ttf fonts accepted by OpenType?<br />If enabled, what will be its pros and cons over cff/cff2? ]]>
        </description>
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        <title>Foundry Website with Squarespace</title>
        <link>https://typedrawers.com/discussion/5589/foundry-website-with-squarespace</link>
        <pubDate>Sat, 09 May 2026 14:52:12 +0000</pubDate>
        <category>Type Business</category>
        <dc:creator>Shina Design</dc:creator>
        <guid isPermaLink="false">5589@/discussions</guid>
        <description><![CDATA[<div>Hi there,<br />Shina Design restarted a foundry website with Squarespace in 2026.<br /><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fshinadesign.com">https://shinadesign.com</a><br /><br />Providing corporate license only. But Squarespace is designed for B2C &amp; missing the reverse charge feature not to collect VAT from companies.<br />So I'm avoiding this problem by not providing official licenses for an individual in the EU or UK and not charging VAT by default.</div><div><br />Before that I tried to combine Squarespace &amp; Lemon Squeezy (MoR) to solve global tax issues.<br />It is easy to use &amp; works seamlessly. But I found managing two platforms was feeling strange, losing brand image &amp; control.<br /><br />And the actual cost of MoR is not always 5~8%, sometimes around 20% when customers are in Canada, Australia, United States etc.<br />Reference:　<a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fwww.easy.tools%2Fguides%2Finternational-taxation-for-digital-products">https://www.easy.tools/guides/international-taxation-for-digital-products</a></div><div><br />Squarespace without the reverse charge feature may not be ideal, but I focused on one platform &amp; B2B.<br />For the first month purchasers were from the United States &amp; China, so there were no tax problems, but I'd like to share if something happens.<br /></div>]]>
        </description>
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        <title>New font editor announcement: Counterpunch, also in Alpha ;)</title>
        <link>https://typedrawers.com/discussion/5556/new-font-editor-announcement-counterpunch-also-in-alpha</link>
        <pubDate>Tue, 03 Mar 2026 15:15:45 +0000</pubDate>
        <category>Type Design Software</category>
        <dc:creator>yanone</dc:creator>
        <guid isPermaLink="false">5556@/discussions</guid>
        <description><![CDATA[<div>Introducing Counterpunch, a next-generation font editor that runs directly in your browser.</div><div><br /></div><div>Inspired by the counterpunch, a traditional punch-cutting tool from the metal type era, this modern digital type design tool introduces vital concepts such as full bidirectional complex script shaping, in-place component editing, code-driven dynamic glyph filters, and a digital assistant that streamlines everyday font engineering tasks.</div><div><br /></div><div>For those who have grown weary of the repetitive edit-compile-test cycle of traditional font editors, Counterpunch offers a welcome solution. The editor provides a genuine what-you-see-is-what-you-get experience, where the editor rendering is 100% consistent with the end product that users would see in browsers, design applications, or text processors. This eliminates the frustration of dealing with vowel marks or complex contextual substitutions and positioning that do not display as expected in the editor.</div><div><br /></div><div>Counterpunch is fully open-source, licensed under the GPLv3 license, which ensures that it will remain free from commercial exploitation.</div><div><br /></div><div>Although the editor is currently in its alpha stage, with many features still in development, it is already a valuable tool for debugging and analysis. You can load your existing font sources and utilize the assistant and dynamic glyph filters to examine them with greater confidence and in unprecedented detail.</div><div><br /></div><div>Counterpunch comes with Python scripting out-of-the-box, and the assistant can catch and repair your broken Python scripts and even translate your established scripts from other editors to work with the Counterpunch object model. It’s self-healing user code.</div><div><br /></div><div>A fully functional Public Beta is expected for late spring, and the release of the finished product is slated for October 2026.</div><div><br /></div><div>While the editor is free to use for everyone and without registration, the Counterpunch project operates a paid monthly subscription to use the assistant. With prices varying by country to make the tool universally accessible, you’re getting state-of-the-art font engineering at your fingertips while supporting the growth of the project financially.</div><div><br /></div><div>“We shape our tools and thereafter our tools shape us.” – Marshall McLuhan</div><div><br /></div><div>Counterpunch has a whole lot of future product ideas lined-up. Stay tuned and follow along for the ride.</div><div><br /></div><div>The editor is currently in Alpha stage with many features not yet implemented, and correct display depends on compatibility with fontc, Google Font’s new font compiler.<br /><br />Here’s a small teaser video: <span><span data-youtube="youtube-bwCjRV_TzAE?autoplay=1"><span><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DbwCjRV_TzAE"><img src="https://img.youtube.com/vi/bwCjRV_TzAE/0.jpg" width="640" height="385" border="0" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/https://img.youtube.com/vi/bwCjRV_TzAE/0.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/https://img.youtube.com/vi/bwCjRV_TzAE/0.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/https://img.youtube.com/vi/bwCjRV_TzAE/0.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/https://img.youtube.com/vi/bwCjRV_TzAE/0.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/https://img.youtube.com/vi/bwCjRV_TzAE/0.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/https://img.youtube.com/vi/bwCjRV_TzAE/0.jpg 2000w, https://img.youtube.com/vi/bwCjRV_TzAE/0.jpg" sizes="100vw" alt="image" />https://www.youtube.com/watch?v=bwCjRV_TzAE</a></span><span></span></span></span><br />And the website: <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fcounterpunch.space%2F">https://counterpunch.space/</a></div>]]>
        </description>
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        <title>30th anniversary of OpenType (May 6)</title>
        <link>https://typedrawers.com/discussion/5587/30th-anniversary-of-opentype-may-6</link>
        <pubDate>Wed, 06 May 2026 05:48:11 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>Ray Larabie</dc:creator>
        <guid isPermaLink="false">5587@/discussions</guid>
        <description><![CDATA[<div>For the 20th anniversary, I joked that maybe by the 25th anniversary, basic OpenType features would finally work consistently in PowerPoint.<br /><br /></div><div>For the 25th anniversary, I joked that maybe by the 30th anniversary, PowerPoint would finally support basic OpenType features properly.</div><div>Well, here we are at 30.<br /><br /></div><div>As far as I can tell, PowerPoint still treats advanced typography like a suspicious new experimental technology from the future. Kerning classes remain unreliable; stylistic sets, alternates and other standard OpenType features are still mostly absent from the UI or inconsistently supported.<br /><br /></div><div>At this rate, I’m optimistic that by the 35th anniversary, presentation software may finally discover typography from the age of from the age of Tamagotchis.</div>]]>
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        <title>Glare of white 100% backgrounds and how it affects fonts</title>
        <link>https://typedrawers.com/discussion/5494/glare-of-white-100-backgrounds-and-how-it-affects-fonts</link>
        <pubDate>Wed, 12 Nov 2025 15:32:12 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>jaimes</dc:creator>
        <guid isPermaLink="false">5494@/discussions</guid>
        <description><![CDATA[I noticed recently that the people at Tiro Typeworks use a very muted background (#e3e5e1) in their editable font samples.<br /><br />And experimenting in my own website with muted off-white backgrounds, I noticed with surprise that the letters appeared <b>darker</b> with the muted background instead of 100% white.<br />I'm using <span>#efede2 now in my sites and in my programming text editor, and I think they're much more readable.<br /></span><br />I notice especially with serif fonts. For serif fonts, with muted background, the letterforms appear "fuller" if it makes sens. Sometimes the stems get a bit washed out over 100% white background.<br /><br />I realize that this is probably highly machine dependent, and person dependent, but, I don't think it should be surprising, in retrospect:<br />I checked the Spiekermann book (3rd ed) and there's a page about font adjustments to compensate for light text on dark background, and especially when the light text is actually illuminated from behind.<br />And this is exactly the converse of computer screens, no?<br /><br />Do other people notice this? Are there recommendations for screens? (I have found some web designer sites calling for off-white, but nothing formal). And, is there a technical name for this?]]>
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        <title>A browser extension to avoid glare on text</title>
        <link>https://typedrawers.com/discussion/5586/a-browser-extension-to-avoid-glare-on-text</link>
        <pubDate>Thu, 30 Apr 2026 15:12:05 +0000</pubDate>
        <category>Font Technology</category>
        <dc:creator>jaimes</dc:creator>
        <guid isPermaLink="false">5586@/discussions</guid>
        <description><![CDATA[<div>Hi,</div><div>a while ago I had a discussion here about pure white background on screen producing glare for reading. See <a href="https://typedrawers.com/discussion/5494/glare-of-white-100-backgrounds-and-how-it-affects-fonts" rel="nofollow">https://typedrawers.com/discussion/5494/glare-of-white-100-backgrounds-and-how-it-affects-fonts</a></div><div>I've created a browser extension that works on Firefox, Chrome, and Edge, and substitutes text backgrounds that are too bright with something more muted.</div><div><br /></div><div>Here: <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fglareless.silvela.org%2F">https://glareless.silvela.org/</a></div><div><br /></div><div>I hope it's useful to some, and I'd love to hear any feedback, positive or negative.</div><br /><br />]]>
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        <title>Vertical metrics standards</title>
        <link>https://typedrawers.com/discussion/5320/vertical-metrics-standards</link>
        <pubDate>Wed, 23 Apr 2025 19:46:44 +0000</pubDate>
        <category>Type Design Technique &amp; Theory</category>
        <dc:creator>Tofu Type Foundry</dc:creator>
        <guid isPermaLink="false">5320@/discussions</guid>
        <description><![CDATA[<div>I have some naive questions. <a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fglyphsapp.com%2Flearn%2Fvertical-metrics">This article</a> from the Glyphs team dives into the complex issue of vertical metrics; even after reading it numerous times I still don’t fully understand the intricacies. In the past I’ve gone with “the Google strategy” outlined in the article, since it appears to be a well-rounded solution.<br /><br />What I’d like to know is: Do you use one of their recommended methods for setting <i>hhea</i>, <i>typo</i>, and <i>win</i> values? Is it necessary to use a different method because of the needs of the typeface? Does each foundry have a standard so all their fonts work well together in their own library?</div>]]>
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        <title>Tool for indie foundries: Finding where your fonts are being used on the web</title>
        <link>https://typedrawers.com/discussion/5583/tool-for-indie-foundries-finding-where-your-fonts-are-being-used-on-the-web</link>
        <pubDate>Tue, 21 Apr 2026 16:21:00 +0000</pubDate>
        <category>Type Business</category>
        <dc:creator>Lars Schwarz</dc:creator>
        <guid isPermaLink="false">5583@/discussions</guid>
        <description><![CDATA[<div>Hi all,</div><br /><div>I've been building a tool for independent type designers — a way to see where your fonts are being used across the public web — and I'd like to share what I'm aiming at and hear whether it lines up with what you'd actually find useful.</div><div><br /></div><div>A few principles that have shaped the direction, informed by the recent FontRadar thread and conversations with designers I've worked with in the past:</div><br /><div>You keep the customer relationship. The tool never contacts anyone on your behalf. No emails signed in your name, no legal letters, no outreach campaigns you didn't approve. A license inquiry is a conversation with a potential customer — you're the right person to have it.</div><br /><div>Discovery first, enforcement if you want it. Most of what gets found won't be infringement. It'll be real uses of your work — for your portfolio, case studies, social posts, or just the quiet pleasure of knowing. Licensing gaps are one signal among many, not the whole product.</div><br /><div>No font uploads, no customer database required. The tool identifies your fonts from what's already on the public web — including subsetted and renamed versions. You never hand over your catalog or your sales data. If you want to cross-reference against legitimate customers, you do that locally.</div><br /><div>Flat monthly pricing. A predictable fee covers detection and the dashboard. If you use the tool to sell a license to an infringing site, I take a small processing fee on that transaction only. No contingency cuts on recovered revenue, no percentage of settlements you handled yourself, no contracts that penalize you for growing.</div><br /><div>Honest coverage. I'm actively crawling a large pool of domains, prioritizing sites with real traffic, and expanding coverage as the project grows. I find a lot. I don't find everything. I'd rather tell you upfront if your library looks like it sits mostly outside my reach than take your money on a bet that doesn't work out.</div><br /><div>I'd rather talk to the people who'd actually use something like this than keep building in isolation. If any of this resonates — or if there's something obvious I'm underestimating — I'd value hearing from you.</div><br /><div>Happy to talk privately as well if you'd rather.<br /><br />Lars<br /></div>]]>
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        <title>Postscript name issue.</title>
        <link>https://typedrawers.com/discussion/5584/postscript-name-issue</link>
        <pubDate>Sat, 25 Apr 2026 15:31:20 +0000</pubDate>
        <category>Type Design Technique &amp; Theory</category>
        <dc:creator>ok_locksmith_8414</dc:creator>
        <guid isPermaLink="false">5584@/discussions</guid>
        <description><![CDATA[<p>I am testing my typeface through Fontspector, and this FAIL message comes up. (I included a picture of it below.)</p><p>The message pretty much explains what the issue is. In some apps, instead of just “Rolesville,” I get Rolesville-Thin. It’s saying the PostScript name is wrong. I am making a 9-weight typeface (100-900). My font file has three masters: Thin, Medium, and Black, with interpolated instances in between.</p><p>I tried to research this, but I don’t understand it.</p><p>Can someone tell me what settings I need to add or adjust in my font file to fix this issue?</p><p>I am using Glyphs 3.4.1</p><p>Thanks.</p><p><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/gj/qoqpmkcib8lw.jpeg" title="Image: https://us.v-cdn.net/5019405/uploads/editor/gj/qoqpmkcib8lw.jpeg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/gj/qoqpmkcib8lw.jpeg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/gj/qoqpmkcib8lw.jpeg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/gj/qoqpmkcib8lw.jpeg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/gj/qoqpmkcib8lw.jpeg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/gj/qoqpmkcib8lw.jpeg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/gj/qoqpmkcib8lw.jpeg 2000w, https://us.v-cdn.net/5019405/uploads/editor/gj/qoqpmkcib8lw.jpeg" sizes="100vw" /><br /></p>]]>
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        <title>IntegerStemFinder</title>
        <link>https://typedrawers.com/discussion/5274/integerstemfinder</link>
        <pubDate>Wed, 19 Feb 2025 13:18:42 +0000</pubDate>
        <category>Type Design Software</category>
        <dc:creator>Michael Rafailyk</dc:creator>
        <guid isPermaLink="false">5274@/discussions</guid>
        <description><![CDATA[<p>Another stem interpolation (and extrapolation) calculator with the ability to adjust instances after interpolation and easily find the closest integer (or closest to integer) stem or sidebearing.</p><p><img src="https://us.v-cdn.net/5019405/uploads/editor/bl/4d230li1gfwu.gif" alt="" title="Image: https://us.v-cdn.net/5019405/uploads/editor/bl/4d230li1gfwu.gif" srcset="https://us.v-cdn.net/5019405/uploads/editor/bl/4d230li1gfwu.gif 300w, https://us.v-cdn.net/5019405/uploads/editor/bl/4d230li1gfwu.gif 600w, https://us.v-cdn.net/5019405/uploads/editor/bl/4d230li1gfwu.gif 800w, https://us.v-cdn.net/5019405/uploads/editor/bl/4d230li1gfwu.gif 1200w, https://us.v-cdn.net/5019405/uploads/editor/bl/4d230li1gfwu.gif 1600w, https://us.v-cdn.net/5019405/uploads/editor/bl/4d230li1gfwu.gif 2000w, https://us.v-cdn.net/5019405/uploads/editor/bl/4d230li1gfwu.gif" sizes="100vw" /><br /></p><h2 data-id="links">Links</h2><p>Online version:<br /><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fmichaelrafailyk.github.io%2FIntegerStemFinder%2F" title="Link: https://michaelrafailyk.github.io/IntegerStemFinder/">michaelrafailyk.github.io/IntegerStemFinder</a></p><p>Video demonstration:<br /><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dei9jeOwSu30">youtube.com/watch?v=ei9jeOwSu30</a></p><p>Project page on GitHub:<br /><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Fmichaelrafailyk%2FIntegerStemFinder">github.com/michaelrafailyk/IntegerStemFinder</a><br /></p><h2 data-id="sources">Sources</h2>The idea of editable instances is inspired by a <a rel="nofollow" href="https://typedrawers.com/discussion/comment/43398/#Comment_43398">comment of Abraham Lee</a>. The idea of finding the closest integer stem or sidebearing is inspired by a <a rel="nofollow" href="https://typedrawers.com/discussion/comment/2754/#Comment_2754">comment of George Thomas</a>. The progression formulas are taken from a <a rel="nofollow" href="https://typedrawers.com/discussion/comment/34545/#Comment_34545">comment of Linus Romer</a> and from a <a rel="nofollow" href="https://typedrawers.com/discussion/comment/26280/#Comment_26280">comment of Abraham Lee</a>. Interpolation of nonlinear progression with intermediate masters uses the second method from a <a rel="nofollow" href="https://typedrawers.com/discussion/comment/68492/#Comment_68492">comment of John Hudson</a>.<br /><h2 data-id="features">Features</h2><ul><li>Interpolate linearly (multiple masters setup supported).</li><li>Extrapolate linearly (multiple masters setup supported).</li><li>Interpolate with a progression (multiple masters setup supported).</li><li>Switch any weight to master.</li><li>Hide any weight from axis.</li><li>Drag the weight by the handle/line to change its position.</li><li>Adjust instance after interpolation.</li><li>Find a closest integer stem or sidebearing.</li><li>Switch between accurate and rounded stems and sidebearings.</li><li>See a visualization of stems and sidebearings.</li><li>See a graph of stem growth curve.</li><li>Compare interpolation strategies using sets.</li></ul><p>A complete list of features:<br /><a rel="nofollow" href="https://typedrawers.com/home/leaving?allowTrusted=1&amp;target=https%3A%2F%2Fgithub.com%2Fmichaelrafailyk%2FIntegerStemFinder%3Ftab%3Dreadme-ov-file%23features">github.com/michaelrafailyk/IntegerStemFinder?tab=readme-ov-file#features</a><br /></p><h2 data-id="colors">Colors</h2><p>Black – master.<br />Green – instance.<br />Blue – adjusted instance.<br />Gray – hidden weight.<br /></p><h2 data-id="defaults">Defaults</h2><p>Default weights and their parameters could be predefined in an array in a JavaScript file. Here you can set default axis configuration, such as: amount of weights; weight position (axis range is from 0 to 1000) and name; weight is master, instance, or hidden; stem and sidebearing values for masters.</p><pre spellcheck="false" tabindex="0">defaults: [&#13;
	{position: 0, name: 'Hairline', hidden: true},&#13;
	{position: 100, name: 'Thin', master: true, stem: 20, sidebearing: 82},&#13;
	{position: 200, name: 'Extra Light'},&#13;
	{position: 300, name: 'Light'},&#13;
	{position: 400, name: 'Regular'},&#13;
	{position: 500, name: 'Medium'},&#13;
	{position: 600, name: 'Semi Bold'},&#13;
	{position: 700, name: 'Bold'},&#13;
	{position: 800, name: 'Extra Bold'},&#13;
	{position: 900, name: 'Black', master: true, stem: 220, sidebearing: 50}&#13;
]</pre><h2 data-id="implementation">Implementation</h2><p>Implemented using HTML + CSS + JavaScript. I'm not very familiar with Java, but I know JavaScript a little better, and also I like an idea that it could be accessed from any device connected to internet. To run it offline, download all three files, place it in one directory, and open the index.html file in any browser. However, I recommend using the online version as it will receive updates if any errors are found.</p><h2 data-id="license">License</h2><p>MIT License. You are free to fork / copy / download / modify this tool without any permission. In the case of modifications, all the functions and actions are commented and explained inside the JavaScript file.</p>]]>
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        <title>Which form of the Cyrillic lowercase ghe with a stroke (uni0493) is preferable in the italics?</title>
        <link>https://typedrawers.com/discussion/5563/which-form-of-the-cyrillic-lowercase-ghe-with-a-stroke-uni0493-is-preferable-in-the-italics</link>
        <pubDate>Tue, 17 Mar 2026 14:43:57 +0000</pubDate>
        <category>Type Design Technique &amp; Theory</category>
        <dc:creator>Stefan Peev</dc:creator>
        <guid isPermaLink="false">5563@/discussions</guid>
        <description><![CDATA[Here are some semples of the Cyrillic lowercas ghe with a stroke (uni0493). Which one is more correct for the italic style?<br /><img alt="" src="https://us.v-cdn.net/5019405/uploads/editor/iz/nlmps3ekj0mc.jpg" title="Image: https://us.v-cdn.net/5019405/uploads/editor/iz/nlmps3ekj0mc.jpg" srcset="https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=300, width=300/5019405/uploads/editor/iz/nlmps3ekj0mc.jpg 300w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=600, width=600/5019405/uploads/editor/iz/nlmps3ekj0mc.jpg 600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=800, width=800/5019405/uploads/editor/iz/nlmps3ekj0mc.jpg 800w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1200, width=1200/5019405/uploads/editor/iz/nlmps3ekj0mc.jpg 1200w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=1600, width=1600/5019405/uploads/editor/iz/nlmps3ekj0mc.jpg 1600w, https://us.v-cdn.net/cdn-cgi/image/quality=80, format=auto, fit=scale-down, height=2000, width=2000/5019405/uploads/editor/iz/nlmps3ekj0mc.jpg 2000w, https://us.v-cdn.net/5019405/uploads/editor/iz/nlmps3ekj0mc.jpg" sizes="100vw" /><br />]]>
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        <title>Optical sizes for icon fonts for the web</title>
        <link>https://typedrawers.com/discussion/5577/optical-sizes-for-icon-fonts-for-the-web</link>
        <pubDate>Sat, 11 Apr 2026 05:40:42 +0000</pubDate>
        <category>Type Business</category>
        <dc:creator>Vasil Stanev</dc:creator>
        <guid isPermaLink="false">5577@/discussions</guid>
        <description><![CDATA[Currently it dawned on me that icon fonts can be made to have optical sizes to help UX with desktop webpage resizing and mobile. There seems to be a Google font just for that but beyond that I couldn't find others (nor did I search tooo hard lol <img src="https://typedrawers.com/resources/emoji/smile.png" title=":)" alt=":)" height="20" /> ) Has someone here done such a type of font, are there highly marketable, or not so much, or not at all? I am thinking mostly custom work for business clients that want things like their logo to be turned into a company font (I've done this, but only for a static font) + and added suite of icons for their in-house materials.]]>
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        <title>Monotype Exchange rates</title>
        <link>https://typedrawers.com/discussion/5581/monotype-exchange-rates</link>
        <pubDate>Fri, 17 Apr 2026 10:01:13 +0000</pubDate>
        <category>Type Business</category>
        <dc:creator>Miles Newlyn</dc:creator>
        <guid isPermaLink="false">5581@/discussions</guid>
        <description><![CDATA[<span>Does anyone have any thoughts on why Monotype prices have sterling:dollar parity? The exchange rate 1:1.35 is far from equal.</span>]]>
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        <title>Redraw vs adjusting font (which is faster/easier?)</title>
        <link>https://typedrawers.com/discussion/5573/redraw-vs-adjusting-font-which-is-faster-easier</link>
        <pubDate>Wed, 01 Apr 2026 13:56:49 +0000</pubDate>
        <category>Type Design Technique &amp; Theory</category>
        <dc:creator>Carl Enlund</dc:creator>
        <guid isPermaLink="false">5573@/discussions</guid>
        <description><![CDATA[<div>This is me thinking out loud:</div><div>Isn't it sometimes faster/easier to redraw your font from scratch? When you realize a lot needs to be changed in the design.</div><div>Rather than trying to make adjustments to existing glyphs/nodes.</div><div><br /></div><div>Redraw = throw away what nodes/paths you've drawn and draw them from scratch (perhaps keeping old drawing as visual reference).</div><div><br /></div><div>Factors that can influence whether it's worth the effort to redraw font:<br /><br />- current glyph count (maybe redrawing falls apart at &gt;50-100 glyphs depending on complexity)<br />- how big the change is<br />- master compatibility<br />- if glyphs use simple construction that can be derived from a recipe, e.g. use /d to make /p - then you just follow that recipe to quickly redraw whole font from scratch<br />- how strictly you want to keep shapes/motifs consistent across glyphs (strict consistency could favor a redraw)</div><div><br /></div><div>Types of changes I'm thinking of below. Would any of these be sufficient for redrawing from scratch:<br /><br />- vibe feels off (biggest reason to redraw i believe)<br />- change genre<br />- proportions feel off across glyphs<br />- bad curve structure (tooling for harmonize and extremas are useful here)<br />- make font bold (tooling exists to avoid redrawing. And redrawing will break master compatibility)<br />- change spacing (use tooling duh)<br />- make italic<br />- make oblique (good tooling exists to avoid redrawing)</div><div><br /></div><div>What are your thoughts? When to redraw font from scratch?</div><div><br /></div><div>/Carl</div>]]>
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